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Nrisimha Tapaniya Upanishad
The ''Nrisimha Tapaniya Upanishad'' (नृसिंह तापनीय उपनिषद्) is a minor Upanishadic text written in Sanskrit. It is one of the 31 Upanishads attached the Atharvaveda, and classified as one of the Vaishnava Upanishads. It is presented in two parts, the Purva Tapaniya Upanishad and the Uttara Tapaniya Upanishad, which formed the main scriptures of Narasimha sect of the Vaishnavas dated prior to the 7th century. The text is notable for asserting a fourfold identity, that Atman (soul, self) is same as Om, Brahman (Absolute Reality) and Vishnu Man-Lion avatar, ''Nrisimha''. The Upanishad opens with verses of the Rigveda. Its foundation of monism philosophy, as well its style is also found in other Vaishnava Upanishads such as those dedicated to Rama. The Nrisimha Mantra, with its four supplementary mantras, is enunciated with the epithet "mantraraja" (king of hymns). It has " Om" as the foremost hymn which is repeatedly emphasized throughout this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narasimha
Narasimha ( sa, नरसिंह, lit=man-lion, ), sometimes rendered Narasingha, is the fourth avatar of the Hindu god Vishnu. He is regarded to have incarnated in the form of a part-lion, part-man being to slay Hiranyakashipu, to end religious persecution and calamity on earth, thereby restoring dharma. Narasimha is often depicted with three eyes, and is described in Vaishnavism to be the God of Destruction; he who destroys the entire universe at the time of the great dissolution (Mahapralaya). Hence, he is known as Kala (time) or Mahakala (great-time), or Parakala (beyond time) in his epithets. There exists a matha (monastery) dedicated to him by the name of Parakala Matha in the Sri Vaishnava tradition. Narasimha is also described as the God of Yoga, in the form of Yoga-Narasimha. Narasimha iconography shows him with a human torso and lower body, with a leonine face and claws, typically with the asura Hiranyakashipu in his lap, whom he is in the process of defeating. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surya
Surya (; sa, सूर्य, ) is the sun as well as the solar deity in Hinduism. He is traditionally one of the major five deities in the Smarta tradition, all of whom are considered as equivalent deities in the Panchayatana puja and a means to realise Brahman. Other names of Surya in ancient Indian literature include Aditya, Arka, Bhanu, Savitr, Pushan, Ravi, Martanda, Mitra, Bhaskara, Prabhakara, Kathiravan, and Vivasvan. The iconography of Surya is often depicted riding a chariot harnessed by horses, often seven in number which represent the seven colours of visible light, and the seven days of the week. During the medieval period, Surya was worshipped in tandem with Brahma during the day, Shiva at noon, and Vishnu in the evening. In some ancient texts and art, Surya is presented syncretically with Indra, Ganesha, and others. Surya as a deity is also found in the arts and literature of Buddhism and Jainism. In the Mahabharata and Ramayana, Surya is represented as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narayana
Narayana (Sanskrit: नारायण, IAST: ''Nārāyaṇa'') is one of the forms and names of Vishnu, who is in yogic slumber under the celestial waters, referring to the masculine principle. He is also known as Purushottama, and is considered the Supreme Being in Vaishnavism. Etymology L. B. Keny proposes that Narayana was associated with the Dravidian, and ultimately, the Indus Valley Civilisation, prior to his syncretism with Vishnu. To this end, he states that the etymology of the deity is associated with the Dravidian ''nara'', meaning water, ''ay'', which in Tamil means "to lie in a place", and ''an'', which is the masculine termination in Dravidian languages. He asserts that this is also the reason why Narayana is represented as lying on a serpent in the sea. He quotes, "This Nārāyana of the Āryan pantheon seems to be the supreme being of the Mohenjo-Darians, a god who was probably styled Ān, a name still kept in Tamil literature as Āndivanam, the prototype ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sudarshana
