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Oi!
Oi! is a subgenre of punk rock that originated in the United Kingdom in the late 1970s. The music and its associated subculture had the goal of bringing together punks, skinheads, and other disaffected working-class youth. The movement was partly a response to the perception that many participants in the early punk rock scene were, in the words of The Business guitarist Steve Kent, "trendy university people using long words, trying to be artistic...and losing touch." History Oi! became a recognised genre in the latter part of the 1970s, emerging after the perceived commercialisation of punk rock, and before the soon-to-dominate hardcore punk sound. It fused the sounds of early punk bands such as the Sex Pistols, the Ramones, the Clash, and the Jam with influences from 1960s British rock bands such as the Small Faces and the Who, football chants, pub rock bands such as Dr. Feelgood, Eddie and the Hot Rods and The 101ers, and glam rock bands such as Slade and Sweet. Althou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Business (band)
The Business were an English punk band formed in 1979 in Lewisham, South London, England. The band lasted for four decades until their frontman Micky Fitz died from cancer in December 2016. History The band was formed in 1979 by school friends Steven ('Steve') Kent (guitar), Michael Fitzsimons ('Micky Fitz') (vocals), Nicholas ('Nick') Cunningham (drums) and Martin Smith (bass).Glasper, Ian (2004) ''Burning Britain: The History of UK Punk 1980-1984'', Cherry Red Books, They played their first gig in front of friends in February 1980, and after taking on Lol Pryor as manager, began performing more often. The band's first release was the song "Out in the Cold" on the ''A Sudden Surge of Sound'' compilation album. They played their first Oi! concert in 1981, supporting The 4-Skins, and they became closely associated with the Oi! scene from then on. While the Oi! movement was labelled as far right and racist (despite the fact that several Oi! bands played at Rock Against Racism c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skinhead
A skinhead is a member of a subculture which originated among working class youths in London, England, in the 1960s and soon spread to other parts of the United Kingdom, with a second working class skinhead movement emerging worldwide in the late 1970s. Motivated by social alienation and working class solidarity, skinheads (often shortened to "skins" in the UK) are defined by their close-cropped or shaven heads and working-class clothing such as Dr. Martens and steel toe work boots, braces, high rise and varying length straight-leg jeans, and button-down collar shirts, usually slim fitting in check or plain. The movement reached a peak at the end of the 1960s, experienced a revival in the 1980s, and, since then, has endured in multiple contexts worldwide. The rise to prominence of skinheads came in two waves, with the first wave taking place in the late 1960s in the UK. The first skinheads were working class youths motivated by an expression of alternative values and wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garry Bushell
Garry Bushell (born 13 May 1955) is an English newspaper columnist, rock music journalist, television presenter, author, musician and political activist. Bushell also sings in the Cockney Oi! bands GBX and the Gonads. He managed the New York City Oi! band Maninblack until the death of the band frontman Andre Schlessinger. Bushell's recurring topical themes are comedy, country and class. He has campaigned for an English Parliament, a Benny Hill statue and for variety and talent shows on TV. His TV column ''Bushell on the Box'' still appears weekly in the ''Daily Star Sunday'', and he is the Review Editor of the ''Sunday Express''. Early life and music career The son of a fireman, Bushell attended Charlton Manor School and Colfe's School (which was then a grammar school). At secondary school, he first performed in the group Pink Tent, which was heavily influenced by Monty Python. They wrote songs and comedy sketches; performed at parties and at each other's houses. Bushell was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punk Ideologies
Punk ideologies are a group of varied social and political beliefs associated with the punk subculture and punk rock. It is primarily concerned with concepts such as mutual aid, against selling out, egalitarianism, humanitarianism, anti-authoritarianism, anti-consumerism, anti-corporatism, anti-war, decolonization, anti-conservatism, anti-globalization, anti-gentrification, anti-racism, anti-sexism, gender equality, racial equality, health rights, civil rights, animal rights, disability rights, free-thought and non-conformity. One of its main tenets is a rejection of mainstream, corporate mass culture and its values. It continues to evolve its ideology as the movement spreads throughout North America from its origins in England and New York and embraces a range of anti-racist and anti-sexist belief systems. Punk does not necessarily lend itself to any particular political ideology as it is primarily anti-establishment and though leftist punk is more common due to the prev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punk Pathetique
