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Onna Gokuakuchō
also known as Naked Ambition is a 1970 Japanese-Malaysian jidaigeki noir film directed by Kazuo Ikehiro. It is based on Jun'ichirō Tanizaki's novel ''Kyōfu Jidai''. All the characters in the film are villains. Kazuo Ikehiro said the film is his favorite film along with ''Hitori Okami'' among the films he directed. Plot *Source: Wicked woman Ogin is a mistress of Tayu. At first Ogin gains power by poisoning lawful wife of Tayu. To gain more power Ogin let her lover Isogai Iori, kill whoever interrupts her. Cast * Michiyo Ōkusu, Michiyo Yasuda as Ogin no Kata * Masakazu Tamura as Isogai Iori * Shin Kishida as Tayu * Kei Satō as Shunto (Daimyo) * Akiko Koyama as Umeno * Kogan Ashiya as Chinsai (Monk) * Natsuko Oka as Oyui * Saburo Date, Takeshi Date as Ujiei Samon * Rinichi Yamamoto as Akaza Matajūrō * Yuzō Hayakawa as Suganuma Hachirōta * Hōshei Komatsu as Hosoi Gentaku * Kimiko Tachibana as Wet Nurse Production * Yoshinobu Nishioka - Art director References Externa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kazuo Ikehiro
is a Japanese film director. He is known for directing Zatoichi series and the highly acclaimed Malay film Onna Gokuakuchō. In 1950, he joined the Daiei Film and started working as an assistant director under Kenji Mizoguchi etc. In 1960, he was promoted to director and debuted with ''Bara Daimyo''. Selected filmography Film *''Bara Daimyo'' (1960) *''Zatoichi and the Chest of Gold'' (1964) *''Zatoichi's Flashing Sword'' (1964) *'' Shinobi No Mono 5: Return of Mist Saizo'' (1964) *'' Sleepy Eyes of Death 4: Sword of Seduction'' (1964) *''Zatoichi's Pilgrimage'' (1966) *'' Sleepy Eyes of Death 9: A Trail of Traps'' (1967) *'' Broken Swords'' (1969) *'' Sleepy Eyes of Death 12: Castle Menagerie'' (1969) *'' Nemuri Kyōshirō manji giri'' (1969) *''Onna Gokuakuchō'' (1970) *''Kesho'' (1984) Television *Nemuri Kyōshirō (TV series) (1972) Episode8,11 *Kogarashi Monjirō (1972) Episode5,9 *Amigasa Jūbei (1974-7) Episode9,10 *Monkey (TV series) (1978) Episode15,16,25,26 * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinema Junpo
, commonly called , is Japan's oldest film magazine and began publication in July 1919. It was first published three times a month, using the Japanese ''Jun'' (旬) system of dividing months into three parts, but the postwar ''Kinema Junpō'' has been published twice a month. The magazine was founded by a group of four students, including Saburō Tanaka, at the Tokyo Institute of Technology (Tokyo Technical High School at the time). In that first month, it was published three times on days with a "1" in them. These first three issues were printed on art paper and had four pages each. ''Kinejun'' initially specialized in covering foreign films, in part because its writers sided with the principles of the Pure Film Movement and strongly criticized Japanese cinema. It later expanded coverage to films released in Japan. While long emphasizing film criticism, it has also served as a trade journal, reporting on the film industry in Japan and announcing new films and trends.加藤幹郎 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samurai Films
, also commonly spelled "''chambara''", meaning "sword fighting" films,Hill (2002). denotes the Japanese film genre called samurai cinema in English and is roughly equivalent to Western and swashbuckler films. ''Chanbara'' is a sub-category of ''jidaigeki'', which equates to period drama. ''Jidaigeki'' may refer to a story set in a historical period, though not necessarily dealing with a samurai character or depicting swordplay. Chanbara also refers to a martial arts sport similar to Fencing. While earlier samurai period pieces were more dramatic rather than action-based, samurai films produced after World War II have become more action-based, with darker and more violent characters. Post-war samurai epics tended to portray psychologically or physically scarred warriors.Silver (1977), p. 37. Akira Kurosawa stylized and exaggerated death and violence in samurai epics. His samurai, and many others portrayed in film, were solitary figures, more often concerned with concealing their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jidaigeki Films
