Oh Yeah! The Best Of Dunwich Records
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Oh Yeah! The Best Of Dunwich Records
''Oh Yeah! The Best of Dunwich Records'' is a garage rock compilation issued by Sundazed Records featuring music made by acts who recorded for Dunwich Records in Chicago during the 1960s. SC11010 - liner notes to compilation Dunwich quickly became one of the top independent labels in Chicago and, with national distribution through Atco Records, enjoyed hits by artists such as the American Breed and the Shadows of Knight, who were some of the best-known acts in garage rock, and are included here, along with the Del-Vetts, another well-known act. The set represents the stylistic diversity of the genre, featuring cuts that range from harder-edged and blues-based numbers to more pop-oriented fare. Some of the tracks display folk rock and psychedelic influences and there are a few advertising jingles, which appeared local radio stations, as well as an interview with the Shadows of Knight thrown in for good measure. The packaging includes thorough and we-researched liner notes b ...
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Oh Yeah! The Best Of Dunwich Records
''Oh Yeah! The Best of Dunwich Records'' is a garage rock compilation issued by Sundazed Records featuring music made by acts who recorded for Dunwich Records in Chicago during the 1960s. SC11010 - liner notes to compilation Dunwich quickly became one of the top independent labels in Chicago and, with national distribution through Atco Records, enjoyed hits by artists such as the American Breed and the Shadows of Knight, who were some of the best-known acts in garage rock, and are included here, along with the Del-Vetts, another well-known act. The set represents the stylistic diversity of the genre, featuring cuts that range from harder-edged and blues-based numbers to more pop-oriented fare. Some of the tracks display folk rock and psychedelic influences and there are a few advertising jingles, which appeared local radio stations, as well as an interview with the Shadows of Knight thrown in for good measure. The packaging includes thorough and we-researched liner notes b ...
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Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ...
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1991 Compilation Albums
File:1991 Events Collage.png, From left, clockwise: Boris Yeltsin, elected as Russia's first president, waves the new flag of Russia after the 1991 Soviet coup d'état attempt, orchestrated by Soviet hardliners; Mount Pinatubo erupts in the Philippines, making it the second-largest volcanic eruption of the 20th century; MTS Oceanos sinks off the coast of South Africa, but the crew notoriously abandons the vessel before the passengers are rescued; Dissolution of the Soviet Union: The Soviet flag is lowered from the Kremlin for the last time and replaced with the flag of the Russian Federation; The United States and soon-to-be dissolved Soviet Union sign the START I Treaty; A tropical cyclone strikes Bangladesh, killing nearly 140,000 people; Lauda Air Flight 004 crashes after one of its thrust reversers activates during the flight; A United States-led coalition initiates Operation Desert Storm to remove Iraq and Saddam Hussein from Kuwait, 300x300px, thumb rect 0 0 200 200 ...
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The American Breed
The American Breed was an American rock band from Chicago in the 1960s. The band was originally called Gary & The Knight Lites before adopting the name The American Breed in 1967. The band had a number of charting songs in 1967–68, the best-known of which was "Bend Me, Shape Me". The band broke up in 1970, and members went on to form Rufus after the split. History The American Breed originated as a group formed in 1961 by Gary Loizzo in Cicero, Illinois, United States, called Gary & The Knight Lites. Gary & The Knight Lites was influenced by The Everly Brothers and rhythm & blues songs, and they were joined in their first recording session by Charles "Chuck" Colbert whose father owned the recording studio. Songs they recorded included "I'm Glad She's Mine", and "Will You Go Steady". Other releases included "I Don't Need Your Help" and "I Can't Love You Anymore", also they also recorded "One, Two, Boogaloo" as The Light Nites. They recorded until 1966 before becoming The ...
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Pete Townshend
Peter Dennis Blandford Townshend (; born 19 May 1945) is an English musician. He is co-founder, leader, guitarist, second lead vocalist and principal songwriter of the Who, one of the most influential rock bands of the 1960s and 1970s. Townshend has written more than 100 songs for 12 of the Who's studio albums. These include concept albums, the rock operas ''Tommy'' (1969) and ''Quadrophenia'' (1973), plus popular rock radio staples such as ''Who's Next'' (1971); as well as dozens more that appeared as non-album singles, bonus tracks on reissues, and tracks on rarities compilation albums such as ''Odds & Sods'' (1974). He has also written more than 100 songs that have appeared on his solo albums, as well as radio jingles and television theme songs. While known primarily as a guitarist, Townshend also plays keyboards, banjo, accordion, harmonica, ukulele, mandolin, violin, synthesiser, bass guitar, and drums; he is self-taught on all of these instruments and plays on his own s ...
