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Not Over Yet
"Not Over Yet" is a song by British dance act Grace. Originally released to clubs in 1993, under the band name State of Grace, it was re-released in 1995 as the first single from their only album, '' If I Could Fly'' (1996). It peaked at number six on the UK Singles Chart and reached number-one on the US '' Billboard'' Hot Dance Music/Club Play chart. Lead vocals and backing vocals were performed by singer Patti Low. In 1995, the lead vocals were replaced by new frontwoman and singer, Dominique Atkins for the album release, although Low's backing vocals remained in place. This Atkins/Low combination appeared on all subsequent re-releases and remixes of the track. The woman who appear in the accompanying music video is Low. In 1999, "Not Over Yet" was remixed by Planet Perfecto, a pseudonym of Paul Oakenfold, a co-writer of the song. It again reached the Top 20, peaking at number 16. Oakenfold also used it with much less singing in another remix called "Not Over", which appeare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grace (band)
Grace was a 1990s British dance music act, consisting of the DJs Paul Oakenfold and Steve Osborne and the jazz singer Dominique Atkins. The group's first single, "Not Over Yet" (originally released in 1993 and then again in 1995), had lead and backing vocals by the original frontwoman Patti Low. Atkins recorded her own lead vocals for "Not Over Yet" when it was included as the first track on the group's only album '' If I Could Fly''. History The group was initially named State of Grace, shortened to Grace following the discovery of another group of the same name. In existence from 1993 to 1997, the group served mainly to showcase Oakenfold and Osborne's production talents. They had seven Top 40 hits, most notably the dance anthem "Not Over Yet", which peaked at #6 in the UK Singles Chart, and topped the Hot Dance Music/Club Play chart in the US. The original front-woman, Patti Low, also recorded one other track while involved with Grace called "Helpless", which was only relea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Flick
Larry Flick is an American journalist, former dance music columnist, single reviewer, and Senior Talent Editor for ''Billboard'' magazine, where he worked for 14 years. Now he produces and hosts Sirius XM radio shows. Flick started in the music business at 21 as a college radio rep at a company called Gold Mountain. He went on the road as a touring assistant to the Power Station and KISS during their 1980s heyday, before starting as a part-time assistant/mail sorter at Billboard. He later became the dance music/single reviews editor of the magazine. Flick also worked as a music consultant for Prince A prince is a male ruler (ranked below a king, grand prince, and grand duke) or a male member of a monarch's or former monarch's family. ''Prince'' is also a title of nobility (often highest), often hereditary, in some European states. .... References External linksLarry Flick on Sirius XM [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Dance Singles Chart
The UK Dance Singles Chart and the UK Dance Albums Chart are music charts compiled in the United Kingdom by the Official Charts Company from sales of songs in the dance music genre (e.g. house, trance, drum and bass, garage, synthpop) in record stores and digital downloads. The chart can be viewed on the BBC Radio 1's and Official Charts Company's website. The archive on the Official Charts Company website goes back to 3 July 1994, the beginning of the first charting week. Official Charts Company
The Official Charts (legal name: The Official UK Charts Compan ...
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Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the '' NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and '' Top of the Pops'', as well as the US '' Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine '' Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a Music genre, genre of electronic dance music (EDM) which is generally music production, produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central Drum beat, rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor (music), four on the floor beat. Artists may use electronic instruments such as drum machines, sequencer (musical instrument), sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland Corporation, Roland's TR-808 and TR-909 are highly prized, and softsynth, software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbre, timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Hamilton (DJ And Journalist)
James Hamilton (25 December 1942 – 17 June 1996) was a British DJ and dance music columnist for ''Record Mirror'', and later for ''Music Week'', where he worked until his death in 1996. He is recognised as a pioneering advocate of disco mixing in the UK and the addition of beats per minute (bpm) calculations to record reviews. Hamilton started as a DJ in his early 20s, playing rhythm & blues in a nightclubs in London. He then headed to New York to work for Seltaeb, the US company who’d acquired the merchandising rights for The Beatles, becoming a talent scout for their newly formed music division. After returning to the UK, he adopted the DJ name Doctor Soul, and also compiled an album with this title for Sue Records. He set up as one of the first mobile DJs, and began writing US reviews for ''Record Mirror'' in 1964. In 1975, he began the magazine's weekly ‘Disco’ column, named ''James Hamilton's Disco Page''. He pioneered several features that was copied by other d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro Pop
Electropop is a hybrid music genre combining elements of electronic and pop genres. Writer Hollin Jones has described it as a variant of synth-pop with heavy emphasis on its electronic sound. The genre was developed in the 1980s and saw a revival of popularity and influence in the late 2000s. History Early 1980s During the early 1980s, British artists such as Gary Numan, the Human League, Soft Cell, John Foxx and Visage helped pioneer a new synth-pop style that drew more heavily from electronic music and emphasized primary usage of synthesizers. 21st century Britney Spears' influential fifth studio album '' Blackout'' (2007) incorporated elements of the genre, catapulting electropop to mainstream significance. The media in 2009 ran articles proclaiming a new era of different electropop stars, and indeed the times saw a rise in popularity of several electropop artists. In the Sound of 2009 poll of 130 music experts conducted for the BBC, ten of the top fifteen art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts * European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs bre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated '' Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixmag
''Mixmag'' is a British electronic dance and clubbing magazine published in London. Launched in 1983 as a print magazine, it has branched into dance events, including festivals and club nights. History The first issue of ''Mixmag'' was printed on 1 February 1983 as a 16-page black-and-white magazine published by Disco Mix Club, a DJ mailout service. The first cover featured American music group Shalamar. When house music began in the 1980s, editor and DJ Dave Seaman turned the magazine from a newsletter for DJs into a magazine covering all dance music and club culture. ''Mixmag'', in association with its original publishing company, DMC Publishing, released a series of CDs under the "Mixmag Live" heading. The magazine, which reached a circulation of up to 70,000 copies, was later sold to EMAP Ltd. in the mid-1990s. In 1996, an American version titled ''Mixmag USA'' was launched. It was renamed Mixer after the UK edition of Mixmag was sold to EMAP. It ceased publication al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dotmusic
''Dotmusic'' was a music webzine that existed as a standalone website from 1 June 1995 to December 2003. Initially intended as the web complement to the UK music industry trade magazine ''Music Week'', the site was relaunched in December 1998 as a website for music fans with features, interviews and the UK charts. The site was edited by Andy Strickland and among its most prominent writers were Nimalan Nadesalingam (Nimalan Nades) who contributed artist biographies and James Masterton who contributed a weekly UK chart commentary. After an internship in summer 2000, Alex Donne Johnson used his experience at ''Dotmusic'' to go on and found the urban music website '' RWDmag'', which later become one of the key players in the development of grime, UK garage and dubstep online. ''Dotmusic'' included one of the earliest pay download music services, ''Dotmusic On Demand''. It was also famous for its discussion forum, one of the most popular and active message boards in the UK. As well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