Sudarshana Chakra (Sanskrit: सुदर्शन चक्र, lit. "disc of auspicious vision", IAST: Sudarśana Chakra) is a spinning, celestial discus with 108 serrated edges, attributed to Vishnu and Krishna in the Hindu scriptures. The Sudarshana Chakra is generally portrayed on the right rear hand of the four hands of Vishnu, who also holds the Panchajanya (conch), the Kaumodaki (mace), and the Padma (lotus). While in the Rigveda, the Chakra was Vishnu's symbol as the wheel of time and by the late period, the Sudarshana Chakra emerged as an ayudhapurusha (an anthropomorphic form), as a fierce form of Vishnu, used for the destruction of demons. As an ''ayudhapurusha'', the deity is known as Chakraperumal or Chakratalvar. Etymology The word ''Sudarshana'' is derived from two Sanskrit words – ''Su''(सु) meaning "good/auspicious" and ''Darshana'' (दर्शन) meaning "vision". In the Monier-Williams dictionary the word Chakra is derived from the root क्र ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sudarshana Chakra
Sudarshana Chakra (Sanskrit: सुदर्शन चक्र, lit. "disc of auspicious vision", IAST: Sudarśana Chakra) is a spinning, celestial discus with 108 serrated edges, attributed to Vishnu and Krishna in the Hindu scriptures. The Sudarshana Chakra is generally portrayed on the right rear hand of the four hands of Vishnu, who also holds the Panchajanya (conch), the Kaumodaki (mace), and the Padma (lotus). While in the Rigveda, the Chakra was Vishnu's symbol as the wheel of time and by the late period, the Sudarshana Chakra emerged as an ayudhapurusha (an anthropomorphic form), as a fierce form of Vishnu, used for the destruction of demons. As an ''ayudhapurusha'', the deity is known as Chakraperumal or Chakratalvar. Etymology The word ''Sudarshana'' is derived from two Sanskrit words – ''Su''(सु) meaning "good/auspicious" and ''Darshana'' (दर्शन) meaning "vision". In the Monier-Williams dictionary the word Chakra is derived from the root क् ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedas
upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the '' Atharvaveda''. The Vedas (, , ) are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism. There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), the Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge).Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pp. 35–39A Bhattacharya (2006), ''Hindu Dharma: Introduction to Scriptures and Theology'', , pp. 8–14; George M. Williams (2003), Handbook of Hindu Mythology, Oxford University Press, , p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gayatri Mantra
The Gāyatrī Mantra, also known as the Sāvitri Mantra, is a highly revered mantra from the '' Rig Veda'' (Mandala 3.62.10), dedicated to the Vedic deity Savitr. is the name of the Goddess of the Vedic meter in which the verse is composed. Its recitation is traditionally preceded by ' and the formula ', known as the ', or "great (mystical) utterance". The Gayatri mantra is cited widely in Hindu texts, such as the mantra listings of the Śrauta liturgy, and classical Hindu texts such as the ''Bhagavad Gita'', ''Harivamsa'', and ''Manusmṛti''. The mantra and its associated metric form was known by the Buddha. The mantra is an important part of the upanayana ceremony. Modern Hindu reform movements spread the practice of the mantra to everyone and its use is now very widespread. Text The main mantra appears in the hymn RV 3.62.10. During its recitation, the hymn is preceded by ' () and the formula ' (). This prefixing of the mantra is properly described in the Taittiriya Arany ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pranava
''Om'' (or ''Aum'') (; sa, ॐ, ओम्, Ōṃ, translit-std=IAST) is a sacred sound, syllable, mantra, or an invocation in Hinduism. ''Om'' is the prime symbol of Hinduism.Krishna Sivaraman (2008), ''Hindu Spirituality Vedas Through Vedanta'', Motilal Banarsidass, , page 433 It is variously said to be the essence of the supreme Absolute, consciousness,James Lochtefeld (2002), "Om", ''The Illustrated Encyclopedia of Hinduism'', Vol. 2: N-Z, Rosen Publishing. , page 482Om . ''Merriam-Webster'' (2013), Pronounced: \ˈōm\ '' Ātman,'' '','' or the cosmic world.David Leeming (2005), '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maya (illusion)
