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Oberheim OB12
The Oberheim OB•12 is a Virtual Analog synthesizer, designed and realised by the Italian musical instrument manufacturer Viscount, in production between 2000 and 2005. The synth used Oberheim brand name under license from Gibson, which bought Oberheim rights after the original company went out of business in 1987. The OB•12 was the second and last Oberheim synth whose creation had not involved original Oberheim company founder Tom Oberheim, the first one being the Oberheim OB-Mx. Despite a brilliant look, an advanced synthesis engine, numerous features, a great hands-on interface and a very particular sound, the instrument failed to gain musicians favour, mostly because of its "non-Oberheim Oberheim" status. Also, the synth earned a reputation for being unreliable, since early versions of OB•12 contained several bugs in the operating system software. Eventually, most of the bugs were rectified, but it was already too late to save the instrument's reputation, and it was disc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim
Oberheim is an American synthesizer manufacturer founded in 1969 by Tom Oberheim. History and products Tom Oberheim founded the company in 1969, originally as a designer and contract manufacturer of electronic effects devices for Maestro (most notably the Maestro PS-1A Phase Shifter),, and briefly a retail dealer for ARP Instruments, eventually designing the company's first Oberheim-branded product, the Oberheim DS-2, one of the first digital music sequencers. In 1975 Oberheim introduced the Synthesizer Expander Module (SEM) to complement the DS-2 sequencer and enable a user to play one synthesizer while the DS-2 played a sequence on another. The SEM featured a two-pole filter that could operate as a low-pass, high-pass, band-pass, or band-reject filter, giving it a different sound than the Moog and ARP filters popular at the time. The company later combined multiple SEM modules with a digitally-scanned keyboard and a 2-channel voltage-controlled sequencer to create a series o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viscount (musical Instrument Manufacturer)
Viscount International SpA (Viscount) is a musical instrument manufacturer based in Mondaino, Italy. The brand Viscount was registered in 1969 by Marcello Galanti, but the company was established in the late 19th century by his forefather Antonio Galanti. After 1969 Viscount’s primary focus has been on classic organs and digital pianos. Several alternative brands were formed in the 2000s to aim at expanding into other markets: VERSE and Voice Systems, respectively, for the high and low-end Pro-Audio markets and Physis for digital organs using Viscount’s physical modeling technology. The company also used the Oberheim brand for several years, to market vintage organs, synthesizers and guitar effects. Currently, Viscount’s manufacturing and R&D activity is based in Italy. The company has been continuously owned by the Galanti family since its inception. History Twentieth century The company history begins in the late 19th century when Antonio Galanti, musician and craftsman, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virtual Analog
An analog modeling synthesizer is a synthesizer that generates the sounds of traditional analog synthesizers using DSP components and software algorithms. Analog modeling synthesizers simulate the behavior of the original electronic circuitry in order to digitally replicate their tone. This method of synthesis is also referred to as ''virtual analog'' or VA. Analog modeling synthesizers can be more reliable than their true analog counterparts since the oscillator pitch is ultimately maintained by a digital clock, and the digital hardware is typically less susceptible to temperature changes. While analog synthesizers need an oscillator circuit for each voice of polyphony, analog modeling synthesizers do not face this problem. This means that many of them, especially the more modern models, can produce as many polyphonic voices as the CPU on which they run can handle. Modeling synths also provide patch storage capabilities and MIDI support not found on most true analog instruments. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subtractive Synthesis
Subtractive synthesis is a method of sound synthesis in which partials of an audio signal (often one rich in harmonics) are attenuated by a filter to alter the timbre of the sound. While subtractive synthesis can be applied to any source audio signal, the sound most commonly associated with the technique is that of analog synthesizers of the 1960s and 1970s, in which the harmonics of simple waveforms such as sawtooth, pulse or square waves are attenuated with a voltage-controlled resonant low-pass filter. Many digital, virtual analog and software synthesizers use subtractive synthesis, sometimes in conjunction with other methods of sound synthesis. Examples of subtractive synthesis A human example The basis of subtractive synthesis can be understood by considering the human voice; when a human speaks, sings or makes other vocal noises, the vocal folds act as an oscillator and the mouth and throat as a filter. Consider the difference between singing "oooh" and "aaah" , a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gibson Guitar Corporation
