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Nüwa Mends The Heavens
Nüwa, also read Nügua, is the mother goddess of Chinese mythology. She is credited with creating humanity and repairing the Pillar of Heaven. As creator of mankind, she molded humans individually by hand with yellow clay. In the Huainanzi, there is described a great battle between deities that broke the pillars supporting Heaven and caused great devastation. There was great flooding, and Heaven had collapsed. Nüwa was the one who patched the holes in Heaven with five colored stones, and she used the legs of a tortoise to mend the pillars. There are many instances of her in literature across China which detail her in creation stories, and today remains a figure important to Chinese culture. Name The character ''nü'' ( zh, t=女, l=female) is a common prefix on the names of goddesses. The proper name is ''wa'', also read as ''gua'' ( zh, t=媧). The Chinese character is unique to this name. Birrell translates it as 'lovely', but notes that it "could be construed as 'fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xiao Yuncong
Xiao Yuncong (; 1596–1673) was a famed Chinese landscape painter, calligrapher, and poet during the late Ming and early Qing dynasties.Cihai: Page 594. Xiao was born in Wuhu in Anhui province, at that time part of Taiping Prefecture. His style name was 'Chimu' () and his pseudonym A pseudonym (; ) or alias () is a fictitious name that a person or group assumes for a particular purpose, which differs from their original or true name (orthonym). This also differs from a new name that entirely or legally replaces an individua ... was 'Wumen Daoren' (). Later in life he acquired the pseudonyms 'Zhongshan Laoren' () and 'Anhui Wuhuren' (). Xiao was known for his landscape paintings such as the ''Taiping shanshui tuhua'' ()* which used dry and twisting brushstrokes called ''gui shu pai'' (). He did not follow any previous artist's style. In calligraphy, he produced the work ''Mei Hua Tang Posthumous manuscript'' (). He remained a lifelong Ming dynasty supporter.Barnhart: Page 271. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De (Chinese)
''De'' (; ), also written as ''Te'', is a key concept in Chinese philosophy, usually translated "inherent character; inner power; integrity" in Taoism, "moral character; virtue; morality" in Confucianism and other contexts, and "quality; virtue" ('' guna'') or "merit; virtuous deeds" ('' punya'') in Chinese Buddhism. The word Chinese ''de'' is an ancient and linguistically complex word. The following analyzes it in terms of semantics, graphics, and etymology. Meanings The ''Hanyu Da Zidian'', provides twenty meanings for ''de'' , translatable as # Rise, go up, climb, ascend. [] # Morals, morality, virtue, personal conduct, moral integrity, honor. [] # Denoting a wise/enlightened person with moral character. [] # Kindness, favor, grace, graciousness. [] # Grateful, gratefulness, thankful, indebted. [] # Benevolent rule, good government, good instruction. [] # Objective regulations/rules. [] # Quality, nature, basic character ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duyizhi
''Duyizhi'' (, also known as ''Tu yi chih''), a book in the genre of "transmissions of strange tales" (''chuanqi''), is now known only in partial form. The author has been identified as Li Rong. The book is a very important source for the modern study of Chinese mythology, containing many versions of otherwise lost narratives; such as the traditional story of Nüwa who mends the Heavens. The title (''Duyizhi'') has various translations into English, including ''Treatise on Extraordinary and Strange Things'' (Birrell 1993, 34); and, in Chinese transliteration as ''Tu yi chih'' (Birrell 1993, 272). Of the original ten volumes of the ''Duyizhi'', only three volumes survive. Author Although sometimes known as Li Rong (), due to lack of biographic data, there are various versions of his name or names, the truth of which is unclear. Other names given are Li Yin (李尢), Li Yuan (李元), and Li Kang (李亢).Theobald 2010, ChinaKnowledge.d There is no apparent controversy about his fami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xu Shen