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My Generation
"My Generation" is a song by the English rock band the Who, which became a hit and one of their most recognizable songs. The song was named the 11th greatest song by ''Rolling Stone'' on its list of the 500 Greatest Songs of All Time. It became part of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll and is inducted into the Grammy Hall of Fame for "historical, artistic and significant" value. It has been considered the band's signature song. The song was released as a single on 29 October 1965, reaching No. 2 in the United Kingdom (The Who's highest-charting single in their home country along with 1966's " I'm a Boy") and No. 74 in the United States. "My Generation" also appeared on The Who's 1965 debut album, ''My Generation'' (''The Who Sings My Generation'' in the United States), and in greatly extended form on their live album ''Live at Leeds'' (1970). Although The Who re-recorded the song for the ''Ready Steady Who'' EP in 1966, ultimately it was not i ...
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The Del-Vetts
The Del-Vetts were an American garage rock band formed in Chicago, Illinois, in 1963. They released five singles and obtained regional success in the Midwest. Band The first lineup of the band consisted of Jim Lauer ( lead vocals, lead guitar), Bob Good (bass guitar), Lester Goldboss ( rhythm guitar) and Paul Wade ( drums), Jeff Gerchenson (vocals & rhythm guitar), originally performing cover versions of Chuck Berry songs and surf rock standards, and developing a loyal following in Chicago. The Del-Vetts' initial membership was not the most well-known incarnation of the band, though they did team up with record producer, Bill Traut, in 1965, to record a rendition of The Righteous Brothers' hit, "Little Latin Lupe Lu", on the small Seeburg Records label. Within a year of performing regularly at popular teen dance clubs such as the Cellar and the Rolling Stone, a solidified lineup emerged, and included Lauer, Good, who swapped to rhythm guitar, Jack Burchall (bass guitar) and Rog ...
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The Knaves
The Knaves were an American garage rock band formed in Chicago, Illinois, in 1964. The band released two singles during their existence, including the song "Leave Me Alone", which is now considered a classic of the musical genre of garage rock. In addition, the group's sound was particularly unique for combining elements of folk rock and proto-punk, making the Knaves stand out among their contemporaries. History The Knaves line-up consisted of Howard Berkman (lead guitar, vocals), Gene Lubin (drums), Neal Pollack (bass guitar), and Mark Feldman (rhythm guitar, backing vocals), and was assembled in the fall of 1964. Berkman possessed the most experience in music, previously performing in a group called the Jesters, and initially had to instruct the other band members to play their instruments, particularly Feldman, who was added more for his resemblance to a member of the Dave Clark Five. The band sustained a sizable local following in Chicago based on a repertoire of cover ve ...
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The Shadows Of Knight
The Shadows of Knight were an American rock band from Chicago, Illinois, that played a version of British blues influenced by their native city. When they began recording in 1965, the band's self-description was "the Stones, Animals and the Yardbirds took the Chicago blues and gave it an English interpretation. We've taken the English version of the Blues and re-added a Chicago touch," to which rock critic Richie Unterberger commented: "The Shadows of Knight's self-description was fairly accurate." History 1960s The band was formed in 1964 as simply the Shadows. In the spring of 1965, the band learned of an already existing British group, the Shadows. Whiz Winters, a friend who worked for their manager, Paul Sampson, in his record shop, came up with the name "The Shadows of Knight" to tie into the British Invasion in music of that time, and because all four of the band members attended Prospect High School in Mt. Prospect, Illinois, whose sports team had the name the "Knights" ...
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The Banshees (band)
The Banshees were an American garage rock band formed in Chicago, Illinois, in 1966. The group is best remembered for its sole single, featuring the dissonant proto-punk anthem, "Project Blue". The song has become a classic of the musical genre of garage rock and is featured prominently on several compilation albums. The group's origins trace back to the Fugitives, which were configured in 1962. By 1965, after some personnel changes, the band was known as the Prophets, and had begun recording promos for Columbia Records, along with demos of "Project Blue" and its eventual B-side "Free". The line-up consisted of Frank Bucaro (lead vocals, harmonica), Ron Rouse (lead guitar), Rick Notolini (bass guitar), Tom Leetzow (drums), and John Smead (rhythm guitar), with Bucaro and Rouse being the leaders of the Prophets. Record producer Bill Traut just happened to be listening to the group recording their demo of "Project Blue" and immediately signed the band to a recording contract. Traut ...
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The Little Boy Blues
The Little Boy Blues were an American garage rock band from Chicago, Illinois active in the mid to late 1960s, who are considered early pioneers in protopunk. They are best known for songs such as "The Great Train Robbery" and their version of Van Morrison's "I Can Only Give You Everything," both of which are considered garage classics. Throughout their tenure, they underwent several personnel changes and in the late 1960s began to evolve their sound into a more sophisticated direction, before disbanding in 1969 History The Little Boy Blues formed in 1964. Their original lineup consisted of singer/guitarist Lowell Shyette, lead guitarist Paul Ostroff, bassist Ray Levin, and drummer James Boyce—all students at the University of Illinois at Chicago. Initially, their repertoire consisted primarily of Chicago blues and early rock & roll standards. The group signed with the local IRC label, but agreed to modify their blues-based sound, in favor of a more commercial Beatles-insp ...
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Fuzzbox
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, an ...
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