Novella (Renaissance Album)
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Novella (Renaissance Album)
''Novella'' is the seventh studio album by the English progressive rock band Renaissance, released in 1977. Bassist Jon Camp began working as a lyricist for this album, making it the first Renaissance album since ''Illusion'' (1971) to include songs written entirely by the band members themselves. Background and recording For ''Novella'' Renaissance returned to De Lane Lea Studios, where they had recorded ''Ashes Are Burning'' and ''Turn of the Cards'', wanting to again work with the studio's engineer, Dick Plant. Though Renaissance are credited with producing the album by themselves, the band members have said that Plant essentially co-produced the album, as he did with ''Ashes Are Burning'' and ''Turn of the Cards''. With ''Novella'' bassist Jon Camp wrote lyrics for the group for the first time, usually with guitarist Michael Dunford collaborating with him on the music. Camp recalled, "Micky unfordused to come along with the sort of main body of the song and then I used to ...
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Renaissance (band)
Renaissance are an English progressive rock band, best known for their 1978 UK top 10 hit " Northern Lights" and progressive rock classics like "Carpet of the Sun", "Mother Russia", and "Ashes Are Burning". They developed a unique sound, combining a female Lead vocalist, lead vocal with a fusion of classical music, classical, folk music, folk, rock music, rock, and jazz influences. Characteristic elements of the Renaissance sound are Annie Haslam's wide vocal range, prominent piano accompaniment, orchestration, orchestral arrangements, vocal harmonies, acoustic guitar, bass guitar, synthesiser, and versatile drum work. The band created a significant following in the northeast United States in the 1970s, and that region remains their strongest fan base. The original line-up included two former members of the Yardbirds, Keith Relf and Jim McCarty, along with John Hawken, Louis Cennamo and Relf's sister Jane Relf. They intended to put "something together with more of a classical in ...
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ABC Records
ABC Records was an American record label founded in New York City in 1955. It originated as the main popular music label operated by the Am-Par Record Corporation. Am-Par also created the Impulse! jazz label in 1960. It acquired many labels before ABC was sold to MCA Records in 1979. ABC produced music in a variety of genres: pop, rock, jazz, country, rhythm and blues, soundtrack, gospel, and polka. In addition to producing records, ABC licensed masters from independent record producers, and purchased regionally released records for national distribution. The label was initially called Am-Par Records (1955), but quickly changed to ABC-Paramount Records (1955–1966), and then renamed ABC Records in 1966. History Background In the 1940s and early 1950s, the Federal Communications Commission took action against the Anti-competitive practices of movie studios and broadcasting companies, forcing the Radio Corporation of America (RCA) to sell the Blue Network, the sister network ...
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Renaissance (band) Albums
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally dat ...
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Richard Anthony Hewson
Richard Anthony Hewson (born 17 November 1943) is an English producer, arranger, conductor and multi-instrumentalist, who created the studio group RAH Band. Career Hewson began in the late 1960s as an arranger, and has worked with musicians such as the Beatles ("I Me Mine" and "The Long and Winding Road"), the Bee Gees (''Melody''), James Taylor ("Carolina in My Mind"), Herbie Hancock, Clifford T. Ward, Supertramp, Pilot (''Pilot''), Diana Ross, Carly Simon, Art Garfunkel, Leo Sayer, Paul McCartney (''Thrillington''), Mary Hopkin ("Those Were The Days"), Al Stewart, Chris de Burgh, Fleetwood Mac and Chris Rea. He also arranged strings on several Cliff Richard albums, '' I'm Nearly Famous'' (1976),Three songs were arranged by Richard Hewson on the ''I'm Nearly Famous'' album: "Lovers", "Such is the Mystery", "If You Walked Away" - ''Every Face Tells a Story'' (1977) and '' Green Light'' (1978). Hewson also worked with the British band Jigsaw, including arrangements for their h ...
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Michael Dunford (musician)
Renaissance are an English progressive rock band, best known for their 1978 UK top 10 hit " Northern Lights" and progressive rock classics like "Carpet of the Sun", "Mother Russia", and "Ashes Are Burning". They developed a unique sound, combining a female Lead vocalist, lead vocal with a fusion of classical music, classical, folk music, folk, rock music, rock, and jazz influences. Characteristic elements of the Renaissance sound are Annie Haslam's wide vocal range, prominent piano accompaniment, orchestration, orchestral arrangements, vocal harmonies, acoustic guitar, bass guitar, synthesiser, and versatile drum work. The band created a significant following in the northeast United States in the 1970s, and that region remains their strongest fan base. The original line-up included two former members of the Yardbirds, Keith Relf and Jim McCarty, along with John Hawken, Louis Cennamo and Relf's sister Jane Relf. They intended to put "something together with more of a classical in ...
