O Antiphon
The O Antiphons (also known as the Great Advent Antiphons or Great Os) are Magnificat antiphons used at Vespers on the last seven days of Advent in Western Christian traditions. They likely date to sixth-century Italy, when Boethius refers to the text in '' The Consolation of Philosophy''. They subsequently became one of the key musical features of the days leading up to Christmas. The texts are best known in the English-speaking world in their paraphrased form in the hymn " O Come, O Come, Emmanuel". Sequence Each text, in the original Latin, begins with the vocative particle "O". Each antiphon is a title of Christ, one of his attributes mentioned in Scripture. They are: * 17 December: ''O Sapientia'' (O Wisdom) * 18 December: ''O Adonai'' * 19 December: ''O Radix Jesse'' (O Root of Jesse) * 20 December: ''O Clavis David'' (O Key of David) * 21 December: ''O Oriens'' (O Dawn of the East) * 22 December: ''O Rex Gentium'' (O King of the Nations) * 23 December: ''O Emmanu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
O Antienne Clavis
O, or o, is the fifteenth letter and the fourth vowel letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''o'' (pronounced ), plural ''oes''. History Its graphic form has remained fairly constant from Phoenician times until today. The name of the Phoenician letter was '' ʿeyn'', meaning "eye", and indeed its shape originates simply as a drawing of a human eye (possibly inspired by the corresponding Egyptian hieroglyph, cf. Proto-Sinaitic script). Its original sound value was that of a consonant, probably , the sound represented by the cognate Arabic letter ع ''ʿayn''. The use of this Phoenician letter for a vowel sound is due to the early Greek alphabets, which adopted the letter as O "omicron" to represent the vowel . The letter was adopted with this value in the Old Italic alphabets, including the early Latin alphabet. In Greek, a variation of the for ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
22–23
The dash is a punctuation mark consisting of a long horizontal line. It is similar in appearance to the hyphen but is longer and sometimes higher from the baseline. The most common versions are the endash , generally longer than the hyphen but shorter than the minus sign; the emdash , longer than either the en dash or the minus sign; and the horizontalbar , whose length varies across typefaces but tends to be between those of the en and em dashes. History In the early 1600s, in Okes-printed plays of William Shakespeare, dashes are attested that indicate a thinking pause, interruption, mid-speech realization, or change of subject. The dashes are variously longer (as in King Lear reprinted 1619) or composed of hyphens (as in Othello printed 1622); moreover, the dashes are often, but not always, prefixed by a comma, colon, or semicolon. In 1733, in Jonathan Swift's ''On Poetry'', the terms ''break'' and ''dash'' are attested for and marks: Blot out, correct, insert, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Church Of England
The Church of England (C of E) is the established Christian church in England and the mother church of the international Anglican Communion. It traces its history to the Christian church recorded as existing in the Roman province of Britain by the 3rd century and to the 6th-century Gregorian mission to Kent led by Augustine of Canterbury. The English church renounced papal authority in 1534 when Henry VIII failed to secure a papal annulment of his marriage to Catherine of Aragon. The English Reformation accelerated under Edward VI's regents, before a brief restoration of papal authority under Queen Mary I and King Philip. The Act of Supremacy 1558 renewed the breach, and the Elizabethan Settlement charted a course enabling the English church to describe itself as both Reformed and Catholic. In the earlier phase of the English Reformation there were both Roman Catholic martyrs and radical Protestant martyrs. The later phases saw the Penal Laws punish Ro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
The Poissy Antiphonal, Folio 30v
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
O Sapientia
The O Antiphons (also known as the Great Advent Antiphons or Great Os) are Magnificat antiphons used at Vespers on the last seven days of Advent in Western Christian traditions. They likely date to sixth-century Italy, when Boethius refers to the text in ''The Consolation of Philosophy''. They subsequently became one of the key musical features of the days leading up to Christmas. The texts are best known in the English-speaking world in their paraphrased form in the hymn " O Come, O Come, Emmanuel". Sequence Each text, in the original Latin, begins with the vocative particle "O". Each antiphon is a title of Christ, one of his attributes mentioned in Scripture. They are: * 17 December: ''O Sapientia'' (O Wisdom) * 18 December: ''O Adonai'' * 19 December: ''O Radix Jesse'' (O Root of Jesse) * 20 December: ''O Clavis David'' (O Key of David) * 21 December: ''O Oriens'' (O Dawn of the East) * 22 December: ''O Rex Gentium'' (O King of the Nations) * 23 December: ''O Emmanuel'' In ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
New Revised Standard Version
