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Oliver T. Marsh
Oliver T. Marsh (January 30, 1892 in Kansas City, Missouri, United States – May 5, 1941 in Hollywood, California, United States) was a prolific Hollywood cinematographer. He worked on over eighty films just for Metro-Goldwyn-Mayer alone. Marsh worked on '' Sadie Thompson'' (1928), ''Rain'' (1932), ''The Merry Widow'' (1934), ''David Copperfield'' (1935), ''A Tale of Two Cities'' (1935), ''The Great Ziegfeld'' (1936), ''San Francisco'' (1936) and ''Another Thin Man'' (1939). He and Allen Davey received Academy Honorary Awards "for the color cinematography of the Metro-Goldwyn-Mayer production, '' Sweethearts''" (1938) at the 11th Academy Awards. The pair were also nominated for Best Cinematography (Color) for '' Bitter Sweet'' (1940). Marsh is interred at Forest Lawn Memorial Park in Glendale, California. He is the brother of actresses Marguerite Marsh (1888–1925) and Mae Marsh (1894–1968), as well as editor Frances Marsh, and the father of jazz saxophonist Warne Marsh ...
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Kansas City, Missouri
Kansas City (abbreviated KC or KCMO) is the largest city in Missouri by population and area. As of the 2020 census, the city had a population of 508,090 in 2020, making it the 36th most-populous city in the United States. It is the central city of the Kansas City metropolitan area, which straddles the Missouri–Kansas state line and has a population of 2,392,035. Most of the city lies within Jackson County, with portions spilling into Clay, Cass, and Platte counties. Kansas City was founded in the 1830s as a port on the Missouri River at its confluence with the Kansas River coming in from the west. On June 1, 1850, the town of Kansas was incorporated; shortly after came the establishment of the Kansas Territory. Confusion between the two ensued, and the name Kansas City was assigned to distinguish them soon after. Sitting on Missouri's western boundary with Kansas, with Downtown near the confluence of the Kansas and Missouri Rivers, the city encompasses about , making ...
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Forest Lawn Memorial Park (Glendale)
Forest Lawn Memorial Park is a privately owned cemetery in Glendale, California. It is the original and current flagship location of Forest Lawn Memorial-Parks & Mortuaries, a chain of six cemeteries and four additional mortuaries in Southern California. History Forest Lawn Memorial Park was founded in 1906 as a not-for-profit cemetery by a group of businessmen from San Francisco. Dr. Hubert Eaton and C.B. Sims entered into a sales contract with the cemetery in 1912. Eaton took over its management in 1917. Although Eaton did not start Forest Lawn, he is credited as its "Founder" for his innovations of establishing the "memorial-park plan". He eliminated upright grave markers and brought in works by established artists. He was the first to open a funeral home on dedicated cemetery grounds. He was a firm believer in a joyous life after death. Convinced that most cemeteries were "unsightly, depressing stoneyards," he pledged to create one that would reflect his optimistic Christ ...
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Good References
''Good References'' is a 1920 American silent romantic comedy drama film directed by Roy William Neill and starring Constance Talmadge, Vincent Coleman, Ned Sparks, Nellie Parker Spaulding, Mona Lisa, and Matthew Betz. It is based on the novel of the same name by E.J. Rath. The film was released by First National Exhibitors' Circuit in August 1920. Cast *Constance Talmadge as Mary Wayne *Vincent Coleman as William Marshall *Ned Sparks as Peter Stearns *Nellie Parker Spaulding as Caroline Marshall (credited as Nellie P. Spaulding) *Mona Lisa as Nell Norcross (credited as Mona Liza) *Matthew Betz as Kid Whaley (credited as Matthew L. Betts) *Arnold Lucy as The Bishop *Dorothy Walters as the landlady *George Fawcett George Fawcett (August 25, 1860 – June 6, 1939) was an American stage and film actor of the silent era. Biography Born in Alexandria, Virginia, in 1860, Fawcett graduated from the University of Virginia. His initial inclination was to ... as Major Colton ...
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A Virtuous Vamp
''A Virtuous Vamp'' is a 1919 American silent comedy film produced by and starring Constance Talmadge that was directed by David Kirkland and Sidney Franklin. It was written by Anita Loos and John Emerson based on the 1909 play ''The Bachelor'' by Clyde Fitch. On December 18, 2013, the Library of Congress announced that this film had been selected for the National Film Registry for being "culturally, historically, or aesthetically significant". Cast See also *National Film Preservation Foundation References External links ''A Virtuous Vamp'' essayby Jennifer Ann Redmond at National Film Registry The National Film Registry (NFR) is the United States National Film Preservation Board's (NFPB) collection of films selected for preservation, each selected for its historical, cultural and aesthetic contributions since the NFPB’s inception i ... *Progressive Silent Film List: ''A Virtuous Vamp''at silentera.com 1919 films 1919 comedy films American silent feature fi ...
