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O. V. Wright
Overton Vertis "O. V." Wright (October 9, 1939 – November 16, 1980) was an American singer who is generally regarded as a blues artist by African-American fans in the Deep South; he is also regarded as one of Southern soul's most authoritative and individual artists. His best known songs include "That's How Strong My Love Is" (1964), "You're Gonna Make Me Cry" (1965), "Nucleus of Soul" (1968), "A Nickel and a Nail" (1971), "I Can't Take It" (1971) and "Ace of Spades" (1971). Biography Born in Lenow, Tennessee, Wright began singing in the church as a youngster. In 1956, while still in high school, he joined The Sunset Travelers as one of the lead singers of the gospel group. He later fronted a gospel music group, the Harmony Echoes. It was during this time that he was discovered (along with James Carr) by Roosevelt Jamison, a songwriter and manager. Their first pop recording in 1964 was "That's How Strong My Love Is," a ballad later covered by Otis Redding and the Rolling ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lenow, Tennessee
Lenow is an unincorporated community in Shelby County, Tennessee, United States. The Nashville, Chattanooga and St Louis Railway once ran through Lenow, along Lenow Road, an important route from Memphis Memphis most commonly refers to: * Memphis, Egypt, a former capital of ancient Egypt * Memphis, Tennessee, a major American city Memphis may also refer to: Places United States * Memphis, Alabama * Memphis, Florida * Memphis, Indiana * Memp ... to Nashville. This route was considered nonessential and was dug up in 1968. References Geography of Shelby County, Tennessee Neighborhoods in Tennessee {{ShelbyCountyTN-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Contract
A recording contract (commonly called a record contract or record deal) is a legal agreement between a record label and a recording artist (or group), where the artist makes a record (or series of records) for the label to sell and promote. Artists under contract are normally only allowed to record for that label exclusively; guest appearances on other artists' records will carry a notice "By courtesy of (the name of the label)", and that label may receive a percentage of sales. Copyrights, payment and royalties Labels typically own the copyright in the records their artists make, and also the master copies of those records. An exception is when a label makes a distribution deal with an artist; in this case, the artist, their manager, or another party may own the copyright (and masters), while the record is licensed exclusively to the label for a set period of time. Promotion is a key factor in the success of a record, and is largely the label's responsibility, as is proper distri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Robey
Don Deadric Robey (November 1, 1903 – June 16, 1975) was an American record label executive, songwriter, and record producer. As the founder of Peacock Records and the eventual owner of Duke Records, he was responsible for developing the careers of many rhythm and blues artists in the 1950s and 1960s. He was the first African American record mogul, 10 years prior to Berry Gordy's Motown label (though the first Black-owned label, Black Swan Records, belonged to Harry Pace in the 1920s). Robey was notorious for his controversial business practices; he reputedly used criminal means, including violence and intimidation, as part of his business model, though he was held in high regard by some of the musicians who worked for him. He was credited with writing or co-writing many of the songs recorded by Duke/Peacock artists, either under his real name, or under the pseudonym of Deadric Malone. However in many cases, he was merely a publisher and was not involved in the writing. Many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goldwax
Goldwax Records was an American record label founded in Memphis, Tennessee, United States, in 1964 by Quinton Claunch and Rudolph V. "Doc" Russell. History Claunch was a hardware store owner who had previously worked as a country music guitarist, a session musician at Sun Records, a songwriter, and a record producer, and had co-founded Hi Records in 1957 before selling his stake two years later. Russell was a pharmacist who was interested in becoming involved in the music business. The label had its biggest successes with James Carr, who had a series of hits on the R&B chart between 1967 and 1969, including " You've Got My Mind Messed Up" and "The Dark End of the Street". It also had some success with The Ovations, Spencer Wiggins, and Wee Willie Walker. The label was dissolved in 1969, as a result of differences between Claunch and Russell as well as Carr's erratic behaviour. In the mid 1980s, the company was re-launched by Memphis businessman Elliott Clark, and Claunch became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roosevelt Jamison
Roosevelt Jamison (July 15, 1936 – March 27, 2013) was an American music manager, publicist and songwriter who worked in Memphis, Tennessee, during the 1960s. His most notable composition was "That's How Strong My Love Is", first recorded by O.V. Wright and released on Quinton Claunch's Goldwax record label in 1964. Biography Jamison was born in Olive Branch, Mississippi. He was always interested in music and was an important figure on the Memphis scene, managing local groups and rehearsing them at the back of the Interstate Blood Bank he ran on Beale Street. It was through these groups that he discovered O.V. Wright and James Carr, who were both with the gospel group The Harmony Echoes. Jamison began writing his own songs, resulting in the hugely successful "That's How Strong My Love Is", which was originally released by O.V. Wright. "That's How Strong My Love Is" was much covered, most notably by Otis Redding, appearing on his 1965 album ''The Great Otis Redding Sings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgin Books
Virgin Books is a British book publisher 90% owned by the publishing group Random House, and 10% owned by Virgin Group, the company originally set up by Richard Branson as a record company. History Virgin established its book publishing arm in the late 1970s; in the latter part of the 1980s Virgin purchased several existing companies, including WH Allen, well known among ''Doctor Who'' fans for their Target Books imprint; Virgin Books was incorporated into WH Allen in 1989, but in 1991 WH Allen was renamed Virgin Publishing Ltd. Virgin Publishing's early success came with the ''Doctor Who'' New Adventures novels, officially licensed full-length novels carrying on the story of the popular science-fiction television series following its cancellation in 1989. Virgin published this series from 1991 to 1997, as well as a range of ''Doctor Who'' reference books from 1992 to 1998 under the Doctor Who Books imprint. In recent times the company is best known for its commercial non- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colin Larkin (writer)
Colin Larkin (born 1949) is a British writer and entrepreneur. He founded, and was the editor-in-chief of, the ''Encyclopedia of Popular Music'', described by ''The Times'' as "the standard against which all others must be judged". Along with the ten-volume encyclopedia, Larkin also wrote the book ''All Time Top 1000 Albums'', and edited the ''Guinness Who's Who of Jazz'', the ''Guinness Who's Who of Blues'', and the ''Virgin Encyclopedia Of Heavy Rock''. He has over 650,000 copies in print to date. Background and education Larkin was born in Dagenham, Essex. Larkin spent much of his early childhood attending the travelling fair where his father, who worked by day as a plumber for the council, moonlighted on the waltzers to make ends meet. It was in the fairground, against a background of Little Richard on the wind-up 78 rpm turntables, that Larkin acquired his passion for the world of popular music. He studied at the South East Essex County Technical High School and at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Music
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often repeated in a call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand-clapping and foot-stomping as rhythmic accompaniment. Most of the singing was done a cappella.Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study." ''African American Review'' 29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 2010. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