Xu Shen ( CE) was a Chinese calligrapher, philologist, politician, and writer of the Eastern Han Dynasty (25-189). He was born in the Zhaoling district of Run'an prefecture (today known as Luohe in Henan Province). During his own lifetime, Xu was recognized as a preeminent scholar of the Five Classics. He was the author of ''Shuowen Jiezi'',''Daijisen'' entry "Xu Shen" (''Kyo Shin'' in Japanese). Shogakukan.'' Kanjigen'' entry "Xu Shen" (''Kyo Shin'' in Japanese). Gakken, 2006. which was the first comprehensive dictionary of Chinese characters, as well as the first to organize entries by radical. This work continues to provide scholars with information on the development and historical usage of Chinese characters. Xu Shen completed his first draft in 100 CE but, waited until 121 CE before having his son present the work to the Emperor An of Han. Life Xu was a student of the scholar-official Jia Kui (30-101). Under Jia, he established himself as a master in his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shuowen Jiezi
''Shuowen Jiezi'' () is an ancient Chinese dictionary from the Han dynasty. Although not the first comprehensive Chinese character dictionary (the '' Erya'' predates it), it was the first to analyze the structure of the characters and to give the rationale behind them, as well as the first to use the principle of organization by sections with shared components called radicals (''bùshǒu'' 部首, lit. "section headers"). Circumstances of compilation Xu Shen, a Han Dynasty scholar of the Five Classics, compiled the ''Shuowen Jiezi''. He finished editing it in 100 CE, but due to an unfavorable imperial attitude towards scholarship, he waited until 121 CE before having his son Xǔ Chōng present it to Emperor An of Han along with a memorial. In analyzing the structure of characters and defining the words represented by them, Xu Shen strove to disambiguate the meaning of the pre-Han Classics, so as to render their usage by government unquestioned and bring about order, and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qu Yuan
Qu Yuan ( – 278 BCE) was a Chinese poet and politician in the Chu (state), State of Chu during the Warring States period. He is known for his patriotism and contributions to Classical Chinese poetry, classical poetry and verses, especially through the poems of the ''Chu Ci'' anthology (also known as ''The Songs of the South'' or ''Songs of Chu''): a volume of poems attributed to or considered to be inspired by his Verse (poetry), verse writing. Together with the ''Classic of Poetry, Shi Jing'', the ''Chu Ci'' is one of the two greatest collections of ancient Chinese verse. He is also remembered in connection to the supposed origin of the Dragon Boat Festival. Historical details about Qu Yuan's life are few, and his authorship of many ''Chu Ci'' poems has been questioned at length. However, he is widely accepted to have written "The Lament," a ''Chu Ci'' poem. The first known reference to Qu Yuan appears in a poem written in 174 BCE by Jia Yi, an official from Luoy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heavenly Questions
The ''Heavenly Questions'' or ''Questions to Heaven'' () is a piece contained in the Classical Chinese poetry collection of ''Chu Ci'', which is noted both in terms of poetry and as a source for information on the ancient culture of China, especially the area of the ancient state of Chu. Of all the poems attributed to Qu Yuan, "Tianwen" contains more myths than any of the other pieces which may be attributed to him; however, due to the formal structure of "Tianwen" as a series of questions, information regarding the myths alluded to appear more as a series of allusive fragments than as cohesively narrated stories. According to legend, Qu Yuan wrote this series of questions in verse after viewing various scenes depicted on temple murals; specifically, it is said that following his exile from the royal court of Chu, Qu Yuan looked upon the depictions of the ancestors and the gods painted upon the walls of the ancestral temple of Chu; and, then, in response, wrote his questions to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuci
The ''Chu ci'', variously translated as ''Verses of Chu,'' ''Songs of Chu'', or ''Elegies of Chu'', is an ancient anthology of Chinese poetry including works traditionally attributed mainly to Qu Yuan and Song Yu from the Warring States period (ended 221 BC), and also a large number of works composed several centuries later, during the Han dynasty.Hawkes, David. Ch'u Tz'u: ''Songs of the South, an Ancient Chinese Anthology''. (Oxford: Clarendon Press, 1959), 28. The traditional version of the ''Chu ci'' contains 17 major sections, anthologized with its current contents by Wang Yi, a 2nd-century AD librarian who served under Emperor Shun of Han. The early (pre-Qin dynasty) Classical Chinese poetry is mainly known through the two anthologies the ''Chu ci'' and the ''Shi jing'' (''Classic of Poetry'' or ''Book of Songs''). Background ''Chu ci'' was named after a form of poetry that originated in the State of Chu, which was located in what is now central China, but was then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stones
