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Ondine, Ou La Naïade
''Ondine, ou La naïade'' is a ballet in three acts and six scenes with choreography by Jules Perrot, music by Cesare Pugni, and a libretto inspired by the novel ''Undine'' by Friedrich de la Motte Fouqué. Pugni dedicated his score to Augusta, Duchess of Cambridge, a long-time balletomane and patron of the arts in London. Whilst the original London production used the title ''Ondine, ou La naïade'', Perrot staged a revival of the ballet under the title, ''La naïade et le pêcheur'', a title which was used for all subsequent productions of the ballet. History The ballet was first presented by the ballet of Her Majesty's Theatre, London on 22 June 1843. Fanny Cerrito danced the title rôle, while Perrot himself played her mortal beloved, the fisherman Mattéo. The original scenery was designed by William Grieve. A contemporary review described it as ''" ... one of the most beautiful productions that any stage ever boasted of."'' and praised Cerrito as a ''" ... step-reveali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ondine -Performance At Peterhof -1851
Ondine is a variation of undine, the category of elemental beings associated with water Ondine may also refer to: Literature * Ondine (novel), ''Ondine'' (novel), a novel by Shannon Drake (1988) * Ondine (play), ''Ondine'' (play), a play by Jean Giraudoux (1938) * ''Ondine'', a poem by Aloysius Bertrand (1842) * Ondine, a character in ''Tar Baby (novel), Tar Baby'' (1981), a novel by Toni Morrison Art * ''Ondine'', a painting by John William Waterhouse (1849–1917) * ''Ondine'', a painting by David Wightman (painter), David Wightman (2017/18) Music and ballet * Ondine, a movement of the piano piece ''Gaspard de la nuit#I. Ondine, Gaspard de la nuit'' by Maurice Ravel (1906) * ''Ondine, ou La naïade'', a ballet with music by Cesare Pugni and choreography by Jules Perrot, first produced in 1843 * Ondine (ballet), ''Ondine'' (ballet), a ballet with music by Hans Werner Henze and choreography by Frederick Ashton, first produced in 1958 for the Royal Ballet * ''Ondine'', a Prélu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olga Nikolaevna Of Russia
Grand Duchess Olga Nikolaevna of Russia (11 September 1822 – 30 October 1892) was a member of the Russian imperial family who by marriage to Charles I of Württemberg became Queen consort of the Kingdom of Württemberg until Charles' death. She was the second daughter of Nicholas I of Russia and Charlotte of Prussia. She was thus a sister of Alexander II of Russia. She married King Charles of Württemberg, with whom she had no children. Early life Grand Duchess Olga of Russia was born on 11 September 1822 in St. Petersburg, Russia. Her father was Emperor Nicholas I of Russia, the son of Emperor Paul I of Russia and Empress Maria Feodorovna of Russia (née Duchess Sophia Dorothea of Württemberg). Her mother was Empress Alexandra of Russia (née Princess Charlotte of Prussia), the daughter of King Frederick William III of Prussia and Queen Louise of Prussia (née Duchess Louise of Mecklenburg-Strelitz). Olga grew up as part of a close family of seven sisters and brot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ondine (ballet)
::''See also Ondine, ou La naïade for the ballet on the same theme by Pugni and Perrot'' ''Ondine'' is a ballet in three acts created by the choreographer Sir Frederick Ashton and composer Hans Werner Henze. Ashton originally produced ''Ondine'' for the Royal Ballet in 1958, with Henze commissioned to produce the original score, published as ''Undine'', which has since been restaged by other choreographers. The ballet was adapted from a novella titled ''Undine'' by Friedrich de la Motte Fouqué and it tells the tale of a water nymph who is the object of desire of a young prince named Palemon. The première of the ballet took place at the Royal Opera House, London, on 27 October 1958, with the composer as guest conductor. The first major revival of this Ashton/Henze production took place in 1988. History The three-act ballet of ''Ondine'' was commissioned and produced for The Royal Ballet in 1958 by the choreographer Sir Frederick Ashton. The resulting ballet was a collaborati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Werner Henze
