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Oja Kodar
Oja Kodar ( ; born Olga Palinkaš; 1941) is a Croatian actress, screenwriter and director known as Orson Welles's romantic partner during the later years of his life. Personal life Olga Palinkaš was born in Zagreb to a Hungarian father and a Croatian mother. She met Welles in 1961 in Zagreb, Croatia, Yugoslavia, when Welles was on location shooting ''The Trial'', released the following year. Welles, married to his third wife Paola Mori, took a liking to the "dark, beautiful and exotic-looking" Palinkaš. Soon after their romance took off, Welles gave her a stage name, Oja Kodar, which is a mixture of the nickname "Oja", used by her sister Nina, and the Croatian expression "" ("as a present"). In his final years, Welles divided his time between a Las Vegas home he shared with Mori and a Hollywood house with Kodar. The Italian press broke the news of Welles's affair with Kodar in March 1970, though Mori apparently remained unaware of it for several years. Mori died 10 months a ...
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Brackets
A bracket is either of two tall fore- or back-facing punctuation marks commonly used to isolate a segment of text or data from its surroundings. Typically deployed in symmetric pairs, an individual bracket may be identified as a 'left' or 'right' bracket or, alternatively, an "opening bracket" or "closing bracket", respectively, depending on the Writing system#Directionality, directionality of the context. Specific forms of the mark include parentheses (also called "rounded brackets"), square brackets, curly brackets (also called 'braces'), and angle brackets (also called 'chevrons'), as well as various less common pairs of symbols. As well as signifying the overall class of punctuation, the word "bracket" is commonly used to refer to a specific form of bracket, which varies from region to region. In most English-speaking countries, an unqualified word "bracket" refers to the parenthesis (round bracket); in the United States, the square bracket. Glossary of mathematical sym ...
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Croatian Language
Croatian (; ' ) is the standardized variety of the Serbo-Croatian pluricentric language used by Croats, principally in Croatia, Bosnia and Herzegovina, the Serbian province of Vojvodina, and other neighboring countries. It is the official and literary standard of Croatia and one of the official languages of the European Union. Croatian is also one of the official languages of Bosnia and Herzegovina and a recognized minority language in Serbia and neighboring countries. Standard Croatian is based on the most widespread dialect of Serbo-Croatian, Shtokavian, more specifically on Eastern Herzegovinian, which is also the basis of Standard Serbian, Bosnian, and Montenegrin. In the mid-18th century, the first attempts to provide a Croatian literary standard began on the basis of the Neo-Shtokavian dialect that served as a supraregional ''lingua franca'' pushing back regional Chakavian, Kajkavian, and Shtokavian vernaculars. The decisive role was played by Croatian Vukovians, ...
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The Dreamers (unfinished Film)
''The Dreamers'' is an unfinished film project directed and produced between 1980 and 1982 by Orson Welles. Adapted from Karen Blixen stories, Welles co-wrote a script with his companion Oja Kodar and filmed a few scenes but was unable to complete the film due to financing problems. Production history In 1979, Welles and Oja Kodar, the Croatian actress and writer who was Welles' companion in his later years, collaborated on a screenplay based on two stories from Karen Blixen, ''The Dreamers'' and ''Echoes''. Henry Jaglom, the U.S. filmmaker who directed Welles in the 1971 feature '' A Safe Place'', made inquiries to potential investors to back this project, which was originally called ''Da Capo''. Northstar Productions, a company created by filmmaker Hal Ashby, provided Welles with funding to complete the script, but declined to pursue the project after reading the completed script.Brady, Frank. “Citizen Welles,” 1989. Charles Scribner’s Sons. Welles shot 20 minutes of ...
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Film Editing
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film stock, film which increasingly involves the use Digital cinema, of digital technology. The film editor works with raw footage, selecting Shot (filming), shots and combining them into Sequence (filmmaking), sequences which create a finished Film, motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work. On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job ...
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F For Fake
''F for Fake'' (french: link=no, Vérités et mensonges, es, link=no, Fraude, "Truths and lies") is a 1973 docudrama film co-written, directed by, and starring Orson Welles who worked on the film alongside François Reichenbach, Oja Kodar, and Gary Graver. Initially released in 1974, it focuses on Elmyr de Hory's recounting of his career as a professional art forger; de Hory's story serves as the backdrop for a meandering investigation of the natures of authorship and authenticity, as well as the basis of the value of art. Far from serving as a traditional documentary on de Hory, the film also incorporates Welles's companion Oja Kodar, hoax biographer Clifford Irving, and Orson Welles as himself. ''F for Fake'' is sometimes considered an example of a film essay. In addition to the 88-minute film, in 1976 Welles also shot and edited a self-contained 9-minute short film as a " trailer", almost entirely composed of original material not found in the main film itself. Plot The fi ...
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New Hollywood
The New Hollywood, also known as American New Wave or Hollywood Renaissance, was a movement in American film history from the mid-1960s to the early 1980s, when a new generation of young filmmakers came to prominence. They influenced the types of film produced, their production and marketing, and the way major studios approached filmmaking. In New Hollywood films, the film director, rather than the studio, took on a key authorial role. The definition of "New Hollywood" varies, depending on the author, with some defining it as a movement and others as a period. The span of the period is also a subject of debate, as well as its integrity, as some authors, such as Thomas Schatz, argue that the New Hollywood consists of several different movements. The films made in this movement are stylistically characterized in that their narrative often deviated from classical norms. After the demise of the studio system and the rise of television, the commercial success of films was diminished. ...
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Studio System
A studio system is a method of filmmaking wherein the production and distribution of films is dominated by a small number of large movie studios. It is most often used in reference to Hollywood motion picture studios during the Golden Age of Hollywood from the 1920s to 1960s, wherein studios produced films primarily on their own filmmaking lots with creative personnel under often long-term contract, and dominated exhibition through vertical integration, i.e., the ownership or effective control of distributors and exhibition, guaranteeing additional sales of films through manipulative booking techniques such as block booking. The studio system was challenged under the antitrust laws in a 1948 Supreme Court ruling which sought to separate production from the distribution and exhibition and ended such practices, thereby hastening the end of the studio system. By 1954, with television competing for audience and the last of the operational links between a major production studio and ...
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Anthony Perkins
Anthony Perkins (April 4, 1932 – September 12, 1992) was an American actor, director, and singer. Perkins is best remembered for his role as Norman Bates in Alfred Hitchcock's suspense thriller '' Psycho'', which made him an influential figure in pop culture and in horror films. He often played distinctive villainous roles in film, though he was most renowned for his romantic leads. Perkins represented an era of vulnerable actors who straddled the line between masculinity and femininity, and he distinguished himself by playing unconfident characters. Born in New York City, Perkins got his start as an adolescent in summer stock programs, although he acted in films before he set foot on a professional stage. His first film, ''The Actress'', costarring Spencer Tracy and Jean Simmons and directed by George Cukor, was a disappointment save for an Oscar nod for its costumes, and Perkins returned to the boards instead. He made his Broadway debut in the Elia Kazan-directed '' ...
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Keith Baxter (actor)
Keith Baxter (born 29 April 1933) is a Welsh theatre, film and television actor. Early years and RADA Born in Newport, Monmouthshire, in 1933, the son of a Merchant Navy sea captain, he was christened Keith Stanley Baxter-Wright and lived for a time in Romilly Road, Barry, Glamorgan. He was educated at Newport High School and Barry Grammar School. His early introduction to the stage was from his interest in making model theatres and stage scenery. He studied at London's Royal Academy of Dramatic Arts, during which period he shared a flat with a classmate, Alan Bates. He made his film debut in the 1957 remake of ''The Barretts of Wimpole Street'' and appeared uncredited as a detective in the British horror classic ''Peeping Tom'' (1960). Films In 1960, Orson Welles selected Baxter to portray Prince Hal in his stage production ''Chimes at Midnight'', which combined portions of the Shakespearean plays ''Henry IV, Part I'', '' Henry IV, Part II'', '' Henry V'', '' Rich ...
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The Other Side Of The Wind
''The Other Side of the Wind'' is a 2018 satirical drama film, directed, co-written, co-produced and co-edited by Orson Welles, and posthumously released in 2018 after forty-eight years in development. The film stars John Huston, Bob Random, Peter Bogdanovich, Susan Strasberg, and Oja Kodar. Intended by Welles to be his Hollywood comeback, the film began shooting in 1970 and resumed on and off until 1976. Welles continued to intermittently work on the project into the 1980s, but it became embroiled in legal, financial and political complications which prevented it from being completed. Despite Welles' death in 1985, filming was completed and several attempts were made at reconstructing the unfinished film. In 2014, the rights were acquired by Royal Road and the project was overseen by Bogdanovich and producer Frank Marshall. The story utilizes a film-within-a-film narrative which follows the last day in the life of an aging Hollywood film director (Huston) as he hosts a scr ...
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Jeanne Moreau
Jeanne Moreau (; 23 January 1928 – 31 July 2017) was a French actress, singer, screenwriter, director, and socialite. She made her theatrical debut in 1947, and established herself as one of the leading actresses of the Comédie-Française. Moreau began playing small roles in films in 1949, later achieving prominence with starring roles in Louis Malle's ''Elevator to the Gallows'' (1958), Michelangelo Antonioni's ''La Notte'' (1961), and François Truffaut's ''Jules et Jim'' (1962). Most prolific during the 1960s, Moreau continued to appear in films into her 80s. Orson Welles called her "the greatest actress in the world". She won the Cannes Film Festival Award for Best Actress for '' Seven Days... Seven Nights'' (1960), the BAFTA Award for Best Foreign Actress for ''Viva Maria!'' (1965), and the César Award for Best Actress for '' The Old Lady Who Walked in the Sea'' (1992). She was also the recipient of several lifetime achievement awards, including a BAFTA Fellowship in 1 ...
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Dead Calm (novel)
''Dead Calm'' is a 1963 novel by Charles F. Williams. It was the basis for the unfinished Orson Welles film '' The Deep'', was adapted by Phillip Noyce as the film ''Dead Calm'' (1989), and is the sequel to Williams' lesser-known romantic thriller ''Aground'' (1960). Plot Honeymooners John and Rae Ingram take their yacht for a cruise through the Indian Ocean, where they rescue a young man, Hughie Warriner, from a dinghy. Hughie claims to have escaped from another vessel after three crew members succumbed to food poisoning. John, a former naval officer, is suspicious of inconsistencies in Hughie's story and goes to inspect the sinking ship while Hughie sleeps. He discovers passengers Russ Bellows and Mrs. Warriner, alive and begging for help. Meanwhile, upon discovering that John has left, Hughie panics, takes Rae hostage, and begins motoring her boat away from the sinking ship. On board the sinking ship, John learns that Hughie, Mrs. Warriner, Russ, and Russ' wife, Mrs. Bello ...
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