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Oberheim Matrix-12 Synthesizer
Oberheim is an American synthesizer manufacturer founded in 1969 by Tom Oberheim. History and products Tom Oberheim founded the company in 1969, originally as a designer and contract manufacturer of electronic effects devices for Maestro (most notably the Maestro PS-1A Phase Shifter),, and briefly a retail dealer for ARP Instruments, eventually designing the company's first Oberheim-branded product, the Oberheim DS-2, one of the first digital music sequencers. In 1975 Oberheim introduced the Synthesizer Expander Module (SEM) to complement the DS-2 sequencer and enable a user to play one synthesizer while the DS-2 played a sequence on another. The SEM featured a two-pole filter that could operate as a low-pass, high-pass, band-pass, or band-reject filter, giving it a different sound than the Moog and ARP filters popular at the time. The company later combined multiple SEM modules with a digitally-scanned keyboard and a 2-channel voltage-controlled sequencer to create a series ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Musical Instrument
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker A loudspeaker (commonly referred to as a speaker or speaker driver) is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound. A ''speaker system'', also often simply referred to as a "speaker" or ..., creating the sound heard by the performer and listener. An electronic instrument might include a user interface for controlling its sound, often by adjusting the pitch (music), pitch, frequency, or duration of each Musical note, note. A common user interface is the musical keyboard, which functions similarly to the keyboard on an acoustic piano, except that with an electronic keyboard, the keyboard itself does not make any sound. An electronic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim TVS-1A
The Oberheim TVS-1A is a polyphonic analogue synthesizer manufactured in the United States and released to the market in 1975. Its two voice digital keyboard can be operated in either polyphonic or monophonic mode. The TVS-1A also featured sample and hold and an onboard 16-step sequencer. Famous Users *Jean Michel Jarre *Vince Clarke *Vangelis Evangelos Odysseas Papathanassiou ( el, Ευάγγελος Οδυσσέας Παπαθανασίου ; 29 March 1943 – 17 May 2022), known professionally as Vangelis ( ; el, Βαγγέλης, links=no ), was a Greek composer and arranger of ... References {{Reflist Polyphonic synthesizers Analog synthesizers Products introduced in 1975 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davy DMX
David Franklin Reeves Jr. (known professionally as Davy DMX, Davy D or Davy Dee, and also credited under the name David Reeves) is an American musician, DJ, and producer best known for his work in cooperation with Run-DMC, Kurtis Blow, The Fat Boys, and Jam Master Jay. An early associate of Russell Simmons and Larry Smith, Dave first made his name in the 1980s. Early life Davy DMX was born in The Bronx borough of New York City on October 3, 1960. When he was ten years old, he moved with his family to Hollis, Queens, a largely African-American community notable as the home of such world-class achievers as Andrew Young, the Rev. Al Sharpton, Lani Guinier, Milt Jackson, Run-DMC and DJ Hurricane. Of his musical education, Dave has said, "I always liked the Jackson 5 when I was young, so I got a guitar and taught myself how to play." Eventually, he also taught himself how to play bass, keyboards, and drums. At the dawn of hip-hop in the mid-70s, Dave taught himself how to deejay. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim DMX
The DMX is a programmable digital drum machine manufactured by Oberheim. It was introduced in 1980 at a list price of and remained in the company's product line until the mid-1980s. The Oberheim DMX was the second digital drum machine ever to be sold as a commercial product, following the Linn LM-1 Drum Computer in 1980. Its popularity among musicians of the era contributed to the sound and evolution of 1980s new wave, synthpop and hip hop music. Background Immediately following the success of the Linn LM-1, other manufacturers began to develop and release drum machines intended to compete with the LM-1's ease of programmability and realistic sound quality. The DMX featured sampled sounds of real drums, as well as individual tuning controls for each drum voice and a swing function. In addition, it boasted several humanizing elements such as rolls, flams, and timing variations that were meant to mimic those of real drummers. The DMX features 24 individual drum sounds derived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound On Sound
''Sound on Sound'' is an independently owned monthly music technology magazine published by SOS Publications Group, based in Cambridge, United Kingdom. The magazine includes product tests of electronic musical performance and recording devices, and interviews with industry professionals. Due to its technical focus, it is predominantly aimed at the professional recording studio market as well as artist project studios and home recording enthusiasts. All news and articles printed in the magazine since January 1994 have also been published online via its website, often including rich media content such as video and audio files that correspond to the content of individual articles. The articles printed in the magazine before January 1994 can be found on the Mu:zines website. History The magazine was conceived, created and founded by brothers Ian and Paul Gilby in 1985, and was originally launched in 1985 on the UK Channel 4 television programme, '' The Tube'', championing the conve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim Matrix Synthesizers