Hans Werner Henze (1 July 1926 – 27 October 2012) was a German composer. His large oeuvre of works is extremely varied in style, having been influenced by serialism, atonality, Stravinsky, Italian music, Arabic music and jazz, as well as traditional schools of German composition. In particular, his stage works reflect "his consistent cultivation of music for the theatre throughout his life". Henze was also known for his political convictions. He left Germany for Italy in 1953 because of a perceived intolerance towards his leftist politics and homosexuality. Late in life he lived in the village of Marino in the central Italian region of Lazio, and in his final years still travelled extensively, in particular to Britain and Germany, as part of his work. An avowed Marxist and member of the Italian Communist Party, Henze produced compositions honoring Ho Chi Minh and Che Guevara. At the 1968 Hamburg premiere of his requiem for Che Guevara, titled ''Das Floß der Medusa'' (' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Frederick Ashton
Sir Frederick William Mallandaine Ashton (17 September 190418 August 1988) was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue. Determined to be a dancer despite the opposition of his conventional middle-class family, Ashton was accepted as a pupil by Léonide Massine and then by Marie Rambert. In 1926 Rambert encouraged him to try his hand at choreography, and though he continued to dance professionally, with success, it was as a choreographer that he became famous. Ashton was chief choreographer to Ninette de Valois, from 1935 until her retirement in 1963, in the company known successively as the Vic-Wells Ballet, the Sadler's Wells Ballet and the Royal Ballet. He succeeded de Valois as director of the company, serving until his own retirement in 1970. Ashton is widely credited with the creation of a specifically English genre of ballet. Among his best-known works are ''Façade'' (1931), '' Symphonic Variat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariinsky Theatre
The Mariinsky Theatre ( rus, Мариинский театр, Mariinskiy teatr, also transcribed as Maryinsky or Mariyinsky) is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director. Name The theatre is named after Empress Maria Alexandrovna, wife of Tsar Alexander II. There is a bust of the Empress in the main entrance foyer. The theatre's name has changed throughout its history, reflecting the political climate of the time: * 1860 – 1920: Imperial Mariinsky Theatre ( rus, Импера ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirov/Mariinsky Ballet
The Mariinsky Ballet (russian: Балет Мариинского театра) is the resident classical ballet company of the Mariinsky Theatre in Saint Petersburg, Russia. Founded in the 18th century and originally known as the Imperial Russian Ballet, the Mariinsky Ballet is one of the world's leading ballet companies. Internationally, the Mariinsky Ballet continues to be known by its former Soviet name the Kirov Ballet. The Mariinsky Ballet is the parent company of the Vaganova Ballet Academy, a leading international ballet school. History The Mariinsky Ballet was founded in the 1740s, following the formation of the first Russian dance school in 1738. The Imperial Theatre School, as it was originally known, was established on 4 May 1738, at the Winter Palace in Saint Petersburg. It would become the predecessor of today's Vaganova Academy of Russian Ballet. The school's founder director was the French ballet master and teacher Jean-Baptiste Landé and the purpose of c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Lacotte
Pierre Lacotte (born 4 April 1932) is a French ballet dancer and choreographer who specialised in the reconstruction of lost choreographies of romantic ballets. His mother was an affirmed musician and he manifested very early his interest for dance. After an initial reluctance, his family surrendered to his stubbornness so that Lacotte could become a student of Gustave Ricaux, who taught at the Paris Opera. In 1946 he was engaged in the Paris Opera Ballet and in 1953 became a principal dancer. Among his teachers at the Paris Opera Ballet School where Lubov Egorova, Carlotta Zambelli and the choreographer Serge Lifar, who chose Paulette Dynalix, Claude Bessy and Lacotte as the three interpretive dancers of ''Septuor'', a single-act ballet presented in Paris on 25 January 1950. In 1955 he left the Paris Opera to become a soloist dancer and was invited to perform all over the world. Subsequently, Lacotte founded a ballet company named ''Les Ballets de la Tour Eiffel''. He choreogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Pavlova
