Oneiric (album)
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Oneiric (album)
''Oneiric'' is the debut album by electronic musician Boxcutter (Barry Lynn). The word oneiric means "of or pertaining to dreams; resembling a dream, dreamlike". This release established Boxcutter's experimental breaks and bass-driven style of music, which at first appraisal was labeled as dubstep because of its similar 2-step rhythms and warped basslines. However, comparisons were also drawn to IDMGutterbreakz interview
(October 2005), gutterbreakz.blogspot.com - retrieved 2010-04-03
in that most tracks featured heavy use of and processed samples of live instrumentation. "Tauhid", for instance, begins with a distorted flute sample that intercuts throughout the ...
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Boxcutter (musician)
Boxcutter is the pseudonym for Barry Lynn (born 1980), an electronic musician from Northern Ireland. Early Boxcutter material from 2005 and 2006, like that released on Hotflush Recordings and on the debut Planet Mu album Oneiric, was frequently associated with the genre dubstep, although it was also compared to experimental artists such as Amon Tobin and Boards of Canada. The second Boxcutter album Glyphic was more influenced by classic dub music such as King Tubby, but also drew comparisons to artists such as Squarepusher, Foul Play and Seefeel, and continued Lynn's reputation for working outside of conventions and taking a genre-hopping approach. In 2009, Lynn released the SETI-themed album Arecibo Message. In the same year, he also founded the Kinnego Records label, on which he released a collaboration with Kinnego Flux (a duo composed of David Baxter and Brian Greene) featuring artwork by London designers La Boca, and the first vinyl single by Space Dimension Controller. ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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Dubstep
Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style emerged as a UK garage offshoot that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass.Reynolds, S.(2012),''Energy Flash: A Journey Through Rave Music and Dance Culture,'' Perseus Books; Reprint edition (5 January 2012), pages 511–516, (). In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s. Dubstep is generally characterised by the use of syncopated rhythmic patterns, prominent basslines, and a dark tone. In 2001, this underground sound and other strains of garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes stylised as FWD>>), and on the pirate radio station Rinse FM, which went on to be considerably influential to the developme ...
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Planet Mu
Planet Mu is an eclectic English electronic music record label created and run by Mike Paradinas. The label started out as a subsidiary of Virgin Records then Paradinas set up the label independent of Virgin. After releasing intelligent dance music, the label moved to jungle and breakcore, and then grime and dubstep and later footwork. The label also releases the music of Paradinas under various aliases such as μ-Ziq, Kid Spatula and Tusken Raiders. It celebrated its 25th anniversary in 2020. Beginning When Mike Paradinas signed as a musician to Virgin Records in the mid-1990s, Paradinas was asked for suggestions for the new dance subsidiary and suggested Planet Mu as a play on Carl Craig's label Planet E. When Virgin lost interest in the project, Paradinas took it over. He quickly drew critical acclaim for releasing a string of important IDM (intelligent dance music) records, from artists such as Jega, Leafcutter John, Luke Vibert, WWWINGS and Venetian Snares. The label ...
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Glyphic (album)
''Glyphic'' is the second studio album by the electronic artist Boxcutter A utility knife is any type of knife used for general manual work purposes.Peterson, Harold L., ''Daggers and Fighting Knives of the Western World'', London: Herbert Jenkins Ltd., , p. 1 Such knives were originally fixed-blade knives with du .... It was released in 2007 on Planet Mu Records. Track listing # "Glyphic" – 7:50 # "Windfall" – 2:50 # "Bug Octet" – 5:23 # "Rusty Break" – 5:13 # "J Dub" – 4:35 # "Chiral" – 4:37 # "Kaleid" – 5:30 # "Bloscid" – 3:22 # "Foxy" – 5:02 # "Lunal" – 4:57 # "Nanobot" – 2:16 # "Fieldtrip" – 6:32 References {{DEFAULTSORT:Glyphic (Album) Planet Mu albums Boxcutter (musician) albums 2007 albums ...
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Oneiric
Oneiric most commonly refers to: * Dreams, during sleep * Oneirology, the science of dreams Oneiric may also refer to: * Oneiric (film theory), dreams as a metaphor for film—or in critiques thereof * ''Oneiric'' (album), 2006, by Boxcutter * ''Oneiric Diary'' (EP), 2020, by IZ*ONE * ''Oneiric Gardens'', a 2014 adventure video game * Oneiric Ocelot, a 2011 Ubuntu operating system See also * Dream (other) * Dreamy (other) * Oneirism or daydreaming * Oneiros, in Greek mythology * Oneiromancy Oneiromancy (from the , and ) is a form of divination based upon dreams, and also uses dreams to predict the future. Oneirogen plants may also be used to produce or enhance dream-like states of consciousness. Occasionally, the dreamer feels as if t ...