''Maya'' (; Devanagari: , IAST: ), literally "illusion" or "magic", has multiple meanings in Indian philosophies depending on the context. In later Vedic texts, connotes a "magic show, an illusion where things appear to be present but are not what they seem"; the principle which shows "attributeless Absolute" as having "attributes". also connotes that which "is constantly changing and thus is spiritually unreal" (in opposition to an unchanging Absolute, or Brahman), and therefore "conceals the true character of spiritual reality".Lynn Foulston and Stuart Abbott (2009), ''Hindu Goddesses: Beliefs and Practices'', Sussex Academic Press, , pp. 14-16. In the Advaita Vedanta school of Hindu philosophy, , "appearance", is "the powerful force that creates the cosmic illusion that the phenomenal world is real." In this nondualist school, at the individual level appears as the lack of knowledge () of the real Self, ''Atman-Brahman'', mistakingly identifying with the body-mind comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trivikrama
Vamana (), also known as Trivikrama (), Urukrama (), Upendra (), Dadhivamana (), and Balibandhana () is an Dashavatara, avatar of the Hinduism, Hindu deity Vishnu. He is the fifth avatar of Vishnu, and the first Dashavatara in the Treta Yuga, after Narasimha. Originating in the Vedas, Vamana is most commonly associated in the Hindu epics and Puranas with the legend of taking back the three worlds (collectively referred to as the ''Trailokya'') from the daitya-king Mahabali, Bali by taking three steps to restore the cosmic order. He is the youngest among the adityas, the sons of Aditi and the sage Kashyapa. Nomenclature and etymology 'Vāmana' (Sanskrit वामन) means 'dwarf', 'small' or 'small or short in stature'. It also means 'dwarfish bull', which is notable as Vishnu is directly associated with dwarfish animals (including bulls) in the Vedas (see below). Stated in Puranas, Puranic literature to be born of the great sage Kashyapa and his wife Aditi, other names o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahavishnu
Mahavishnu (Sanskrit: महाविष्णु) is an aspect of Vishnu, the principal deity in Vaishnavism. In his capacity as Mahavishnu, the deity is known as the Supreme Purusha, the absolute protector and sustainer of the universe, the one who is beyond human comprehension, and all attributes. Literature The Bhagavata Purana, among the most revered texts among Vaishnavas, attributes the following qualities to Mahavishnu: The Srimad Bhagavatam also states that Krishna is the Supreme Being, who expands first as Balarama, then into the first quadruple expansion of Sankarshana, Vasudeva, Pradyumna, and Aniruddha. Sankarshana expands into Narayana, then Narayana expands into the second quadruple expansion of Sankarshana, Vasudeva, Pradyumna, and Aniruddha, then Sankarshana expands into Karanodakasayi-Visnu (Maha-Vishnu), who reclines within the Mahat-Tattva, creating innumerable universes from the pores on his body. He then expands into each universe as Garbhodakasayi- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prahlada
Prahlada () is an asura king in Hindu mythology. He is known for his staunch devotion towards the preserver deity, Vishnu. He appears in the narrative of Narasimha, the man-lion avatar of Vishnu, who rescues Prahlada by slaying his wicked father, Hiranyakashipu. Prahlada is described as a saintly boy, known for his innocence and bhakti to Vishnu. Despite the abusive nature of his father, Hiranyakashipu, he continues to worship Vishnu. He is considered to be a ''mahājana'', or great devotee, by followers of Vaishnava traditions. A treatise is accredited to him in the Bhagavata Purana, in which Prahlada describes the process of his loving worship towards Vishnu. The majority of stories in the Puranas regarding him are based on the activities of Prahlada as a young boy, and he is usually depicted as such in paintings and illustrations. Legend Prahlada was born to Kayadhu and Hiranyakashipu, an evil daitya king who had been granted a boon that he could not be killed off by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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