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Ode To Life
''Ode to Life'' is an album by American jazz pianist Don Pullen and the African-Brazilian Connection recorded in 1993 for the Blue Note label.Don Pullen discography
accessed May 13, 2011


Reception

The review by awarded the album 3 stars, stating "The music is more subdued than is usual on a Pullen disc, with the harmonies being less dissonant and the mood often melancholy and reflective but occasionally joyous. This is one of Pullen's more accessible and introspective sessions."Yanow, S

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Don Pullen
Don Gabriel Pullen (December 25, 1941 – April 22, 1995) was an American jazz pianist and organist. Pullen developed a strikingly individual style throughout his career. He composed pieces ranging from blues to bebop and modern jazz. The great variety of his body of work makes it difficult to pigeonhole his musical style. Biography Early life Pullen was and raised in Roanoke, Virginia, United States. Growing up in a musical family, he learned the piano at an early age. A graduate of Lucy Addison High School, Pullen played in the school's band. He played with the choir in his local church and was heavily influenced by his cousin, Clyde "Fats" Wright, who was a professional jazz pianist. He took some lessons in classical piano and knew little of jazz. At this time, he was mainly aware of church music and the blues.Interview with Vernon Frazer, ''Coda'', October, 1976 (Canada); Free Blues, ''Jazz Hot'' 331, October 1976 (France); Piano Inside And Out, ''Down Beat'', June 1985 (US ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Blue Note Records Albums
Blue is one of the three primary colours in the RYB colour model (traditional colour theory), as well as in the RGB (additive) colour model. It lies between violet and cyan on the spectrum of visible light. The eye perceives blue when observing light with a dominant wavelength between approximately 450 and 495 nanometres. Most blues contain a slight mixture of other colours; azure contains some green, while ultramarine contains some violet. The clear daytime sky and the deep sea appear blue because of an optical effect known as Rayleigh scattering. An optical effect called Tyndall effect explains blue eyes. Distant objects appear more blue because of another optical effect called aerial perspective. Blue has been an important colour in art and decoration since ancient times. The semi-precious stone lapis lazuli was used in ancient Egypt for jewellery and ornament and later, in the Renaissance, to make the pigment ultramarine, the most expensive of all pigments. In the eigh ...
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Wind Chimes
Wind chimes are a type of percussion instrument constructed from suspended tubes, rods, bells or other objects that are often made of metal or wood. The tubes or rods are suspended along with some type of weight or surface which the tubes or rods can strike when they or another wind-catching surface are blown by the natural movement of air outside. They are usually hung outside of a building or residence as a visual and aural garden ornament. Since the percussion instruments are struck according to the random effects of the wind blowing the chimes, wind chimes have been considered an example of chance-based music. The tubes or rods may sound either indistinct pitches, or fairly distinct pitches. Wind chimes that sound fairly distinct pitches can, through the chance movement of air, create simple songs or broken chords. __TOC__ History Ancient Rome Roman wind chimes, usually made of bronze, were called ''tintinnabulum'' and were hung in gardens, courtyards, and porticoes where ...
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Tabula (instrument)
Tabula may refer to: * Tabula, Inc., a semiconductor company *Tabula (game), a game thought to be the predecessor to backgammon * ''Tabula'' (magazine), a magazine published in Tbilisi, Georgia *Tabula ansata, a tablet with handles See also * Tabula Rasa (other) ''Tabula rasa'' ("blank slate") is a philosophical concept. Tabula Rasa may also refer to: Television * "Tabula Rasa", an episode of ''Buffy the Vampire Slayer'' * "Tabula Rasa", an episode of ''Heroes'' * "Tabula Rasa", an episode of ''Lost' ...
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Djembe
A djembe or jembe ( ; from Maninka language, Malinke ''jembe'' , N'Ko script, N'Ko: ) is a rope-tuned skin-covered goblet drum played with bare hands, originally from West Africa. According to the Bambara people in Mali, the name of the djembe comes from the saying "Anke djé, anke bé" which translates to "everyone gather together in peace" and defines the drum's purpose. In the Bambara language, "djé" is the verb for "gather" and "bé" translates as "peace." The djembe has a body (or shell) carved of hardwood and a drumhead made of untreated (not Liming (leather processing), limed) Rawhide (textile), rawhide, most commonly made from Goatskin (material), goatskin. Excluding rings, djembes have an exterior diameter of 30–38 cm (12–15 in) and a height of 58–63 cm (23–25 in). The majority have a diameter in the 13 to 14 inch range. The weight of a djembe ranges from 5 kg to 13 kg (11–29 lb) and depends on size and shell material. ...
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Berimbau
The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'', the berimbau leads the capoeiristas movement in the ''roda''—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition. History The berimbau's origins have not been fully researched, though it is most likely an adaptation of African gourde musical bows, as no Indigenous Brazilian or European people use musical bows. The way the ''berimbau'' and the ''m'bulumbumba'' of southwest Angola are made and played are very similar, as well as the tuning and basic patterns performed on these instruments. The ass ...
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Timba
Timba is a Cuban genre of music based on Cuban ''son'' with ''salsa'', American Funk/R&B and the strong influence of Afro-Cuban folkloric music. Timba rhythm sections differ from their salsa counterparts, because timba emphasizes the bass drum, which is not used in salsa bands. Timba and salsa use the same tempo range and they both use the standard conga marcha. Almost all timba bands have a trap drummer. Timbas also often break the basic tenets of arranging the music in- clave. Timba is considered to be a highly aggressive type of music, with rhythm and "swing" taking precedence over melody and lyricism. Associated with timba is a radically sexual and provocative dance style known as despelote (literally meaning chaos or frenzy). It is a dynamic evolution of salsa, full of improvisation and Afro Cuban heritage, based on son, Rumba and mambo, taking inspiration from Latin jazz, and is highly percussive with complex sections. Timba is more flexible and innovative than salsa, an ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Carlos Ward
Carlos Ward (born May 1, 1940 in Ancón, Panama) is a funk and jazz alto saxophonist and flautist. He is best known as a member of the Funk and disco band BT Express as well as a jazz sideman. Biography Ward was raised in Panama City, and at a young age was exposed to a wide range of music, including Dixieland, classical, and Panamanian calypso. In 1953, he and his family moved to Seattle, Washington, where he began studying the clarinet. While in high school, he also picked up the alto saxophone, and began playing in rock and roll bands. During this time, he began listening to the music of Thelonious Monk, John Coltrane, and Ornette Coleman. During the early 1960s, he joined the military, and studied at the Navy School of Music. While stationed in Germany, he met and played with Albert Mangelsdorff and Karl Berger, with whom he would record several albums. He also met Eric Dolphy, who encouraged him in his musical endeavours. In 1965, shortly before returning to the United States, ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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