, dream-based divination * {{disambiguation ...
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Breakbeats
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep). Etymology The origin of the word "breakbeat" is the fact that the drum loops that were sampled occurred during a "break" in the music - for example the ''Amen break'' (a drum solo from " Amen, Brother" by The Winstons) or the ''Think Break'' (from "Think (About It)" by Lyn Collins). History 1970s—1980s: Classic breaks and hip hop production Beginning in 1973 and continuing through the late 1970s and early 1980s, hip hop turntablists, such as DJ Kool Herc began using several funk breaks in a row, using drum breaks from jazz-funk tracks such as James Brown's "Funky Drummer" and The Winstons' "Amen Brother", to form the rhythmic base for hip hop songs. DJ Kool Herc's breaks style ...
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2-step Garage
2-step garage, or simply 2-step, is a genre of electronic music and a subgenre of UK garage.''A transcription of this article is availablhere as a PDF file.'' One of the primary characteristics of the 2-step sound – the term being coined to describe "a general rubric for all kinds of jittery, irregular rhythms that don't conform to garage's traditional four-on-the-floor pulse" – is that the rhythm lacks the kick drum pattern found in many other styles of electronic music with a regular four-on-the-floor beat. Characteristics A typical 2-step drum pattern features syncopated kick drums that skip a beat, with shuffled rhythm or triplets applied to other elements of the percussion, resulting in a sound noticeably distinct to those present in other house or techno music. Although rhythms with two kicks to a bar may be considered less energetic than the four on the floor pattern, 2-step rhythms maintain the listener's interest with off-beat snare placements and accents in the dru ...
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Intelligent Dance Music
Intelligent dance music (commonly abbreviated as IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints.''"…the label 'IDM' (for avant-garde, 'intelligent dance music') seems to be based more on an association with individualistic experimentation than on a particular set of musical characteristics."'' Butler, M.J., ''Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music'', Indiana University Press, 2006, (p. 80). It emerged from the culture and sound palette of electronic and rave music styles such as ambient techno, acid house, Detroit techno and breakbeat;''"The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, Eno + Bowie, Cage + Reich, Gary Numan + Tange ...
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Effects Unit
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamic effects such as volume pedals and compressors, which affect loudness; filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as chorus, flangers and phasers; pitch effects such as pitch shifters; and time effects, such as reverb and delay, which create echoing sounds and emulate the sound of different spaces. Most modern effects use solid-state electronics or digital signal processors. Some effects, particularly older ones such as Leslie speakers and spring reverbs, use mechanical components or vacuum tubes. Effects are often used as stompboxes, typically placed on the floor and controlled with footswitches. They may also be built into guita ...
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Amon Tobin
Amon Adonai Santos de Araújo Tobin (born February 7, 1972), known as Amon Tobin (), is a Brazilian electronic musician, composer and producer. He is noted for his unusual methodology in sound design and music production. He has released eight major studio albums under the London-based Ninja Tune record label. He has also released two albums under the alias Two Fingers with collaborator Doubleclick (musician), Doubleclick. His latest release, ''A Living Room (Music from Meow Wolf's Omega Mart)'', was released on September 23, 2022. His music has been used in numerous major motion pictures including ''The Italian Job (2003 film), The Italian Job'' and ''21 (2008 film), 21''. Tobin has created songs for several independent films, including the 2006 Hungarian language, Hungarian film ''Taxidermia'', and had his music used in other independent films, including the 2002 ''Palme d'or, Cannes Palme d'Or–''nominated ''Divine Intervention (2002 film), Divine Intervention''. A selection ...
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Foley Room
''Foley Room'' is the sixth studio album by Brazilian electronic music producer Amon Tobin, released on March 5, 2007, through Ninja Tune. The album was supported by the "Bloodstone" single, which was released digitally on January 9, 2007, and physically on January 21. Composition The album was recorded in part at the Foley effects room at Ubisoft Montreal. In the past, Tobin had created music through the sampling of old vinyl records. However, ''Foley Room'' is a marked departure from his traditional technique. Inspired by the Foley rooms where sound effects are recorded for films, Tobin decided to record and work with original samples for the record. According to the Ninja Tune website, "Amon and a team of assistants headed out into the streets with high sensitivity microphones and recorded found sounds from tigers roaring to cats eating rats, neighbours singing in the bath to ants eating grass". Tobin also called upon The Kronos Quartet, Stefan Schneider and Sarah Pagé to r ...
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