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One Night In With Hope And More Vol. 2
''One Night in with Hope and More Vol. 2'' is an album by jazz pianist Roberto Magris released on the JMood label in 2013, featuring performances by the Roberto Magris Trio with Elisa Pruett and Albert “Tootie” Heath (2009 session), and with Elisa Pruett and Brian Steever (2010 session). Reception The All About Jazz review by Edward Blanco awarded the album 4½ stars and simply states: "The Roberto Magris Trio forges a remarkable musical statement on One Night in with Hope and More Vol. 2 , revisiting and reviving the wonderful music of jazz pianists and bebop masters of the past, with a classic performance and masterful play from one of the best bebop jazz pianist of today." The All About Jazz review by C. Michael Bailey awarded the album 4 stars and simply states: "Magris closes out his long night of recording hard bop in the vein of Hope with a collection containing compositions by Herbie Nichols, Randy Weston, as well as several original pieces in the chosen vernacular. ...
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Roberto Magris
Roberto Magris (born 19 June 1959) is an Italian jazz pianist, composer, and arranger. Early life Magris was born in Trieste, Italy, on 19 June 1959. He had piano lessons between the ages of four and sixteen. He became interested in jazz after hearing the Oscar Peterson album '' The Way I Really Play'' in 1977. Career 1980–2000 In the 1980s, he led the jazz trio Gruppo Jazz Marca and recorded three albums, '' Comunicazione Sonora'' (1982), ''Aria di Città'' (1983) and ''Mitteleuropa'' (1986), re-issued in 2006 by the English Label Arision. In 1987 he founded his Italian quartet, which operated for nearly 20 years, performing tours in Europe, Asia, Australia and South America and recording two albums, ''Life in Israel'' (issued by Jazzis) and ''Maliblues''. In the 1990s he founded the acid-jazz groups DMA Urban Jazz Funk and Alfabeats Nu Jazz, performing in Europe and in America and recording two albums, ''Up to the Beat'' (2003) and ''Stones'' (2006). In 1998 Magris formed ...
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Neal Hefti
Neal Paul Hefti (October 29, 1922 – October 11, 2008) was an American jazz trumpeter, composer, and arranger. He wrote music for '' The Odd Couple'' movie and TV series and for the ''Batman'' TV series. He began arranging professionally in his teens, when he wrote charts for Nat Towles. He composed and arranged while working as a trumpeter for Woody Herman providing the bandleader with versions of " Woodchopper's Ball" and "Blowin' Up a Storm" and composing "The Good Earth" and "Wild Root". He left Herman's band in 1946. Now concentrating on writing music only, he began an association with Count Basie in 1950. Hefti occasionally led his own bands. Beginnings Neal Paul Hefti was born October 29, 1922, to an impoverished family in Hastings, Nebraska, United States. As a young child, he remembered his family relying on charity during the holidays. He started playing the trumpet in school at the age of eleven, and by high school was spending his summer vacations playing in local t ...
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Photography
Photography is the visual art, art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and Mass communication, mass communication. Typically, a Lens (optics), lens is used to focus (optics), focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed Exposure (photography), exposure. With an electronic image sensor, this produces an Charge-coupled device, electrical charge at each pixel, which is Image processing, electronically processed and stored in a Image file formats, digital image file for subsequent display or processing. The result with photographic emulsion is ...
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Graphic Design
Graphic design is a profession, academic discipline and applied art whose activity consists in projecting visual communications intended to transmit specific messages to social groups, with specific objectives. Graphic design is an interdisciplinary branch of design and of the fine arts. Its practice involves creativity, innovation and lateral thinking using manual or digital tools, where it is usual to use text and graphics to communicate visually. The role of the graphic designer in the communication process is that of encoder or interpreter of the message. They work on the interpretation, ordering, and presentation of visual messages. Usually, graphic design uses the aesthetics of typography and the compositional arrangement of the text, ornamentation, and imagery to convey ideas, feelings, and attitudes beyond what language alone expresses. The design work can be based on a customer's demand, a demand that ends up being established linguistically, either orally or in ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound *Audio signal, an electrical representation of sound * Audio frequency, a frequency in the audio spectrum *Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio *Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective *Audio equipment Entertainment * AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 * Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also * Acoustic (other) * Audible (disambiguation ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure. Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005). Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer Executive producer (EP) is one of the top positions in the making of a commercial entertainment product. Depending on the medium, the executive producer may be concerned with management accounting or associated with legal issues (like copyrights o ..., on the other hand, enables the recording project through entrep ...
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Executive Producer
Executive producer (EP) is one of the top positions in the making of a commercial entertainment product. Depending on the medium, the executive producer may be concerned with management accounting or associated with legal issues (like copyrights or royalties). In films, the executive producer generally contributes to the film's budget and their involvement depends on the project, with some simply securing funds and others being involved in the filmmaking process. Motion pictures In films, executive producers may finance the film, participate in the creative effort, or work on set. Their responsibilities vary from funding or attracting investors into the movie project to legal, scripting, marketing, advisory and supervising capacities. Executive producers vary in involvement, responsibility and power. Some executive producers have hands-on control over every aspect of production, some supervise the producers of a project, while others are involved in name only. The crediti ...
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Idris Muhammad
Idris Muhammad ( ar, إدريس محمد; born Leo Morris; November 13, 1939 – July 29, 2014) was an American jazz drummer and bandleader. He had an extensive career performing jazz, funk, R&B, and soul music and recorded with musicians such as Ahmad Jamal, Lou Donaldson, Pharoah Sanders, Bob James, and Tete Montoliu. Biography Born Leo Morris in New Orleans, Idris Muhammad grew up in the city's 13th Ward in a home next door to a dry cleaner’s shop. He later would claim the sound of the shop’s steam presser influenced his hi-hat technique. Growing up, he spent time with fellow New Orleanians The Neville Brothers. Also interested in other instruments, he showed early talent as a percussionist, playing in a Mardi Gras parade at age 9. Muhammad asked Paul Barbarin to teach him to read music but Barbarin, who thought he was already so talented, declined. At the age of 14, Muhammad began his professional career by performing with The Hawketts on their iconic rec ...
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Tenor Sax
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognize ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral mu ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ...
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