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Annie Haslam
Annie Haslam (born 8 June 1947) is an English vocalist, songwriter and painter. She is best known as the lead singer of progressive rock band Renaissance since 1971, and for her long and diverse solo singing career. She has a five-octave vocal range. From 2002, Haslam has developed a parallel career as a visual artist, producing paintings on canvas, painted musical instruments and giclées. Early history Originally a fashion student in Cornwall, Haslam worked for a Savile Row tailor in London. While there, she listened to the Beatles rooftop concert. Interview with Robin Cook https://www.furious.com/perfect/anniehaslam.html She later began studying under opera singer Sybil Knight in 1970.Romano, Will (2010). ''Mountains come out of the sky: an illustrated history of prog rock'' (1st Ed.). Montclair, NJ: Blackbeat Books. p. 132. Career with Renaissance In February 1971, Haslam became the new lead singer of Renaissance, after answering an advertisement in the British periodical ...
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Maurice Jarre
Maurice-Alexis Jarre (; 13 September 1924 – 28 March 2009)allmusic Biography/ref> was a French composer and conductor. Although he composed several concert works, Jarre is best known for his film scores, particularly for his collaborations with film director David Lean. Jarre composed the scores to all of Lean's films from ''Lawrence of Arabia'' (1962) to ''A Passage to India'' (1984). He was nominated for nine Academy Awards, winning three in the Best Original Score category for ''Lawrence of Arabia'' (1962), ''Doctor Zhivago'' (1965), and ''A Passage to India'' (1984), all of which were directed by Lean. Notable scores for other directors included '' Eyes Without a Face'' (1959), '' The Longest Day'' (1962), '' The Train'' (1964), ''The Collector'' (1965), ''Grand Prix'' (1966), ''The Man Who Would Be King'' (1975), ''Mohammad, Messenger of God'' (1976), ''Jesus of Nazareth'' (1977), ''Lion of the Desert'' (1981), '' The Year of Living Dangerously'' (1982), ''Witness'' (1985 ...
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7 Inch
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each sid ...
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Betty Thatcher
Betty Thatcher (16 February 1944 – 15 August 2011) was an English lyricist who wrote many of the lyrics for the progressive rock band Renaissance. Early life Betty Mary Newsinger was born in Great Titchfield Street, central London. She was taught to read newspapers at home, started conventional school at the age of eight, and became a fast and prolific reader. After passing the Eleven-plus exam, she won a scholarship to a grammar school, where she refused to take part in any examinations. After two years excelling in English and art, she transferred to a school that accepted difficult students. Career Thatcher's friend Liz Kellett introduced her to Kellett's school friend Jane Relf, the younger sister of ex- Yardbirds singer Keith Relf. When Keith and Jane formed Renaissance, they asked her to be the lyricist, Relf having read Thatcher's letters to Jane. When Betty moved to St Ives, Cornwall, she sent her lyrics from there to Jim McCarty who would write songs around them, incl ...
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We Ain't Fessin' (Double Quotes)
''We Ain't Fessin' (Double Quotes)'' is an EP by Deep Puddle Dynamics and Anticon. It was released on Anticon on February 25, 2002. The EP includes Deep Puddle Dynamics' "More from June" and Anticon's "We Ain't Fessin' (Double Quotes)". The CD version of the EP also includes another song by Anticon, titled "Pitty Party People". Critical reception David M. Pecoraro of ''Pitchfork'' gave the EP an 8.2 out of 10, saying: "From a baseball stadium, to a political rally, to a game show, these eighteen minutes wander through more audio environments than most full-lengths." Sam Hunt of ''Dusted Magazine'' called it " nticon'sfinest achievement". Track listing Personnel Credits adapted from liner notes. * Sole – vocals (1, 2, 3) * Doseone – vocals (1, 2, 3) * Alias – vocals (1, 2, 3), production (2) * Slug – vocals (1) * Eyedea – vocals (1) * John Herndon – production (1) * DJ Mayonnaise – turntables (1), production (2) * Passage – vocals (2) * Why? – vocals (2) * P ...
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Deep Puddle Dynamics
Deep Puddle Dynamics was a collaborative group featuring underground hip hop artists Sole, Doseone, Alias and Slug. History Deep Puddle Dynamics released the album '' The Taste of Rain... Why Kneel?'' on Anticon in 1999. Discography Albums * '' The Taste of Rain... Why Kneel?'' (1999) EPs * ''We Ain't Fessin' (Double Quotes)'' (2002) Singles * "Rainmen" (1999) Compilation appearances * "Rainmen" on ''Music for the Advancement of Hip Hop ''Music for the Advancement of Hip Hop'' is a compilation album released by American hip hop record label Anticon in 1999. The album collects tracks by members of the label's core crew. Critical reception Dan Gizzi of AllMusic gave the album 4.5 ...'' (1999) * "Mothers of Invention" on '' Anticon Label Sampler: 1999-2004'' (2004) References External links * {{Authority control American hip hop groups Anticon ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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