The New Revised Standard Version (NRSV) is an English translation of the Bible published in 1989 by the National Council of Churches.Preface to the NRSV from the website The NRSV was intended as a translation to serve devotional, liturgical and scholarly needs of the broadest possible range of Christian religious adherents. At present, the New Revised Standard Version is the version most commonly preferred by ; this is due to its basis on what are often considered the oldest and most reliable manusc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Vulgate
The Vulgate (; also called (Bible in common tongue), ) is a late-4th-century Latin translation of the Bible. The Vulgate is largely the work of Jerome who, in 382, had been commissioned by Pope Damasus I to revise the Gospels used by the Roman Church. Later, on his own initiative, Jerome extended this work of revision and translation to include most of the books of the Bible. The Vulgate became progressively adopted as the Bible text within the Western Church. Over succeeding centuries, it eventually eclipsed the . By the 13th century it had taken over from the former version the designation (the "version commonly used") or for short. The Vulgate also contains some ''Vetus Latina'' translations which Jerome did not work on. The Vulgate was to become the Catholic Church's officially promulgated Latin version of the Bible as the Sixtine Vulgate (1590), then as the Clementine Vulgate (1592), and then as the ''Nova Vulgata'' (1979). The Vulgate is still curr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Cento (poetry)
A cento is a poetical work wholly composed of verses or passages taken from other authors, especially the Greek poet Homer and the Roman poet Virgil, disposed in a new form or order. Etymology The Latin term ''cento'' derives from Greek (''gen''. ), meaning "'to plant slips' (of trees)". A later word in Greek, , means "patchwork garment". According to Hugh Gerard Evelyn-White, "A cento is therefore a poem composed of odd fragments". History The ''cento'' originated in the 3rd or 4th century A.D. The first known ''cento'' is the ''Medea'' by Hosidius Geta, composed out of Virgilian lines, according to Tertullian. However, an earlier cento might be present in Irenaeus's late-2nd century work '' Adversus Haereses''. He either cites or composes a cento as a demonstration of how heretical Christians modify canonical Gospels. Ausonius (310–395) is the only poet from Antiquity to comment on the form and content of the Virgilian cento; his statements are afterward regarded ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Canonical Hours
In the practice of Christianity, canonical hours mark the divisions of the day in terms of fixed times of prayer at regular intervals. A book of hours, chiefly a breviary, normally contains a version of, or selection from, such prayers. In the Roman Rite of the Catholic Church, canonical hours are also called ''offices'', since they refer to the official set of prayers of the Church, which is known variously as the ("divine service" or "divine duty"), and the ("work of God"). The current official version of the hours in the Roman Rite is called the Liturgy of the Hours ( la, liturgia horarum) in North America or divine office in Ireland and Britain. In Lutheranism and Anglicanism, they are often known as the daily office or divine office, to distinguish them from the other "offices" of the Church (e.g. the administration of the sacraments). In the Eastern Orthodox and Byzantine Catholic Churches, the canonical hours may be referred to as the divine services, and the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
O Thomas12
O, or o, is the fifteenth letter and the fourth vowel letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''o'' (pronounced ), plural ''oes''. History Its graphic form has remained fairly constant from Phoenician times until today. The name of the Phoenician letter was '' ʿeyn'', meaning "eye", and indeed its shape originates simply as a drawing of a human eye (possibly inspired by the corresponding Egyptian hieroglyph, cf. Proto-Sinaitic script). Its original sound value was that of a consonant, probably , the sound represented by the cognate Arabic letter ع ''ʿayn''. The use of this Phoenician letter for a vowel sound is due to the early Greek alphabets, which adopted the letter as O "omicron" to represent the vowel . The letter was adopted with this value in the Old Italic alphabets, including the early Latin alphabet. In Greek, a variation of the for ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Acrostic
An acrostic is a poem or other word composition in which the ''first'' letter (or syllable, or word) of each new line (or paragraph, or other recurring feature in the text) spells out a word, message or the alphabet. The term comes from the French from post-classical Latin , from Koine Greek , from Ancient Greek "highest, topmost" and "verse". As a form of constrained writing, an acrostic can be used as a mnemonic device to aid memory retrieval. When the ''last'' letter of each new line (or other recurring feature) forms a word it is called a telestich; the combination of an acrostic and a telestich in the same composition is called a double acrostic (e.g. the first-century Latin Sator Square). Acrostics are common in medieval literature, where they usually serve to highlight the name of the poet or his patron, or to make a prayer to a saint. They are most frequent in verse works but can also appear in prose. The Middle High German poet Rudolf von Ems for example opens all h ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |