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Oksana Skorik
Oksana Skorik ( Ukrainian: Оксана Скорик, born April 20, 1989) is a professional ballet dancer from Kharkiv, Ukraine and Principal Dancer of the Mariinsky Ballet. She joined the Mariinsky Ballet in 2007 after graduating from the Perm School of Dance in Russia. She was the subject of David Kinsella's documentary ''A Beautiful Tragedy'' and was featured on RT Documentary's ''Ballet, Sweat and Tears''. Early life Skorik was born in Kharkiv, Soviet Union on April 20, 1989. It was decided by her mother that she was going to be a ballet dancer ever since she was born, and the day after her 5th birthday, her mother took her to Perm School of Dance where she would attend ballet classes and board every year until her graduation at the age of 18. During her time in Perm School of Dance, Skorik suffered from anorexia due to the harsh comments of teachers and staff of the school, who would often compare students with each other. In 2008, ''A Beautiful Tragedy'', a documentary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kharkiv
Kharkiv ( uk, wikt:Харків, Ха́рків, ), also known as Kharkov (russian: Харькoв, ), is the second-largest List of cities in Ukraine, city and List of hromadas of Ukraine, municipality in Ukraine.Kharkiv "never had eastern-western conflicts" ''Euronews'' (23 October 2014) Located in the northeast of the country, it is the largest city of the historic Sloboda Ukraine, Slobozhanshchyna region. Kharkiv is the administrative centre of Kharkiv Oblast and of the surrounding Kharkiv Raion. The latest population is Kharkiv was founded in 1654 as Kharkiv fortress, and after these humble beginnings, it grew to be a major centre of industry, trade and Ukrainian culture in the Russian Empire. At the beginning of the 20th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo And Juliet (Prokofiev)
''Romeo and Juliet'' (russian: Ромео и Джульетта, Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Midsummer Night's Dream (ballet)
''A Midsummer Night's Dream'' is a two-act ballet choreographed by George Balanchine to Felix Mendelssohn's music to Shakespeare's play of the same name. History ''A Midsummer Night's Dream'', Balanchine's first completely original full-length ballet, premiered at New York City Ballet on 17 January 1962, with Edward Villella in the role of Oberon, Melissa Hayden in the role of Titania, and Arthur Mitchell in the role of Puck. They were joined by Francisco Moncion in the role of Theseus- Duke of Athens. Description In addition to the incidental music, Balanchine incorporated other Mendelssohn works into the ballet, including the Overtures to ''Athalie'', '' Son and Stranger'', and ''The Fair Melusine'', the "String Symphony No. 9 in C minor" and '' The First Walpurgis Night''. The ballet employs a large children's corps de ballet. Act I tells Shakespeare's familiar story of lovers and fairies while Act II presents a strictly classical dance wedding celebration. The ball ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Pas Classique
Because ballet became formalized in France, a significant part of ballet terminology is in the French language. A À la seconde () (Literally "to second") If a step is done "à la seconde," it is done to the side. 'Second position'. It can also be a balance extending one foot off the ground in ‘Second Position’. À la quatrième () One of the directions of body, facing the audience (''en face''), arms in second position, with one leg extended either to fourth position in front (''quatrième devant'') or fourth position behind (''quatrième derrière''). À terre () Touching the floor; on the floor. Adagio Italian, or French ''adage'', meaning 'slowly, at ease.' # Slow movements performed with fluidity and grace. # One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. # The section of a '' grand pas'' (e.g., '' grand pas de deux''), often referred to as ''grand adage'', that features dance part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Perrot
Jules-Joseph Perrot (18 August 1810 – 29 August 1892) was a dancer and choreographer who later became Ballet Master of the Imperial Ballet in St. Petersburg, Russia. He created some of the most famous ballets of the 19th century including ''Pas de Quatre'', '' La Esmeralda'', '' Ondine'', and ''Giselle'' with Jean Coralli. From dancer to balletmaster The Lyon-born Perrot danced often with Marie Taglioni but their partnership was short-lived. She eventually refused to dance with him fearing that he would outshine her. He left the Opéra in 1835 to tour European dance centers such as London, Milan, Vienna and Naples, where he met and noticed the talent of Carlotta Grisi. He coached her and presented her to the world as the next great ballerina in an 1836 performance in London with himself as her partner.Review: ''King's Theatre'', in ''The Times'', Wednesday 13 April 1836, p. 5, column C. Following the success of his contributions to the choreography of ''Giselle'', Perrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Coralli
Jean Coralli (15 January 1779 – 1 May 1854) was a French ballet dancer and choreographer, best known for collaborating with Jules Perrot in creating ''Giselle'' (1841), the quintessential Romantic ballet of the nineteenth century. Early life and career Born Giovanni Coralli Peracini, he was a son of a Bolognese family resident in Paris, where his father was a comedian at the Théâtre Italien. As a child he studied at the ballet school of the Paris Opera but chose to go to Vienna to make his debut as a dancer and choreographer. He danced for a short while at the Paris Opera in 1802 and at the King's Theatre in London and then returned to Vienna to assume the position of ballet master at the Hoftheater (Court Theater). During these early years, he and his wife formed the celebrated dancing couple Giovanni and Teresa Coralli and were often pictured in contemporary prints. They danced leading roles in most of the ballets that Coralli created at the Hoftheater, including ''Helena u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Bournonville
August Bournonville (21 August 1805 – 30 November 1879) was a Danish ballet master and choreographer. He was the son of Antoine Bournonville, a dancer and choreographer trained under the French choreographer, Jean Georges Noverre, and the nephew of Julie Alix de la Fay, née Bournonville, of the Royal Swedish Ballet. Bournonville was born in Copenhagen, Denmark, where his father had settled. He trained with his father Antoine Bournonville as well he studied under the Italian choreographer Vincenzo Galeotti at the Royal Danish Ballet, Copenhagen, and in Paris, France, under French dancer Auguste Vestris. He initiated a unique style in ballet known as the Bournonville School. Following studies in Paris as a young man, Bournonville became solo dancer at the Royal Ballet in Copenhagen. From 1830 to 1848 he was choreographer for the Royal Danish Ballet, for which he created more than 50 ballets admired for their exuberance, lightness and beauty. He created a style which, althoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylph
A sylph (also called sylphid) is an air spirit stemming from the 16th-century works of Paracelsus, who describes sylphs as (invisible) beings of the air, his elementals of air. A significant number of subsequent literary and occult works have been inspired by Paracelsus's concept: Robert Alfred Vaughan noted that "the wild but poetical fantasies" of Paracelsus had probably exercised a larger influence over his age and the subsequent one than is generally supposed, particularly on the Rosicrucians, but that through the 18th century they had become reduced to "machinery for the playwright" and "opera figurantes with wings of gauze and spangles". Etymology "Sylph" is possibly a blend of from Latin '' sylvestris'' and '' nympha'', ''sylvestris'' being a common synonym for sylph in Paracelsus. Anthon and Trollope note a similar usage in the ''Aeneid'', where ''silvestris'' is taken as an elliptical form of ''nympha silvestris'' ("forest nymph"). Jacob Grimm uses this phrase as a gl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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