|
Ooh La La (Faces Song)
"Ooh La La" is a 1973 song by the band Faces (band), Faces, written by Ronnie Lane and Ronnie Wood. It is the title song of the band's last studio album, ''Ooh La La (Faces album), Ooh La La''. The lead vocals were provided by Wood, a rarity in the band's catalogue; lead vocals were usually performed by Rod Stewart and less often by Ronnie Lane. Stewart and Lane each recorded lead vocals for the song, but reportedly neither was satisfied by their attempt. Their producer Glyn Johns then suggested that Wood give it a try, and this version was used for the track on the album. In 2021, it was listed at No. 246 on Rolling Stone's "Top 500 Best Songs of All Time". Content The lyrics describe a dialogue between a grandfather and grandson, with the elder man warning the younger about the perils of relationships with women: "Poor old granddad, I laughed at all his words / I thought he was a bitter man; he spoke of women's ways." The chorus laments, "I wish that I knew what I know now, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faces (band)
Faces are an English rock band formed in 1969 by members of Small Faces after lead singer and guitarist Steve Marriott left to form Humble Pie. The remaining Small Faces—Ian McLagan (keyboards), Ronnie Lane (electric bass, vocals), and Kenney Jones (drums and percussion)—were joined by Ronnie Wood (guitar) and Rod Stewart (lead vocals), both from the Jeff Beck Group, and the new line-up was renamed Faces. The band had a unique arrangement, as Rod Stewart had signed a separate solo recording contract with the Mercury label shortly before joining the group, which was signed to Warner's. Band members often contributed to Stewart's solo albums as contract players, and Faces live shows of the period would feature as much of Stewart's solo material as that of the band, which later fuelled tensions amongst them when they began to effectively be viewed as Stewart's 'backing band'. The group lacked a single main songwriter as from the beginning each member would work in tandem to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
When We Were The New Boys
''When We Were the New Boys'' is the eighteenth studio album by Rod Stewart released on 29 May 1998. It was Stewart's last studio album to be released by Warner Bros. Records. It produced the singles " Ooh La La", " Rocks", and "When We Were the New Boys". Background ''When We Were the New Boys'' was the first album by Stewart to not be released on vinyl. The tracks are mostly covers, such as " Cigarettes & Alcohol" by Oasis, "Rocks" by Primal Scream, "Hotel Chambermaid" by Graham Parker, and "Superstar" by the band Superstar. Two ballads were included that were suggested by Elvis Costello: Ron Sexmith's "Secret Heart" and Nick Lowe's "Shelly My Love". The album also includes " Ooh La La", a song recorded by Stewart's previous band the Faces. The Faces' version of the song was originally sung by the band's guitarist Ronnie Wood; Stewart recorded the song for ''When We Were the New Boys'' as a tribute to the song's co-author, Faces bassist Ronnie Lane, who had died in 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counting Crows
Counting Crows is an American rock band from San Francisco, California. Formed in 1991, the band consists of guitarist David Bryson, drummer Jim Bogios, vocalist Adam Duritz, keyboardist Charlie Gillingham, David Immerglück, bass guitarist Millard Powers, and guitarist Dan Vickrey. Past members include the drummers Steve Bowman (1991–1994) and Ben Mize (1994–2002), and bass guitarist Matt Malley (1991–2005). Counting Crows gained popularity following the release of its first album, ''August and Everything After'' (1993). With the breakthrough hit single " Mr. Jones" (1993), the album sold more than 7 million copies in the United States. The band received two Grammy Awards nominations in 1994, one for "Best Rock Performance by a Duo or Group with Vocal" (for "Round Here") and one for "Best New Artist". The follow-up album, ''Recovering the Satellites'', reached number one on the US ''Billboard'' 200 album chart and reached number one in several other countries. All but o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danny Barnes (musician)
Danny Barnes (born December 21, 1961) Trischka, Tony. "Interview with Danny Barnes." ''Banjo Newsletter''. September 2005. 12-23. is an American banjo player, singer, and composer whose music is influenced by country, jazz, blues, punk, metal, and more.Dukes, Howard"Barnes dubs banjo in many styles." ''The South Bend Tribune''. 29 May 2011. G2. Retrieved January 5, 2013 He has been described as a "banjo virtuoso" and is "widely acknowledged as one of the best banjo players in America." He was a founding member of the Austin trio the Bad Livers, with whom he toured and recorded extensively from 1990 to 2000. Since then, he has performed and recorded as a solo artist, as well as collaborating with Bill Frisell,Hall, Michael"Danny Barnes Proves That Playing the Banjo Can Pay."'' Texas Monthly''. 14 September 2015. Retrieved September 15, 2015. Dave Matthews, Jeff Austin and other musicians. In 2013, Barnes and Max Brody formed the Test Apes. In September 2015, Barnes was awarded th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lifestyle (Silkworm Album)
''Lifestyle'' is the seventh studio album by the American indie rock band Silkworm. It was released on August 8, 2000, by Touch and Go Records, their second on the label. Production The album was produced by Steve Albini, the band's longtime producer (although he had only mixed Silkworm's previous album). Critical reception ''Exclaim!'' wrote: "You can dig 'Treat the New Guy Right' and 'YR Web' for being the appropriate ratio of ride in the drums, propagation of the bass, twinkling keys, alternately chiming and grinding guitars, and the worldly wise lyrics." Eric Weisbard, in ''The Village Voice'', wrote: "Silkworm wouldn’t relish the comparison, but ''Lifestyle'' reminds me of Pearl Jam’s underappreciated ''Yield''—rock made to honor a band’s sense of their own standards." The ''Chicago Reader'' wrote that "Neil Young's slow-burn lyricism is still a big influence--that's especially evident in the wrenching guitar solo that opens 'That's Entertainment'—but these guys ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silkworm (band)
Silkworm was an American indie rock band active from 1987 to 2005 whose core members were Tim Midyett, Andy Cohen, and Michael Dahlquist. History Origins: 1985–1987 Founding members Tim Midyett (formerly Midgett), Joel RL Phelps, and Andy Cohen began writing and performing under the name Ein Heit in Missoula, Montana from 1985 to 1987. In 1987, they adopted the name Silkworm. Relocation: 1987–1990 They relocated to Seattle in 1990, where they met drummer Michael Dahlquist. During a radio interview on WNUR at Northwestern University, Steve Albini called in to contact the band. Albini had attended Hellgate High School, the same high school that Phelps, Midyett, and Cohen attended in Missoula, Montana. This connection led to Albini recording the band's album '' In the West''. Phelps left the band in 1994 due to mental health issues and the rigors of touring. Matt Kadane of Bedhead and The New Year played keyboards on '' Italian Platinum'' and '' It'll Be Cool''. Breaku ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Hit Radio
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carrying more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
