Old Lady Drivers (album)
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Old Lady Drivers (album)
''Old Lady Drivers'' is the debut album by the metal band OLD. It was made as a parody of the grindcore acts of the 1980s. Track listing # "Total Hag" - 2:49 # "Corpse Full of Gunk" - 1:31 # "Supermarket Monstrosity" - 0:56 # "Lepers w/o Feet" 2:04 # "Tracheotomy Peashooter" - 2:00 # "Wisdom Lost" 4:28 # "Cocaine (JJ Cale Cover) - 3:26 # "Die In Your Beauty Sleep" - 1:48 # "Special Olympics" - 3:32 # "I Laugh As I Chew" - 3:31 # "Colostomy Grab-bag" - 1:37 # "Feeding the Worms" - 1:58 # "Old Ladies Always Break Their Hips" - 1:59 # "Bathrooms Rule" - 1:29 # "Screaming Geezer" - 1:36 Credits *Alan Dubin (vocals) *James Plotkin (guitars, bass, vocals) * Ralph Pimentel (drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair o ..., vocals) References External links Encyclopaedia Meta ...
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OLD (band)
OLD (originally an acronym for Old Lady Drivers) was an American heavy metal band from Bergenfield, New Jersey, formed in 1986 and signed to Earache Records. It featured Alan Dubin on vocals, and James Plotkin on guitars and programming, both of whom would later form the experimental doom metal band Khanate History OLD formed from the remains of Plotkin's previous band, the short-lived grindcore act "Regurgitation". OLD's first album, entitled "Old Lady Drivers", continued in the humorous, parodic style of grindcore which characterized Regurgitation's material. After releasing a split EP with Assück in 1990, Plotkin recruited former Nirvana guitarist Jason Everman for their second album, ''Lo Flux Tube'' (1991). This album featured more avant-garde and industrial metal influences in addition to their basic tongue-in-cheek grindcore, giving them a sound which was compared by some reviewers to a more uptempo Godflesh. ''Lo Flux Tube'' also featured saxophone work by guest mus ...
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Grindcore
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor. A trait of grindcore is the "microsong" much shorter than average for punk or metal; several bands have produced songs that are only seconds i ...
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Comedy Rock
Comedy rock is rock music that is comedic in nature. Oftentimes it is mixed with satire or irony.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All music guide to rock: the definitive guide to rock, pop, and soul'' (Backbeat Books, 3rd Edition., 2002), pp. 126. Bands and songs Early Early American examples include Stan Freberg, who lampooned artists such as Elvis Presley, Harry Belafonte and the Platters, and Sheb Wooley. The latter's "Purple People Eater" reached No. 1 on the ''Billboard'' pop chart in 1958 and stayed there for six weeks. In Britain during the 1950s and early 1960s comedians such as Charlie Drake and the Goons frequently appeared in the top ten with humorous rock 'n' roll records—the latter, along with Lewis Carroll and Edward Lear, were to influence the word-play of John Lennon's lyrics. Later British groups specialised in comedy: these included the Scaffold, the Bonzo Dog Doo-Dah Band and Alberto y Lost Trios Paranoias. Later in Britain, in the 2000s, M ...
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Musical Parody
Parody music, or musical parody, involves changing or copying existing (usually well known) musical ideas, and/or lyrics, or copying the particular style of a composer or performer, or even a music genre, general style of music. In music, parody has been used for many different purposes and in various musical contexts: as a serious compositional technique, as an unsophisticated re-use of well-known melody to present new words, and as an intentionally humorous, even mocking, reworking of existing musical material, sometimes for satirical effect. Examples of musical parody with completely serious intent include parody masses in the 16th century, and, in the 20th century, the use of folk tunes in popular song, and neo-classical works written for the concert hall, drawing on earlier styles. "Parody" in this serious sense continues to be a term in musicological use, existing alongside the more common use of the term to refer to parody for humorous effect. Etymology The word "parody" ...
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Avant-garde Metal
Avant-garde metal (also known as avant-metal, experimental metal, and experimental) is a subgenre of heavy metal music loosely defined by use of experimentation and innovative, avant-garde elements, including non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques. Avant-garde metal is influenced by progressive rock and extreme metal, particularly death metal, and is closely related to progressive metal. Some local scenes include Los Angeles, the San Francisco Bay Area, Boston, and Seattle in the United States, Oslo in Norway, and Tokyo in Japan. Characteristics "Avant-garde metal" is interchangeable with "experimental metal" and "avant-metal", and may also refer to a separate genre of "atmospheric metal" or "post-metal", which was named in reference to post-rock. Avant-garde metal is related to progressive metal, but avant-garde metal often has more experimentation, while progressive metal usually has a tighter focus on traditio ...
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Earache Records
Earache Records is a British independent record label, music publisher and management company founded by Digby Pearson in 1985, based in Nottingham, England, with offices in London and New York. The label helped to pioneer extreme metal by releasing early grindcore and death metal records between the late 1980s and mid-1990s. Its roster has since diversified into more mainstream guitar music, working with bands such as Rival Sons, the Temperance Movement, Blackberry Smoke, Scarlet Rebels and the White Buffalo. The company also hosted the 'Earache Express' stage at Glastonbury Festival in 2017 and 'The Earache Factory' at Boomtown 2018. The label's logo is a homage to ''Thrasher'' magazine, as Pearson was a skateboard culture enthusiast. History Earache was founded in 1985 by Digby Pearson who prior to launching the label proper had compiled 'Anglican Scrape Attic', a proto-compilation of early hardcore punk and crossover thrash acts which included Hirax, Lipcream and Concret ...