Anna Pavlovna Pavlova ( , rus, Анна Павловна Павлова ), born Anna Matveyevna Pavlova ( rus, Анна Матвеевна Павлова; – 23 January 1931), was a Russian prima ballerina of the late 19th and the early 20th centuries. She was a principal artist of the Imperial Russian Ballet and the Ballets Russes of Sergei Diaghilev. Pavlova is most recognized for her creation of the role of ''The Dying Swan'' and, with her own company, became the first ballerina to tour around the world, including performances in South America, India and Australia. Early life Anna Matveyevna Pavlova was born in the Preobrazhensky Regiment hospital, Saint Petersburg where her father, Matvey Pavlovich Pavlov, served. Some sources say that her parents married just before her birth, others—years later. Her mother, Lyubov Feodorovna Pavlova, came from peasants and worked as a laundress at the house of a Russian-Jewish banker, Lazar Polyakov, for some time. When Anna rose to f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Shiryaev
Alexander Viktorovich Shiryaev ( rus, Александр Викторович Ширяев; — 25 April 1941) was a Russian ballet dancer, ballet master and choreographer, founder of character dance in Russian ballet who served at the Mariinsky Theatre. Shiryaev was also a pioneering animation director who is credited with invention of stop motion animation. Early life Alexander Shiryaev was born into an artistic family; both of his parents performed at the Bolshoi Theatre: his mother Ekaterina Ksenophontovna Shiryaeva was a ballet dancer, member of corps de ballet, and his father Hector (Viktor) Cesarovich Puni was a flautist who studied under Cesare Ciardi.Alexander Shiryaev. St. Petersburg Ballet. From Reminiscences of the Mariinsky Theatre Artist' memoirs from the ''Notes by Film Historian'' magazine № 67, 2004, pp. 61—101 (in Russian) According to the Soviet ballerina Ninel Yultyeva, he was an illegitimate child, raised under his mother's surname.Adagio of My Memory' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riccardo Drigo
Riccardo Eugenio Drigo ( ru. Риккардо Эудженьо Дриго) (30 June 18461 October 1930) was an Italian composer of ballet music and Italian opera, a theatrical conductor, and a pianist. Drigo is most noted for his long career as kapellmeister and Director of Music of the Imperial Ballet of Saint Petersburg, Russia, for which he composed music for the original works and revivals of the choreographers Marius Petipa and Lev Ivanov. Drigo also served as Chef d'orchestre for Italian opera performances of the orchestra of the Imperial Mariinsky Theatre. During his career in Saint Petersburg, Drigo conducted the premieres and regular performances of nearly every ballet and Italian opera performed on the Tsarist stage. Drigo is equally noted for his original full-length compositions for the ballet as well as his large catalog of supplemental music written ad hoc for insertion into already-existing works. Drigo is also noted for his adaptations of already-existing sco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Johansson (dancer)
Anna Christianovna Johansson (russian: Анна Христиановна Иогансон) (1860–1917), was a Russian Empire ballerina who danced with the St. Petersburg Imperial Ballet. Life and career Anna Johansson was the daughter of Christian Johansson, the noted Swedish choreographer, teacher and Balletmaster at the Russian Imperial Ballet. She studied ballet with her father and rose to a position as a noted soloist in the Imperial Ballet at the Maryinsky Theatre. She created many of the most famous soloist roles in the Petipa/Ivanov repertoire. These roles include the following: *The Fairy Canari and the Diamond Fairy in '' The Sleeping Beauty'' (1890) *The leading soloist of the ''Waltz of the Flowers'' in ''The Nutcracker'' (1892) *The Fairy Godmother in ''Cinderella'' (1893) *Aurora, the Goddess of the Dawn in ''The Awakening of Flora'' (1894) *The Black Pearl in '' La Perle'' (1896) *The female variation of the ''Grand Pas Classique Hongrois'' in ''Raymonda'' (1898 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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