In geology, rock (or stone) is any naturally occurring solid mass or aggregate of minerals or mineraloid matter. It is categorized by the minerals included, its chemical composition, and the way in which it is formed. Rocks form the Earth's outer solid layer, the crust, and most of its interior, except for the liquid outer core and pockets of magma in the asthenosphere. The study of rocks involves multiple subdisciplines of geology, including petrology and mineralogy. It may be limited to rocks found on Earth, or it may include planetary geology that studies the rocks of other celestial objects. Rocks are usually grouped into three main groups: igneous rocks, sedimentary rocks and metamorphic rocks. Igneous rocks are formed when magma cools in the Earth's crust, or lava cools on the ground surface or the seabed. Sedimentary rocks are formed by diagenesis and lithification of sediments, which in turn are formed by the weathering, transport, and deposition of existing rocks. M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lie Yukou
Lie Yukou (; ) is considered the author of the Daoist book ''Liezi'', which uses his honorific name Liezi (). Name The second Chinese character in Yukou is written ''kou'' "bandit; enemy"; the first is written ''yu'' "imprison", ''yu'' "resist; ward off", or occasionally ''yu'' "drive (carriage); ride (horse); control" (th''Zhuangzi''claims Liezi could ''yufeng'' "ride the wind"). Early life Lie Yukou was born in the State of Zheng, near today's Zhengzhou, Henan Province. History There is little historical evidence of Lie Yukou as a Hundred Schools of Thought philosopher during the Warring States period. This could be due to the burning of books and burying of scholars which occurred during the reign of Qin Shi Huang. However, some scholars believe that the ''Zhuangzi'' invented him as a Daoist exemplar. Frederic H. Balfour, who translated several Taoist texts, called Liezi "a philosopher who never lived" (1887:?) Lionel Giles expresses doubt in his Introduction: Very ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liezi
The ''Liezi'' () is a Taoist text attributed to Lie Yukou, a c. 5th century BC Hundred Schools of Thought philosopher. Although there were references to Lie's ''Liezi'' from the 3rd and 2nd centuries BC, a number of Chinese and Western scholars believe that the content of the current text was compiled around the 4th century CE by Zhang Zhan. Textual history The first two references to the ''Liezi'' book are from the Former Han Dynasty. The editor Liu Xiang notes he eliminated repetitions in ''Liezi'' and rearranged it into eight chapters (''pian'' ). The Book of Han bibliography section () says it has eight chapters () and concludes that since the '' Zhuangzi'' quotes Liezi, he must have lived before Zhuangzi. There is a three-century historical gap until the next evidence of the ''Liezi'': the Jin dynasty commentary by Zhang Zhan (fl. ca. 370 CE). Zhang's preface claims his ''Liezi'' copy was transmitted down from his grandfather. All received ''Liezi'' texts derive from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shan Hai Jing
The ''Classic of Mountains and Seas'', also known as ''Shan Hai Jing'', formerly romanized as the ''Shan-hai Ching'', is a Chinese classic text and a compilation of mythic geography and beasts. Early versions of the text may have existed since the 4th century BCE, but the present form was not reached until the early Han dynasty. It is largely a fabulous geographical and cultural account of pre-Qin China as well as a collection of Chinese mythology. The book is divided into eighteen sections; it describes over 550 mountains and 300 channels. Authorship The exact author(s) of the book and the time it was written are still undetermined. It was originally thought that mythical figures such as Yu the Great or Boyi wrote the book. However, the consensus among modern Sinologists is that the book was not written at a single time by a single author, but rather by numerous people from the period of the Warring States to the beginning of the Han dynasty. The first known editor of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
