Oberst Chabert
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Oberst Chabert
''Oberst Chabert'' is an opera (described by the composer as a "musical tragedy in three acts") by Hermann Wolfgang von Waltershausen, loosely adapted by the composer from the novel '' Colonel Chabert'' by Honoré de Balzac. Performance history Waltershausen completed the score in 1911, and the opera was given its premiere at Frankfurt am Main on 18 January 1912. The premiere was a success, and the opera was performed two months later at the in Berlin.Krellmann, Hanspeter (n.d.). "Der Unauffällige: Hermann Wolfgang von Waltershausen und seine Oper". ''Oberst Chabert'', CD booklet for CPO 777 619-2 In the years before World War I, the opera was staged internationally, including at Covent Garden Opera House in April 1913. After the war, Waltershausen's Wagnerian, late-Romantic musical style gradually lost ground to new musical developments, such as Neue Sachlichkeit and Zeitoper, and the opera disappeared from the repertoire (as was the case with stage works by other post-Wagneri ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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1912 Operas
Year 191 (Roman numerals, CXCI) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Apronianus and Bradua (or, less frequently, year 944 ''Ab urbe condita''). The denomination 191 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Parthia * King Vologases IV of Parthia dies after a 44-year reign, and is succeeded by his son Vologases V of Parthia, Vologases V. China * A coalition of Chinese warlords from the east of Hangu Pass launches a Campaign against Dong Zhuo, punitive campaign against the warlord Dong Zhuo, who seized control of the central government in 189, and held the figurehead Emperor Xian of Han, Emperor Xian hostage. After suffering some defeats against the coalition forces, Dong Zhuo forcefully relocates the imperial capital from Luoyan ...
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German-language Operas
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish language, Danish, Norwegian language, Norwegian ...
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Battle Of Eylau
The Battle of Eylau, or Battle of Preussisch-Eylau, was a bloody and strategically inconclusive battle on 7 and 8 February 1807 between Napoléon's ''Grande Armée'' and the Imperial Russian Army under the command of Levin August von Bennigsen near the town of Preussisch Eylau in East Prussia. Late in the battle, the Russians received timely reinforcements from a Prussian division of von L'Estocq. After 1945, the town was renamed Bagrationovsk as part of Kaliningrad Oblast, Russia. The engagement was fought during the War of the Fourth Coalition, part of the Napoleonic Wars. Napoléon's armies had smashed the army of the Austrian Empire in the Ulm Campaign and the combined Austrian and Russian armies at the Battle of Austerlitz on 2 December 1805. On 14 October 1806, Napoléon crushed the armies of the Kingdom of Prussia at the Battle of Jena–Auerstedt and hunted down the scattered Prussians at Prenzlau, Lübeck, Erfurt, Pasewalk, Stettin, Magdeburg and Hamelin. In lat ...
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Richárd Erdős
Richárd Erdős (Brno, 18 May 1881 – 9 June 1912, Frankfurt) was a Jewish Hungarian bass opera singer who was father of the American children's author Richard Erdoes. Historical recordings * ''Stars of Hungarian Opera'', vol. 1, Hungaroton''Fanfare'': vol. 8, issues 3–4 (1985) "''Stars of the Hungarian Opera'', volume 1. Various artists, accompaniments, orchestras, and conductors. Hungaroton LPX-1 2640/2 ... Halévy: ''La Juive ''La Juive'' () (''The Jewess'') is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on 23 February 1835. Composition history ''La Juive'' was one of t ...'': Si la rigueur (Richard Erdos, bass)" References 19th-century Hungarian male opera singers Operatic basses 1881 births 1912 deaths 20th-century Hungarian male opera singers Austro-Hungarian singers {{opera-singer-stub ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Rudolf Brinkmann (baritone)
Rudolf Brinkmann (29 December 1873 – 3 November 1927) was a German operatic baritone. Life Brinkmann was born in Elberfeld (today a district of Wuppertal), the son of a pastry shop owner. At the age of 16, he began his training at the Cologne Opera and Drama School with Paul Hoppe. After he was also taught by him in Hamburg, he went to Heilbronn in 1895 and then to the German Opera in Amsterdam, which soon disbanded. In 1897, he was engaged at the Oper Frankfurt and worked there until his early death in 1927. Allegedly, he sang an almost unbelievable number of parts (between 300 and 500). Brinkmann, who was attached to the ideas of Freemasonry, was married with the opera soubrette Minnie Rau. He died at the age of 54 in Frankfurt. Further reading * Ludwig Eisenberg: Rudolf Brinkmann. In ''Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert''.
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Else Gentner-Fischer
Else Gentner-Fischer (5 September 1883 – 26 April 1943) was a German operatic soprano. Although she appeared in operas internationally, her career was mainly centered at the Oper Frankfurt where she was a resident artist from 1907-1935. She excelled in the dramatic soprano repertoire, drawing particular acclaim for her portrayal of Wagnerian heroines. She was also an exponent of the works of contemporary composers. Her career was cut short in 1935 due to political pressures and prejudice exerted against her for being married to a Jewish man. She made recordings with Gramophone & Typewriter Ltd., His Master's Voice, and Polydor Records. Life and career Born Else Fischer in Frankfurt am Main, Gentner-Fischer was the daughter of a barber. She studied singing at the Hoch Conservatory before making her professional opera debut in 1905 at the National Theatre Mannheim. That same year she married tenor Karl Gentner, to whom she was later widowed in 1922. She later married baritone ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Hermann Schramm
Hermann Schramm (1871–1951) was a German tenor who sang at the Oper Frankfurt in the 1920s and made several recordings for HMV Germany. Although he was Jewish he escaped the deportation and subsequent fate of his colleagues at the Oper Frankfurt, Richard Breitenfeld, Magda Spiegel, bass Hans Erl and violinist Moses Slager, since he was married to an "Aryan" wife, and his children had been raised as Christians. Hans Meissner, head of the opera, intervened personally for Schramm with the mayor in 1933 when Erl and others had to be dismissed from the opera. A chance anecdote reveals Schramm, then 72, as a witness in the 1950 trial of low-ranking Gestapo officer Heinrich Baab who scoured the streets of Frankfurt after 1940 looking for Jews. Schramm was witness to the arrest of a Jewish woman caught with a tramway ticket in her handbag – evidence of her using public transport. Schramm attempted to intervene and was repeatedly struck in the face by Baab, but not himself arrested.Zei ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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