Punk pathetique is a subgenre of British punk rock (principally active circa 1980–1982) that involved humour and working-class cultural themes. Origin The name of the genre was coined by ''Sounds'' journalist Garry Bushell, who actively championed many of its exponents. Punk pathetique was initially an attempt to characterize a group of London bands that embodied Cockney culture with a Dickensian working class attitude. Musically, it was related to (and had crossover with) the Oi! subgenre. The cover of the 1980 Bushell/''Sounds'' compilation album ''Oi the Album'' described the record as featuring "ruck 'n' rollers and punk pathetiques". In contrast to harder-edged Oi! bands with more serious lyrics, punk pathetique bands focused on the naughty, silly and trivial. Max Splodge of Splodgenessabounds said: "The pathetique bands are the other side of Oi! We're working class too, only whereas some bands sing about prison and the dole, we sing about pilchards and bums. The audi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punk Subculture
The punk subculture includes a diverse and widely known array of ideologies, fashion, and other forms of expression, visual art, dance, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock. The punk ethos is primarily made up of beliefs such as non-conformity, anti-authoritarianism, anti-corporatism, a do-it-yourself ethic, anti-consumerist, anti-corporate greed, direct action, and not "selling out". There is a wide range of punk fashion, including T-shirts, leather jackets, Dr. Martens boots, hairstyles such as brightly coloured hair and spiked mohawks, cosmetics, tattoos, jewellery, and body modification. Women in the hardcore scene typically wore masculine clothing. Punk aesthetics determine the type of art punks enjoy, which typically has underground, minimalist, iconoclastic, and satirical sensibilities. Punk has generated a considerable amount of poetry a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viking Rock
Viking rock (also known as Vikingarock in Swedish) is a rock music genre that takes much of its themes from 19th-century Viking romanticism, mixing it with elements of rockabilly, Oi! or street punk, and folk music. Frequent themes occurring in Viking rock include vikings and Norse mythology, as well as Sweden's King Karl XII and the Caroleans. Viking rock is often linked to white supremacy. Many make no distinction between Viking rock and white power music, and there is debate whether Viking rock is essentially racist. Some viking rock bands, however, allegedly disapprove of racism such as the Swedish band Hel. Kuggnäsfestivalen is a music festival that caters to viking rock. List of notable Viking rock bands *Glittertind Glittertind or Glittertinden is a mountain in Lom Municipality in Innlandet county, Norway. The tall mountain is the second highest mountain in Norway. It is located in the Jotunheimen mountains within Jotunheimen National Park. The mountai ... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pub Rock (United Kingdom)
Pub rock is a rock music genre that was developed in the early to mid-1970s in the United Kingdom. A back-to-basics movement which incorporated roots rock, pub rock was a reaction against the expensively-recorded and produced progressive rock and flashy glam rock scenes of the time. Although short-lived, pub rock was live rock played in small traditional venues like pubs and clubs. Since major labels showed no interest in pub rock groups, pub rockers sought out independent record labels such as Stiff Records. Indie labels used relatively inexpensive recording processes, so they had a much lower break-even point for a record than a major label. With pub rock's emphasis on small venues, simple, fairly inexpensive recordings and indie record labels, it was the catalyst for the development of the British punk rock scene. Despite these shared elements, though, there was a difference between the genres: while pub rock harked back to early rock and roll and R&B, punk was iconoclastic, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mod Revival
The mod revival was a subculture that started in the United Kingdom in the late 1970s and later spread to other countries (to a lesser degree). The mod revival's mainstream popularity was relatively short, although its influence lasted for decades. The mod revival post-dated a Teddy Boy revival, and mod revivalists sometimes clashed with Teddy Boy revivalists, skinhead revivalists, casuals, punks and rival gang members. The late 1970s mod revival was led by the band the Jam, who had adopted a stark mod look and mixed the energy of punk with the sound of early 1960s mod bands. It was heavily influenced by the 1979 film ''Quadrophenia''. The mod revival was a conscious effort to harken back to the earlier generation in terms of style and presentation. In the early 1980s in the UK, a mod revival scene influenced by the original mod subculture of the 1960s developed. 1970s The late 1970s mod revival combined musical and cultural elements of the 1970s pub rock, punk rock and new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds (magazine)
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left ''Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and ''New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mick Middles c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore Punk
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington D.C. and New York City, New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C. hardcore, Washington, D.C., Boston, and New York h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
