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On The Avenue
''On the Avenue'' is a 1937 American musical film directed by Roy Del Ruth and starring Dick Powell, Madeleine Carroll, Alice Faye, George Barbier, and The Ritz Brothers. Many of the songs were composed by Irving Berlin. Many of the plot details (with a reversal of the male and female roles) were used in '' Let's Make Love''. Initially, the movie was called ''Out Front''. Plot Gary Blake stars in a new show, ''On the Avenue'', with Mona Merrick. The show contains a satire on the richest girl in the world, Mimi Carraway. Mimi and her father are in the audience on opening night and feel insulted. She goes backstage and tries to get Gary to take the skit out of the show. He refuses and calls her a "bad sport". Shocked by the remark, Mimi decides to make a date with Gary. They spend the entire evening together and, by morning, have fallen in love. He finally agrees to revise the skit so it can no longer hurt the Carraways. Mona is in love with Gary and is furious when she hears a ...
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Roy Del Ruth
Roy Del Ruth (October 18, 1893, Delaware – April 27, 1961) was an American filmmaker. Early career Beginning his Hollywood career as a writer for Mack Sennett in 1915, Del Ruth later directed his first short film ''Hungry Lions'' (1919) for the producer. By the early 1920s, he had moved over to features including ''Asleep at the Switch'' (1923), ''The Hollywood Kid'' (1924), '' Eve's Lover'' (1925) and ''The Little Irish Girl'' (1926). Following several more titles, many now lost, he directed ''The First Auto'' (1927), a charming look at the introduction of the first automobile to a small rural town. Also once believed lost, the film's almost entirely unsynchronised soundtrack features several elaborate sound effects for the time. Del Ruth directed another half dozen projects before the musical ''The Desert Song'' (1929), the first color film ever released by Warner Bros. That same year, Del Ruth directed ''Gold Diggers of Broadway'' (1929), Warner's second two-strip Tec ...
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Cora Witherspoon
Cora Witherspoon (January 5, 1890 – November 17, 1957) was an American stage and film character actress whose career spanned nearly half a century. She began in theatre where she remained rooted even after entering motion pictures in the early 1930s. As Witherspoon’s career progressed, she carved a niche playing haughty society women or harridan housewives such as Princess Lina in Ferenc Molnár's 1928 play ''Olympia,'' or Agatha Sousè, W.C. Fields’ domineering spouse in the 1940 film ''The Bank Dick''. John Springer and Jack Hamilton, authors of ''They Had Faces Then: Super Stars, Stars, and Starlets of the 1930s'' (1974), wrote that "Witherspoon was blessed with a face that might have been drawn by one of those cartoonists who specialize in dealing with the war between men and women." Early life She was born in New Orleans, to Cora S. Bell and Henry Edgeworth Witherspoon. Her father was an assistant surgeon with the Confederate Army during the American Civil War ...
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American Film Institute
The American Film Institute (AFI) is an American nonprofit film organization that educates filmmakers and honors the heritage of the motion picture arts in the United States. AFI is supported by private funding and public membership fees. Leadership The institute is composed of leaders from the film, entertainment, business, and academic communities. The board of trustees is chaired by Kathleen Kennedy and the board of directors chaired by Robert A. Daly guide the organization, which is led by President and CEO, film historian Bob Gazzale. Prior leaders were founding director George Stevens Jr. (from the organization's inception in 1967 until 1980) and Jean Picker Firstenberg (from 1980 to 2007). History The American Film Institute was founded by a 1965 presidential mandate announced in the Rose Garden of the White House by Lyndon B. Johnson—to establish a national arts organization to preserve the legacy of American film heritage, educate the next generation of filmmaker ...
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Graham Greene
Henry Graham Greene (2 October 1904 – 3 April 1991) was an English writer and journalist regarded by many as one of the leading English novelists of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted for the Nobel Prize in Literature several times. Through 67 years of writing, which included over 25 novels, he explored the conflicting moral and political issues of the modern world. He was awarded the 1968 Shakespeare Prize and the 1981 Jerusalem Prize. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He died in 1991, at age 86, of leukemia, and was buried in Corseaux cemetery. Early years (1904–1922) Henry Graham Greene was born in 1904 in St John's House, a ...
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Night And Day (magazine)
Night and Day may refer to: Film, theatre, and television * ''Night and Day'' (1946 film), an American film based on the life of Cole Porter * ''Night and Day'' (1991 film), a French film directed by Chantal Akerman * ''Night and Day'' (2008 film), a South Korean film directed by Hong Sang-soo * ''Night and Day'' (ballet), an 1883 ballet with choreography by Marius Petipa and music by Ludwig Minkusllet * ''Night and Day'' (play), a 1978 play by Tom Stoppard * ''Night and Day'' (TV series), a British soap opera Literature * ''Night and Day'' (Parker novel), a 2010 novel by Robert B. Parker * ''Night and Day'' (Woolf novel), a 1919 novel by Virginia Woolf * ''Night and Day'', a defunct magazine edited by Graham Greene Music Albums * ''Night and Day'' (Joe Jackson album), 1982 * ''Night and Day'' (Red Rodney album), 1981 * ''Night and Day'' (Willie Nelson album), 1999 * ''Night and Day'', by John Davis and the Monster Orchestra, 1976 * ''Night & Day'' (Gemma Hayes ...
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Cheek To Cheek
"Cheek to Cheek" is a song written by Irving Berlin in 1934–35, specifically for the star of his new musical, Fred Astaire. The movie was ''Top Hat'', co-starring Ginger Rogers."Cheek to Cheek" by Fred Astaire, 1935
; from the University of Virginia's American Studies website, subsection

: 1935-1939"; retrieved 2012-03-07.
