One Man Parade
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One Man Parade
"One Man Parade" is a song written by James Taylor that was first released as the first track on his 1972 album '' One Man Dog''. It was also released as the second single from the album, following up on the Top 20 hit "Don't Let Me Be Lonely Tonight," after receiving significant airplay as an album track. The single was issued twice with two different B-sides, "Hymn" and "Nobody But You." It did not achieve the same chart success as "Don't Let Me Be Lonely Tonight," peaking at #67 on the ''Billboard'' Hot 100. It also charted on the Adult Contemporary chart in Canada, reaching #55. In some regions, such as in Europe, it was released as the B-side of the single release of " One Morning in May." Lyrics and music Taylor said he had written "One Man Parade" during the year preceding the album release and he had begun playing it live in concert as early as the Fall of 1971. Like "Don't Let Me Be Lonely Tonight," "One Man Parade" was recorded on a portable recording console at Tay ...
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James Taylor
James Vernon Taylor (born March 12, 1948) is an American singer-songwriter and guitarist. A six-time Grammy Award winner, he was inducted into the Rock and Roll Hall of Fame in 2000. He is one of the best-selling music artists of all time, having sold more than 100 million records worldwide. Taylor achieved his breakthrough in 1970 with the single " Fire and Rain" and had his first hit in 1971 with his recording of "You've Got a Friend", written by Carole King in the same year. His 1976 ''Greatest Hits'' album was certified Diamond and has sold 12 million copies in the US alone. Following his 1977 album '' JT'', he has retained a large audience over the decades. Every album that he released from 1977 to 2007 sold over 1 million copies. He enjoyed a resurgence in chart performance during the late 1990s and 2000s, when he recorded some of his most-awarded work (including ''Hourglass'', '' October Road'', and '' Covers''). He achieved his first number-one album in the US in 2015 ...
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Carole King
Carole King Klein (born Carol Joan Klein; February 9, 1942) is an American singer, songwriter, and musician who has been active since 1958, initially as one of the staff songwriters at 1650 Broadway and later as a solo artist. Regarded as one of the most significant and influential musicians of all time, King is the most successful female songwriter of the latter half of the 20th century in the US, having written or co-written 118 pop hits on the ''Billboard'' Hot 100. King also wrote 61 hits that charted in the UK, making her the most successful female songwriter on the UK singles charts between 1962 and 2005. King's major success began in the 1960s when she and her first husband, Gerry Goffin, wrote more than two dozen chart hits, many of which have become standards, for numerous artists. She has continued writing for other artists since then. King's success as a performer in her own right did not come until the 1970s, when she sang her own songs, accompanying herself on the ...
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Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from '' As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, '' As You Like It'', 2/7 This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that the world is a stage, Shakespeare uses points of comparison between the world a ...
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Chicago Review Press
Chicago Review Press, or CRP, is a U.S. book publisher and an independent company founded in 1973. Chicago Review Press publishes approximately 60 new titles yearly under eight imprints: Chicago Review Press, Lawrence Hill Books, Academy Chicago, Ball Publishing, Council Oak Books, Zephyr Press, Parenting Press, and Amberjack Publishing. They describe their books as "a little quirky, a little edgy, smart". Independent Publishers Group Chicago Review Press, Inc., is the parent company of the Independent Publishers Group Independent Publishers Group (IPG) is a worldwide distributor for independent general, academic, and professional publishers, founded in 1971 to exclusively market titles from independent client publishers to the international book trade. As per ... (IPG). Established in 1971, IPG was the first organization specifically created to market titles from independent presses to the book trade. Chicago Review Press, Inc., acquired Independent Publishers Group in 1987. ...
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Shepherd Dog
A sheep dog or sheepdog is generally a dog or breed of dogs historically used in connection with the raising of sheep. These include livestock guardian dogs used to guard sheep and other livestock and herding dogs used to move, manage and control sheep and other livestock. Herding breeds * Australian Cattle Dog * Australian Kelpie * Australian Shepherd * Basque Shepherd Dog * Beauceron * Belgian Shepherds ** Groenendael ** Laekenois ** Malinois ** Tervuren * Bergamasco Shepherd * Berger Blanc Suisse * Bouvier des Flandres * Bohemian shepherd * Briard * Can de Chira * Caucasian Shepherd * Can de Palleiro * Cão da Serra de Aires * Carea Castellano Manchego * Carea Leonés * Canaan Dog * Catahoula Leopard Dog * Catalan Sheepdog * Chiribaya Dog * Collies ** Bearded Collie ** Border Collie ** Rough Collie ** Scotch Collie ** Smooth Collie ** Welsh Sheepdog * Croatian Sheepdog * Cumberland Sheepdog * Dutch Shepherd * English Shepherd * Finnish Lapphund * Garafia ...
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Montuno
Montuno has several meanings pertaining to Cuban music and its derivatives. Literally, ''montuno'' means 'comes from the mountain', and so ''son montuno'' may refer to the older type of son played in the mountainous rural areas of Oriente. Another possibility is that the word ''montuno'' comes from the word ''montura'', the Spanish word for "saddle", because the rhythm in son music is like riding a horse. Or it may mean the final section of a song-based composition; in this sense it is simply part of a piece of music. Here it is usually a faster, brasher, semi-improvised instrumental section, sometimes with a repetitive vocal refrain. Finally, the term ''montuno'' is also used for a piano ''guajeo'', the ostinato figure accompanying the montuno section, when it describes a repeated syncopated piano vamp, often with chromatic root movement.Orovio, Helio 2004. ''Cuban music from A to Z''. Tumi, Bath. p141 References See also *Son montuno *Call and response (music) *Coro-p ...
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Coda (music)
In music, a coda () ( Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Bee ...
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Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from '' Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), and The Verve's "Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of ...
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Russ Kunkel
Russell Kunkel (born September 27, 1948) is an American drummer who has worked as a session musician with many popular artists, including Jackson Browne, Joni Mitchell, Jimmy Buffett, Harry Chapin, Rita Coolidge, Neil Diamond, Bob Dylan, Dan Fogelberg, Glenn Frey, Art Garfunkel, Nitty Gritty Dirt Band, Carole King, Lyle Lovett, Reba McEntire, Stevie Nicks, Linda Ronstadt, Bob Seger, Carly Simon, Stephen Stills, James Taylor, Joe Walsh, Steve Winwood, Neil Young, and Warren Zevon. He was the studio and touring drummer for Crosby & Nash in the 1970s, and has played on all four of their studio albums. Early life and education Kunkel was born in Pittsburgh, Pennsylvania but by the age of nine he moved to Southern California. There, he was part of an orchestra at the local elementary school. Prior to moving, he was influenced by his brother and the song " Wipe Out" to play drums. During his high school years he lived in Long Beach, California. He played for approximately six diffe ...
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Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns inc ...
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Güiro
The güiro () is a Puerto Rican percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines (see photo) along the notches to produce a ratchet (instrument), ratchet sound. The güiro is commonly used in Puerto Rican, Cuban and other forms of Latin American music, and plays a key role in the typical rhythm section of important genres like Son (music), son, trova and salsa music, salsa. Playing the güiro usually requires both long and short sounds, made by scraping up and down in long or short strokes. The güiro, like the maracas, is often played by a singer. It is closely related to the Cuban guayo, Dominican güira, and Haitian graj which are made of metal. Other instruments similar to the güiro are the Colombian guacharaca, the Brazilian reco-reco, the Jawbone (instrument), quijada (cow jawbone) and the frottoir (French) or fwotwa (French Creole) (Washboard (musical instrument), washboard). ...
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Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought ...
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