is a genre of film, television, video game, and theatre in Japan. Literally meaning "period dramas", they are most often set during the Edo period of Japanese history, from 1603 to 1868. Some, however, are set much earlier—''Portrait of Hell'', for example, is set during the late Heian period—and the early Meiji era is also a popular setting. ''Jidaigeki'' show the lives of the samurai, farmers, craftsmen, and merchants of their time. ''Jidaigeki'' films are sometimes referred to as chambara movies, a word meaning "sword fight", though chambara is more accurately a subgenre of ''jidaigeki''. ''Jidaigeki'' rely on an established set of dramatic conventions including the use of makeup, language, catchphrases, and plotlines. Types Many ''jidaigeki'' take place in Edo, the military capital. Others show the adventures of people wandering from place to place. The long-running television series ''Zenigata Heiji'' and ''Abarenbō Shōgun'' typify the Edo ''jidaigeki''. ''Mito K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoshinobu Nishioka
was a Japanese jidaigeki production designer, art director, producer, and set decorater from Asuka, Nara Prefecture who won three Japan Academy Film Prize for Outstanding Achievement in Art Direction. Nishioka joined Daiei Kyoto film in 1948. His first work as an art director was in the 1952 film ''Tenpo Suikoden''. After the bankruptcy of Daiei film he founded ''Eizo Kyoto production'' with former employees of Daiei film. Selected works Film * ''Tenpo Suikoden'' (1952) * '' Gate of Hell'' (1953) * ''Enjō'' (1958) * ''Echizen Takaningyo (1963) * ''An Actor's Revenge'' (1963) * ''Zatoichi on the Road'' (1963) * ''Zatoichi and the Chest of Gold'' (1964) * ''Zatoichi's Revenge'' (1965) * ''Zatoichi's Vengeance'' (1966) * ''Zatoichi's Pilgrimage'' (1966) * ''Daimajin Strikes Again'' (1966) * ''Zatoichi's Cane Sword'' (1967) * ''Zatoichi the Outlaw'' (1967) * ''The Yoshiwara Story'' (1968) * '' Yokai Monsters: 100 Monsters'' (1968) * ''Zatoichi Meets Yojimbo'' (1969) * '' Hitokiri' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rinichi Yamamoto
was a Japanese actor from Hokkaido. In 1953, he signed to the Toei Company and made his film debut in ''Gakusei Goninotoko''. He is most famous for playing villains and appeared more than 200 films. He also had many guest appearances as a villain in television dramas. His final role was Yoshinaka in the 1980 miniseries ''Shōgun''. Selected Filmography Film *' 'Planet Prince'' (1959) *' 'The Mad Fox'' (1962) * ''A Fugitive from the Past'' (1965) as Monk * ''The Valiant Red Peony'' (1968) * ''Onna Gokuakuchō'' (1970) as Akaza Matajūrō * '' Battles Without Honor and Humanity: Proxy War'' (1973) * '' Lady Snowblood'' (1973) as Maruyama * ''The Street Fighter'' (1974) * '' Lupin III: Strange Psychokinetic Strategy'' (1974) * ''The Return of the Sister Street Fighter'' (1975) as Wang Long-Ming * '' New Battles Without Honor and Humanity: Last Days of the Boss'' (1975) as Kurihara * ''Karate Kiba'' (1976) * ''Empire of Passion'' (1978) * ''Bandits vs. Samurai Squadron'' (1978) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saburo Date
was a Japanese actor. In 1945, he signed a contract with Daiei Film company and started his acting career. Following year, he made his film debut with ''Okagura Kyōdai'' directed by Hiroshi Inagaki. At the same time, he was given the stage name ''Saburo Date'' by Inagaki. As the Daiei studio gave up film production in 1970, he left Daiei and became a freelance actor. He appeared in nearly 200 films between 1947 and 1990. Selected filmography * ''Okagura Kyōdai'' (1946) * Story of a Beloved Wife'' (1951) * ''Avalanche'' (1952) * ''Ugetsu'' (1953) * '' Gate of Hell'' (1953) * ''Sansho the Bailiff'' (1954) * ''The Crucified Lovers'' (1954) * ''Enjō'' (1958) * ''The Loyal 47 Ronin'' (1958) * ''Tsukihime keizu'' (1958) * '' Nichiren: A Man of Many Miracles'' (1958) * ''The Tale of Zatoichi Continues'' (1962) * ''Enter Kyōshirō Nemuri the Swordman'' (1963) as Zeniya * ''Daimajin'' (1966) * ''A Certain Killer'' (1967) * '' Yokai Monsters: Along with Ghosts'' (1969) * '' Hitokiri' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daimyo