Oberheim Matrix synthesizers were a product line of subtractive synthesis, subtractive analog synthesizers from Oberheim featuring a system of modulation which Oberheim called "Matrix Modulation" as a method of selecting and routing elements that dynamically shape various aspects of the sounds it produces. Matrix synthesizers continue to be popular due to their characteristic late-1980s analog sound and leading patching and filter capabilities. These five products fall into two groups. The Xpander is a six-voice rack-mount synthesizer with voltage-controlled oscillators and very flexible voltage-controlled filters. The Matrix-12 is in effect two Xpander's plus a keyboard. The second group consists of the Matrix-6 synthesizer, with digitally-controlled oscillator, DCOs, and much more standard filter capability. It had two rack-mount variants, the Matrix-6R and Matrix-1000. Models References Further reading * * External links VintageSynth.comhas specifications and photo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim Xpander
The Oberheim Xpander () is an analog synthesizer launched by Oberheim in 1984 and discontinued in 1988. It is essentially a keyboardless, six-voice version of the Matrix-12 (released a year later, in 1985). Utilizing Oberheim's Matrix Modulation technology, the Xpander combined analog audio generation (VCOs, VCF and VCAs) with the flexibility of digital controls logic. The Xpander "Owner's Manual, First Edition" describes the technology as this: :"An analogy to the Matrix Modulation system might be all of those millions of wires that existed on the first modular synthesizers. As cumbersome as all of that wiring was, it allowed the user to connect any input to any output, resulting in sophistication and flexibility unmatched by any programmable synthesizer...until now." Architecture Analog Components Each of the six voices of the Xpander is completely independent. That is to say, each could be configured to create a different timbre - this is accomplished via the multi-patch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim OB-Xa
The Oberheim OB-Xa was the second of Oberheim's OB-series polyphonic analog subtractive synthesizers, replacing the OB-X with updated features. History The OB-Xa was released in December 1980, replacing the OB-X after only a year on the market. The OB-Xa was the first Oberheim product adorned with blue horizontal pinstripes on black background that would become standard trade dress for future Oberheim products. While the OB-Xa offered the same polyphony as its predecessor (4, 6 and 8-voice models were offered), its keyboard could be split into two halves (each with its own voice) or to layer voices to create thicker sound (essentially making two notes sound for every key pressed). The OB-Xa also added the ability to switch between 2-pole 12dB and 4-pole 24dB filtering. It offered Filter Envelope modulation for oscillator 2 (which allows the pitch to be modulated by the envelope) in place of the OB-X's ability to cross modulate (frequency modulation of the first VCO with the sec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim OB-8
The Oberheim OB-8 is a subtractive analog synthesizer launched by Oberheim in early 1983 and discontinued in 1985. As the fourth product in the OB-series of polyphonic compact synthesizers, the OB-8 was the successor to the OB-Xa. The number of production was about 3,000 units. The OB-8 features eight-voice polyphony, two-part multi-timbrality, a 61-note processor-controlled piano keyboard, sophisticated programmable LFO and envelope modulation, two-pole and four-pole filters, arpeggiator, external cassette storage, MIDI capability and 120 memory patches, 24 bi-timbral patches, and used the Z80 CPU. The musician's interface also consists of two pages of front panel programmable controls, left panel performance controls and a set of foot pedals and switches. Artists who have used the OB-8 include Alice Coltrane, in her ashram music, Boys Noize, Ou Est Le Swimming Pool, Prince, Spinetta Jade, Queen, Van Halen, Depeche Mode, The War on Drugs, Styx, Kool & The Gang, Jimmy J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NFCC
The PFF National Challenge Cup is an annual semi-professional Single-elimination tournament, knockout association football, football competition in men's domestic Football in Pakistan, Pakistani football within the Pakistan football league system. It is organized by and named after the Pakistan Football Federation. Khan Research Laboratories F.C., Khan Research Laboratories have won the most titles (six). WAPDA F.C., WAPDA are the current champions, winning the 2020 PFF National Challenge Cup, 2020 edition courtesy of a 1-0 win against SSGC F.C. in the final. Background Although it is an annual competition, it has not been held on a few occasions. The competition was not held from (1980–83, 1986, 1988–89, 1995, 1997, 2004, 2006–07, 2017, 2021–22). The tournament has seen various name changes throughout its establishment. Names Finals ;Wins by club Results by team Since its establishment, the National Challenge Cup has been won by 15 different teams. Teams shown in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim OB-X
The Oberheim OB-X was the first of Oberheim's OB-series polyphonic analog subtractive synthesizers. First commercially available in June 1979, the OB-X was introduced to compete with the Sequential Circuits Prophet-5, which had been successfully introduced the year before. About 800 units were produced before the OB-X was discontinued and replaced by the updated and streamlined OB-Xa in 1981. The OB line developed and evolved after that with the OB-8 before being replaced by the Matrix series. The OB-X was used in popular music by Rush (on '' Moving Pictures'' and ''Signals''), Nena, Styx member Dennis DeYoung (used frequently from late 1979 to 1984), Queen (their first synthesizer on an album), Madonna for her debut album, Prince, and Jean-Michel Jarre who used it for its "brass" sounds. Specification The OB-X was the first Oberheim synthesizer based on a single printed circuit board called a "voice card" (still using mostly discrete components) rather than the earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