In the movie, Astaire sings the song to Rogers as they dance. The song was nominated for the Best Song for 1936, which it lost to "
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You're Laughing At Me
"You're Laughing at Me" is a popular song written by Irving Berlin for the 1937 film '' On the Avenue'', where it was introduced by Dick Powell. Popular versions in 1937 were by Fats Waller and by Wayne King. Notable recordings *Mildred Bailey recorded the song on January 19, 1937 for Vocalion (No. 3456). *Ella Fitzgerald - ''Ella Fitzgerald Sings the Irving Berlin Songbook ''Ella Fitzgerald Sings the Irving Berlin Song Book'' is a 1958 studio album by the American jazz singer Ella Fitzgerald, with a studio orchestra conducted and arranged by Paul Weston, focusing on the songs of Irving Berlin. It was part of the popu ...'' (1958) References Songs written by Irving Berlin Ella Fitzgerald songs Mildred Bailey songs 1937 songs {{Pop-standard-stub ...
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This Year's Kisses
"This Year's Kisses" is a popular song written in 1936 by Irving Berlin for the musical film ''On the Avenue'' (1937) and introduced by Alice Faye.Bergreen, Laurence, ''As Thousands Cheer: The Life of Irving Berlin'', Da Capo Press, New York, 1996. Popular recordings in 1937 were by Benny Goodman, Hal Kemp, Shep Fields and by Teddy Wilson with Billie Holiday. Billie Holiday recorded the song on January 25, 1937, accompanied by Teddy Wilson & His Orchestra (Brunswick 7824), an historic session that marked her first collaboration with tenor saxophonist Lester Young. Benny Goodman (clarinet) also performed on the recording, along with several members of the Count Basie Orchestra, including Buck Clayton on trumpet, Freddie Green on guitar, Walter Page on double bass, and Jo Jones on drums. Jazz critic Gary Giddins, writes that the song "inaugurated the uncanny bond between Billie and Lester Young, whose tenor saxophone--borrowed from Hammond's favorite orchestra, the Basie band--i ...
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I've Got My Love To Keep Me Warm
"I've Got My Love to Keep Me Warm" is a popular song copyrighted in 1937 by its composer, Irving Berlin, and first recorded by (i) Ray Noble (January 5, 1937), Howard Barrie, vocalist, and (ii) Red Norvo (January 8, 1937), Mildred Bailey, vocalist. The song – sung by Dick Powell and Alice Faye – debuted on film February 12, 1937, in the musical, ''On the Avenue''. Background The Noble, Norvo, and film renditions were successful that year, as well as other 1937 recordings that included Billie Holiday and Glen Gray (vocal by Kenny Sargent). Les Brown's instrumental version, arranged by Skip Martin and recorded in 1946 as Columbia #38324, became a million-seller and ''Billboard'' top ten song in 1949. Brown said that he got a call from Columbia Records after he performed the song telling him to record it, only to respond that he had recorded it three years earlier. That same year vocal group The Mills Brothers also had a chart hit with their version on Decca #24550. Other r ...
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Billy Gilbert
William Gilbert Barron (September 12, 1894 – September 23, 1971), known professionally as Billy Gilbert, was an American actor and comedian. He was known for his comic sneeze routines. He appeared in over 200 feature films, short subjects and television shows beginning in 1929. Career Early life and vaudeville career The child of singers with the Metropolitan Opera, he was born in a dressing room at the Hopkins Opera House in Louisville, Kentucky. Gilbert began working in vaudeville at the age of 12, and later played in burlesque on the Columbia and Mutual wheels. Big break in films Gilbert was spotted by Stan Laurel, who was in the audience of Gilbert's show ''Sensations of 1929''. Laurel went backstage to meet Gilbert and was so impressed by him he introduced him to comedy producer Hal Roach. Gilbert was employed as a gag writer, actor and director, and at the age of 35 he appeared in his first film for the Fox Film Corporation in 1929. Gilbert broke into comedy shor ...
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Sig Ruman
Siegfried Carl Alban Rumann (October 11, 1884 – February 14, 1967), billed as Sig Ruman and Sig Rumann, was a German-American character actor known for his portrayals of pompous and often stereotypically Teutonic officials or villains in more than 100 films. Early years Born in Hamburg, German Empire to Alban Julius Albrecht Ludwig Rumann and his wife, Caroline Margarethe Sophie Rumann on October 11, 1884, he studied electrical engineering, then began working as an actor and musician before serving with the Imperial German Army during World War I. He resumed his acting career after the war. After emigrating to the United States in 1924, his acting career blossomed. Befriending playwright George S. Kaufman and theater critic Alexander Woollcott, he enjoyed success in many Broadway productions. His Broadway credits included ''Once There Was a Russian'' (1961), ''Lily of the Valley'' (1942), ''Eight Bells'' (1933), ''Alien Corn'' (1933), ''Grand Hotel'' (1930), ''Half ...
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Stepin Fetchit
Lincoln Theodore Monroe Andrew Perry (May 30, 1902 – November 19, 1985), better known by the stage name Stepin Fetchit, was an American vaudevillian, comedian, and film actor of Jamaican and Bahamian descent, considered to be the first black actor to have a successful film career. His highest profile was during the 1930s in films and on stage, when his persona of Stepin Fetchit was billed as the "Laziest Man in the World". Perry parlayed the Fetchit persona into a successful film career, becoming the first black actor to earn $1 million. He was also the first black actor to receive featured screen credit in a film. Perry's film career slowed after 1939 and nearly stopped altogether after 1953. Around that time, Black Americans began to see his Stepin Fetchit persona as an embarrassing and harmful anachronism, echoing negative stereotypes. However, the Stepin Fetchit character has undergone a re-evaluation by some scholars in recent times, who view him as an embodiment of the t ...
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