were powerful Japanese magnates, feudal lords who, from the 10th century to the early Meiji period in the middle 19th century, ruled most of Japan from their vast, hereditary land holdings. They were subordinate to the shogun and nominally to the emperor and the '' kuge''. In the term, means 'large', and stands for , meaning 'private land'. From the ''shugo'' of the Muromachi period through the Sengoku to the ''daimyo'' of the Edo period, the rank had a long and varied history. The backgrounds of ''daimyo'' also varied considerably; while some ''daimyo'' clans, notably the Mōri, Shimazu and Hosokawa, were cadet branches of the Imperial family or were descended from the ''kuge'', other ''daimyo'' were promoted from the ranks of the samurai, notably during the Edo period. ''Daimyo'' often hired samurai to guard their land, and they paid the samurai in land or food as relatively few could afford to pay samurai in money. The ''daimyo'' era ended soon after the Meiji Resto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agency For Cultural Affairs
The is a special body of the Japanese Ministry of Education, Culture, Sports, Science and Technology (MEXT). It was set up in 1968 to promote Japanese arts and culture. The agency's budget for FY 2018 rose to ¥107.7 billion. Overview The agency's Cultural Affairs Division disseminates information about the arts within Japan and internationally, and the Cultural Properties Protection Division protects the nation's cultural heritage. The Cultural Affairs Division is concerned with such areas as art and culture promotion, art copyrights, and improvements in the national language. It also supports both national and local arts and cultural festivals, and it funds traveling cultural events in music, theater, dance, art exhibitions, and film-making. Special prizes are offered to encourage young artists and established practitioners, and some grants are given each year to enable them to train abroad. The agency funds national museums of modern art in Kyoto and Tokyo and The National ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shūkan Bunshun
is a Japanese weekly news magazine (Shūkanshi) based in Tokyo, Japan, known for its investigative journalism and frequent clashes with the Japanese government. It is considered one of the most influential weekly magazines in the country. History and profile ''Shūkan Bunshun'' was first published in April 1959. The magazine is part of Bungeishunjū, a publishing group headquartered in Chiyoda, Tokyo. From October 2014 to September 2015 ''Shūkan Bunshun'' was the fourth best selling weekly magazine in Japan with a circulation of 680,296 copies. As a general-news magazine, ''Shūkan Bunshuns major competitor is the more conservative '' Shukan Shincho''. The magazine has been praised, but also criticized for its investigative reporting which takes on both political scandals, as well as those from the world of entertainment. In the first three months of 2016, "It brought down a minister and a politician, practically destroyed the careers of a popular celebrity and a news comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novel
A novel is a relatively long work of narrative fiction, typically written in prose and published as a book. The present English word for a long work of prose fiction derives from the for "new", "news", or "short story of something new", itself from the la, novella, a singular noun use of the neuter plural of ''novellus'', diminutive of ''novus'', meaning "new". Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, John Cowper Powys, preferred the term "romance" to describe their novels. According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, in Chivalric romance, and in the tradition of the Italian renaissance novella.Margaret Anne Doody''The True Story of the Novel'' New Brunswick, NJ: Rutgers University Press, 1996, rept. 1997, p. 1. Retrieved 25 April 2014. The ancient romance form was revived by Romanticism, especially the histori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noir Film
Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ''film noir''. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. The term ''film noir'', French for 'black film' (literal) or 'dark film' (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945. Cinema historians and critics defined the category ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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