On The Art Of Opera
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On The Art Of Opera
''On the Art of Opera'' is a 1974 treatise by Kim Jong-il on opera. According to Korea University associate professor of North Korean studies Jae-Cheon Lim, it is one of the most important North Korean works on the arts. At the time of writing, Kim had just started his career in the North Korean cultural industry. The piece takes as its framework the ''Juche'' ideology and "seed" theory that Kim had previously applied to cinema. Because opera is a mixed art form, Kim finds it particularly revealing of a nation's artistic state and important for the application of his seed theory. Kim finds hierarchies between and within elements of opera, like instruments subordinate to vocals and music over dance. The main thrust of the work is to replace classical – mainly Western but also certain forms of Korean – opera with an allegedly superior Korean revolutionary opera. Kim analyzes various Western operatic forms such as aria, recitative, and leitmotif to reject them. In Kim's view, ...
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Kim Jong-il
Kim Jong-il (; ; ; born Yuri Irsenovich Kim;, 16 February 1941 – 17 December 2011) was a North Korean politician who was the second supreme leader of North Korea from 1994 to 2011. He led North Korea from the 1994 death of his father Kim Il-sung, the first Supreme Leader, until his own death in 2011, when he was succeeded by his son, Kim Jong-un. In the early 1980s, Kim had become the heir apparent for the leadership of the Democratic People's Republic of Korea (DPRK) and assumed important posts in the party and army organs. Kim succeeded his father and DPRK founder Kim Il-sung, following the elder Kim's death in 1994. Kim was the General Secretary of the Workers' Party of Korea (WPK), WPK Presidium, Chairman of the National Defence Commission (NDC) of North Korea and the Supreme Commander of the Korean People's Army (KPA), the fourth-largest standing army in the world. Kim ruled North Korea as a repressive and totalitarian dictatorship. Kim assumed leadership duri ...
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Scene At The Pyongyang Opera
Scene (from Greek σκηνή ''skēnḗ'') may refer to: Arts, entertainment, and media Music *Scene (subculture), a youth subculture from the early 2000s characterized by a distinct music and style. Groups and performers * The Scene who recorded the song "Scenes (from Another World)" * Scene, the stage name used by Japanese Punk guitarist Minoru Kojima * Selena Gomez & the Scene, an American band * The Scene (Canadian band), a late 1960s psychedelic Canadian band * The Scene (Dutch band), a Dutch band formed by Thé Lau Albums * ''Scene'', a 2005 noise album by Merzbow * ''Scenes'' (album), a 1992 music album by Marty Friedman * ''The Scene'' (Eskimo Callboy album), an Eskimo Callboy album * ''The Scene'', the debut album of The Scene Other uses in music * S.C.E.N.E. Music Festival, an annual festival held in downtown St. Catharines, Ontario, Canada * "The Scene" (song), a song by Canadian band Big Sugar from their 1998 album ''Heated'' Periodicals * ''Scene'' (see ''Lo ...
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Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ...
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Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration. Pitch is closely related to frequency, but ...
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Musical Tone
Traditionally in Western music, a musical tone is a steady periodic sound. A musical tone is characterized by its duration, pitch, intensity (or loudness), and timbre (or quality). The notes used in music can be more complex than musical tones, as they may include aperiodic aspects, such as attack transients, vibrato, and envelope modulation. A simple tone, or pure tone, has a sinusoidal waveform. A complex tone is a combination of two or more pure tones that have a periodic pattern of repetition, unless specified otherwise. The Fourier theorem states that any periodic waveform can be approximated as closely as desired as the sum of a series of sine waves with frequencies in a harmonic series and at specific phase relationships to each other. The common denominator frequency, which is also often the lowest of these frequencies is the fundamental frequency, and is also the inverse of the period of the waveform. The fundamental frequency determines the pitch of the tone, wh ...
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Motif (music)
In music, a motif IPA: ( /moʊˈtiːf/) (also motive) is a short musical phrase, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity". The ''Encyclopédie de la Pléiade'' regards it as a "melodic, rhythmic, or harmonic cell", whereas the 1958 ''Encyclopédie Fasquelle'' maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. It is commonly regarded as the shortest subdivision of a theme or phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". Grove and Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term 'fig ...