Gibson Brands, Inc. (formerly Gibson Guitar Corporation) is an American manufacturer of guitars, other musical instruments, and professional audio equipment from Kalamazoo, Michigan, and now based in Nashville, Tennessee. The company was formerly known as Gibson Guitar Corporation and renamed Gibson Brands, Inc. on June 11, 2013. Orville Gibson started making instruments in 1894 and founded the company in 1902 as the Gibson Mandolin-Guitar Mfg. Co. Ltd. in Kalamazoo, Michigan, to make mandolin-family instruments. Gibson invented archtop guitars by constructing the same type of carved, arched tops used on violins. By the 1930s, the company was also making flattop acoustic guitars, as well as one of the first commercially available hollow-body electric guitars, used and popularized by Charlie Christian. In 1944, Gibson was bought by Chicago Musical Instruments (CMI), which was acquired in 1969 by Panama-based conglomerate Ecuadorian Company Limited (ECL), that changed its name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Oberheim
Thomas Elroy Oberheim (born July 7, 1936, Manhattan, Kansas), known as Tom Oberheim, is an American audio engineer and electronics engineer best known for designing effects processors, analog synthesizers, sequencers, and drum machines. He has been the founder of four audio electronics companies, most notably Oberheim Electronics. He was also a key figure in the development and adoption of the MIDI standard. He is also a trained physicist. Early life and education Oberheim was born and raised in Manhattan, Kansas, also the home of Kansas State University. Beginning in junior high school, he put his interest in electronics into practice by building hi-fi components and amplifiers for friends. A fan of jazz music, Oberheim decided to move to Los Angeles after seeing an ad on the back of ''Downbeat Magazine'' about free jazz performances at a club there. He arrived in Los Angeles in July 1956 at the age of 20 with $10 in his pocket. He worked as a draftsman trainee at NCR ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
OSC OSCar
The OSCar was a synthesizer manufactured by the Oxford Synthesiser Company from 1983 to 1985. It was ahead of its time in several ways and its later versions were among the few mono-synths of its time to have MIDI. Around 2000 were made. History When synthesizer manufacturer Electronic Dream Plant folded in 1982, Chris Huggett went on to form the Oxford Synthesiser Company. The OSCar synthesizer was launched in 1983. Chris Huggett designed the electronics while independent product designer Anthony Harrison-Griffin was responsible for the unique look and build of the OSCar. Design and features Harrison-Griffin's use of distinctive black rubberized components to protect the controls and main casing became one of the instrument's most distinctive visual features. He even built a dummy 3-pin mains socket into the ends to safely store the plug. While the basic structure of the OSCar is the common subtractive synthesis model, it has many unusual features and design quirks. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim Synthesizers
Oberheim is an American synthesizer manufacturer founded in 1969 by Tom Oberheim. History and products Tom Oberheim founded the company in 1969, originally as a designer and contract manufacturer of electronic effects devices for Maestro (most notably the Maestro PS-1A Phase Shifter),, and briefly a retail dealer for ARP Instruments, eventually designing the company's first Oberheim-branded product, the Oberheim DS-2, one of the first digital music sequencers. In 1975 Oberheim introduced the Synthesizer Expander Module (SEM) to complement the DS-2 sequencer and enable a user to play one synthesizer while the DS-2 played a sequence on another. The SEM featured a two-pole filter that could operate as a low-pass, high-pass, band-pass, or band-reject filter, giving it a different sound than the Moog and ARP filters popular at the time. The company later combined multiple SEM modules with a digitally-scanned keyboard and a 2-channel voltage-controlled sequencer to create a series o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virtual Analog Synthesizers
Virtual may refer to: * Virtual (horse), a thoroughbred racehorse * Virtual channel, a channel designation which differs from that of the actual radio channel (or range of frequencies) on which the signal travels * Virtual function, a programming function or method whose behaviour can be overridden within an inheriting class by a function with the same signature * Virtual machine, the virtualization of a computer system * Virtual meeting, or web conferencing * Virtual memory, a memory management technique that abstracts the memory address space in a computer * Virtual particle, a type of short-lived particle of indeterminate mass * Virtual reality (virtuality), computer programs with an interface that gives the user the impression that they are physically inside a simulated space * Virtual world, a computer-based simulated environment populated by many users who can create a personal avatar, and simultaneously and independently explore the world, participate in its activities and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