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Lo Flux Tube
Lo Flux Tube is the second album by the band OLD. It marked a change in style for the band, abandoning their previous grindcore parody in favor of a much more industrial and experimental sound. Track listing Personnel ;O.L.D. *Alan Dubin - Vocals *James Plotkin - Guitars, Programming *Jason Everman - Bass ;Guest musician *John Zorn John Zorn (born September 2, 1953) is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". Zorn's avant-garde and experimental approaches to composition and improvisation are inclusive of jaz ... - Saxophone on "Lo Flux Tube" ;Production *Simon Curtis - Cover art *Steve Sisco - Producer *James Plotkin - Producer References External links Encyclopaedia Metallum page 1991 albums OLD (band) albums Concept albums Earache Records albums Albums produced by James Plotkin {{1990s-metal-album-stub ...
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Metal (music)
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1993), p. 6 while Motörhead introduced a punk rock sensibility and an ...
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Cocaine (song)
"Cocaine" is a song written and recorded in 1976 by singer-songwriter J. J. Cale. The song was popularized by Eric Clapton after his cover version was released on the 1977 album ''Slowhand''. J. J. Cale's version of "Cocaine" was a number one hit in New Zealand for a single week and became the seventh best-selling single of 1977. Charts Eric Clapton version Glyn Johns produced the Clapton recording, which was released on the 1977 album ''Slowhand''. It was also released as the B-side for "Lay Down Sally". A live version of "Cocaine" from the album '' Just One Night'' charted on the ''Billboard'' Hot 100 as the B-side of "Tulsa Time", which was a No. 30 hit in 1980. "Cocaine" was one of several of Cale's songs recorded by Clapton, including " After Midnight" and "Travelin' Light". AllMusic critic Richard Gilliam called it "among lapton'smost enduringly popular hits" and noted that "even for an artist like Clapton with a huge body of high-quality work, 'Cocaine' ranks among h ...
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JJ Cale
John Weldon "J. J." Cale (December 5, 1938 – July 26, 2013) was an American guitarist, singer, songwriter and sound engineer. Though he avoided the limelight, his influence as a musical artist has been acknowledged by figures such as Mark Knopfler, Neil Young, Waylon Jennings, and Eric Clapton, who described him as "one of the most important artists in the history of rock". He is one of the originators of the Tulsa sound, a loose genre drawing on blues, rockabilly, country, and jazz. In 2008, Cale and Clapton received a Grammy Award for their album ''The Road to Escondido''. Life and career Early years Cale was born on December 5, 1938, in Oklahoma City, Oklahoma. He was raised in Tulsa, Oklahoma, and graduated from Tulsa Central High School in 1956. As well as learning to play the guitar he began studying the principles of sound engineering while still living with his parents in Tulsa, where he built himself a recording studio. After graduation he was drafted into military se ...
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Alan Dubin
Alan Dubin is an American vocalist/singer most widely known for his role in the now defunct doom metal band Khanate. He is noted for his tortured and distinctive vocal approach. Other bands he has been featured in include OLD and current band Gnaw. Dubin is also a professional film/video editor with many credits in TV commercials, shows, films, music videos and more. Studio discography OLD * '' Old Lady Drivers'' - 1988 * ''Lo Flux Tube'' - 1991 * ''The Musical Dimensions of Sleastak'' - 1993 * ''Hold On To Your Face'' - 1993 * ''Formula'' - 1995 Khanate * ''Khanate'' - 2001 * '' Live WFMU 91.1'' (2002, Live) * ''Things Viral'' - 2003 * ''No Joy (Remix)'' (2003, EP) * ''Let Loose The Lambs'' (2004, Live DVD; limited to 230 copies) * ''KHNT vs. Stockholm'' (2004, Live) * ''Live Aktion Sampler 2004'' (2004, Live) * ''Capture & Release ''Capture & Release'' was the third album by the drone metal band Khanate. It was released in 2005 and is on the independent label H ...
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James Plotkin
James Plotkin is an American guitarist and producer known for his role in bands such as Khanate (band), Khanate and OLD (band), OLD but with an extensive catalogue outside these bands. He has played guitar for Phantomsmasher and Scorn (band), Scorn and continues to remix tracks for bands such as KK Null, Nadja (band), Nadja, Sunn O))), Isis (band), ISIS, Pelican (band), Pelican and Earth (American band), Earth. He works in the genres of grindcore, industrial metal, noise music, drone metal, dark ambient, digital hardcore and post-metal. Discography Solo work *James Plotkin - A Strange, Perplexing - 1996 *James Plotkin - The Joy Of Disease - 1996 *James Plotkin / Pole (musician), Pole - Split Series #8 (withdrawn version) - 2000 *James Plotkin / Pimmon - Split Series #8 - 2000 *James Plotkin - Kurtlanmak/Damascus - 2006 *James Plotkin - Indirmek - 2007 Collaborative releases *James Plotkin & K.K. Null, Kazuyuki K Null - Aurora - 1994 *Jimmy Plotkin & Alan Dubin (2X self-titled 7" ...
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