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Peking Opera
Peking opera, or Beijing opera (), is the most dominant form of Chinese opera, which combines music, vocal performance, mime, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as (). It has also spread to other regions such as the United States and Japan. Peking opera features four main role types, '' sheng'' (gentlemen), ''dan'' (women), '' jing'' (rough men), and '' chou'' (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera's characteristically sparse stage. They use the ...
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Changguk
''Changgeuk'' or ''ch'angguk'' is a traditional Korean opera, performed as a play but in the Korean folk song style known as ''pansori''. It is therefore also called ''Korean pansori opera'' in English. Generally, a ''changgeuk'' play will include 20 to 30 actors, and 30 to 50 orchestra members. An example '' Suggungga'' (''Mr. Rabbit and the Dragon King'') tells a story about a shrewd rabbit who manages to return home safely using clever tricks after having visited the Dragon King's palace, which is located under the sea. The Dragon King had invited the rabbit to his palace to eat its liver after being told it that rabbit liver is the only cure for his illness. ''Sugungga'' is full of humor and also contains metaphors criticizing society. See also *Pansori *Korean music *Korean theatre Theater in Korea or Korean theater are theater performances which were originally done in courtyards, but which have now moved to stages. Korean theater is performed in the Korean language, and ...
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Pansori
'''' () is a Korean genre of musical storytelling performed by a singer and a drummer. The term ''pansori'' is derived from the Korean words ''pan'' (Hangul: 판) and ''sori'' (Hangul: 소리), the latter of which means "sound." However, ''pan'' has multiple meanings, and scholars disagree on which was the intended meaning when the term was coined. One meaning is "a situation where many people are gathered." Another meaning is "a song composed of varying tones." In music, Gugwangdae describes a long story that takes as little as three hours and as much as eight hours or more. It is one of the traditional forms of Korean music that mixes body movements and songs to the accompaniment of a buk drum played by a gosu. The dramatic content of the drama is changed according to various rhythms based on the melody of Korea's local music. Pansori was originally called the "sori", and it was called Taryeong, Japga (잡가), Clown Song, and Geukga (극가; 劇歌). It was also commonly use ...
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Merrill Markoe
Merrill Markoe (born August 13, 1948) is an American author, television writer, and occasional standup comedian. Early life Markoe was born in New York City. Her family moved several times including stays in Miami, Florida and San Francisco, California. She attended the University of California, Berkeley, receiving a B.A. in Art in 1970 and an M.A. in 1972. Her first job after leaving the university was teaching art at the University of Southern California. Career After auditing scriptwriting classes and doing research for the head writer of ''Mary Hartman, Mary Hartman'', Markoe was hired as writer for the 1977 revival of ''Laugh-In'', joining a team that included Robin Williams. In 1978, she was part of the cast of Mary Tyler Moore's first attempt at a variety show, the eponymous ''Mary'', along with future boyfriend David Letterman. In 1980, Markoe was the head writer for ''The David Letterman Show'', a short-lived live NBC morning show whose writing team was recognized wit ...
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PYONGYANG CITY DPRK NORTH KOREA OCT 2012 (8642040921)
Pyongyang (, , ) is the capital and largest city of North Korea, where it is known as the "Capital of the Revolution". Pyongyang is located on the Taedong River about upstream from its mouth on the Yellow Sea. According to the 2008 population census, it has a population of 3,255,288. Pyongyang is a directly administered city () with equal status to North Korean provinces. Pyongyang is one of the oldest cities in Korea. It was the capital of two ancient Korean kingdoms, Gojoseon and Goguryeo, and served as the secondary capital of Goryeo. Much of the city was destroyed during the First Sino-Japanese War, but it was revived under Japanese rule and became an industrial center. Following the establishment of North Korea in 1948, Pyongyang became its ''de facto'' capital. The city was again devastated during the Korean War, but was quickly rebuilt after the war with Soviet assistance. Pyongyang is the political, industrial and transport center of North Korea. It is home to Nort ...
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