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All Woman (film)
''All Woman'' is a 1918 American comedy film directed by Hobart Henley and starring Mae Marsh and Jere Austin. It is not known whether the film currently survives. Debut film of Warner Baxter Plot As described in a film magazine, Susan Sweeney (Marsh), employed in a doll factory, learns that she has inherited a hotel in a small town in the Adirondacks. Picturing the hotel as resembling the most palatial building she has ever seen, she and two girl friends set out for the new home. Consternation reigns supreme when the young women are taken to a ramshackle building, one-half vacant and the other half decorated with persons in various stages of inebriation. The sight of two motherless children prompts Sue to remain and before long she has transferred the place into a fairly decent hotel. She is able to put the bar out of business, reforms the village drunkard, plays Cupid, and wins the love of Austin Strong (Austin). Cast *Mae Marsh as Susan Sweeney *Jere Austin as Austin Strong ...
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Joan Of Plattsburg
''Joan of Plattsburg'' is a 1918 American propaganda comedy-drama film co-directed by William Humphrey and George Loane Tucker, written by Tucker from a story by Porter Emerson Browne, photographed by Oliver T. Marsh, released by the Goldwyn Pictures Corporation and starring Mabel Normand. It is not known whether the film currently survives, and it may be a lost film. Plot As described in a film magazine, Joan (Normand), an orphan, becomes interested in the drilling of soldiers at an American World War I training camp near the orphan asylum of which she is an inmate. One day while evading the angry superintendent, she conceals herself in a cellar and discovers a meeting place of German spies who are plotting. She believes that, like a modern-day Joan of Arc, she's listening to disembodied voices. She reports the matter to the major, who sets out to capture the spies and sends Joan to live with his mother. When he returns from the war, he finds Joan waiting for him. Cast *Mabel N ...
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The Floor Below
''The Floor Below'' is an American silent film starring Mabel Normand, Tom Moore and Helen Dahl. It was long thought lost, until a print was found "in the estate of a Dutch collector" by the Nederlands Filmmuseum. The AFI Catalog of Feature Films:''..The Floor Below''
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Cast

* Mabel Normand as Patricia O'Rourke * Tom Moore as Hunter Mason * Helen Dahl as Louise Vane *
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Dodging A Million
''Dodging a Million'' is a 1918 American comedy film starring Mabel Normand and Tom Moore (actor), Tom Moore, directed by George Loane Tucker, written by A. M. Kennedy, Edgar Selwyn, and Loane, and photographed by Oliver T. Marsh. The black and white silent film was released by the Goldwyn Pictures, Goldwyn Pictures Corporation. It is not known whether the film currently survives, and it may be a lost film. Plot As described in a film magazine, employed as a mannequin, Arabella Flynn (Normand) decides to have one good time and so with gown and coat belonging to her employer she goes to a fashionable restaurant where she attracts the attention of Jack Forsythe (Moore). During her meal her employer comes into the place so Arabella rushes pell mell into the street. Arriving at her boarding house, she finds that she has fallen heir to a fortune. She immediately goes to a fashionable hotel where, because of her inheritance, she is the center of attention. After several fashionable shops ...
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Warne Marsh
Warne Marion Marsh (October 26, 1927 – December 18, 1987) was an American tenor saxophonist. Born in Los Angeles, his playing first came to prominence in the 1950s as a protégé of pianist Lennie Tristano and earned attention in the 1970s as a member of Supersax. Biography Marsh came from an affluent artistic background: his father was Hollywood cinematographer Oliver T. Marsh (1892–1941), and his mother Elizabeth was a violinist. He was the nephew of actresses Mae Marsh and Marguerite Marsh and film editor Frances Marsh. He was tutored by Lennie Tristano. Marsh was often recorded in the company of other Cool School musicians, and remained one of the most faithful to the Tristano philosophy of improvisation – the faith in the purity of the long line, the avoidance of licks and emotional chain-pulling, the concentration on endlessly mining the same small body of jazz standards. While Marsh was a generally cool-toned player, the critic Scott Yanow notes that Marsh played w ...
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Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Frances Marsh
Frances Marsh was an American film editor active during the 1920s and 1930s. She worked on many of Ernst Lubitsch's films and was considered one of the foremost editors of her day. Biography Frances was born in Texas to Stephen Marsh and Mae Warne. She came from a big family, and many of her siblings became involved with the film industry after they all moved to Los Angeles. Brother Oliver became a cinematographer, and sisters Mildred, Mae, Leslie, and Marguerite became actresses. Frances started out as a script clerk around 1925 before making a name for herself as a film editor. She was employed as a film editor at Paramount-Famous Players by 1928; and she edited four films that year: ''A Night of Mystery'', ''The Magnificent Flirt'', ''The Woman from Moscow'', and '' Sins of the Father''. Her last known credit was on 1934's ''The Merry Widow''. "I have often cried right there in the cutting room while editing a particularly romantic or sentimental scene," Marsh later tol ...
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