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Norns
The Norns ( non, norn , plural: ) are deities in Norse mythology responsible for shaping the course of human destinies.'' Nordisk familjebok'' (1907) In the ''Völuspá'', the three primary Norns Urðr (Wyrd), Verðandi, and Skuld draw water from their sacred well to nourish the tree at the center of the cosmos and prevent it from rot.The article Nornor' in '' Nordisk familjebok'' (1913). These three Norns are described as powerful maiden giantesses ( Jotuns) whose arrival from Jötunheimr ended the golden age of the gods. The Norns are also described as maidens of Mögþrasir in the ''Vafþrúðnismál''. Beside the three Norns tending Yggdrasill, pre-Christian Scandinavians attested to Norns who visit a newborn child in order to determine the person's future. These Norns could be malevolent or benevolent: the former causing tragic events in the world while the latter were kind and protective. Etymology The origin of the name ''norn'' is uncertain; it may derive from a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urðarbrunnr
Urðarbrunnr (Old Norse "Well of Urðr"; either referring to a Germanic concept of fate—''urðr''—or the norn named UrðrSimek (2007:342).) is a well in Norse mythology. Urðarbrunnr is attested in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. In both sources, the well lies beneath the world tree Yggdrasil, and is associated with a trio of norns (Urðr, Verðandi, and Skuld). In the ''Prose Edda'', Urðarbrunnr is cited as one of three wells existing beneath three roots of Yggdrasil that reach into three distant, different lands; the other two wells being Hvergelmir, located beneath a root in Niflheim, and Mímisbrunnr, located beneath a root near the home of the frost jötnar. Scholarly theory and speculation surrounds the well. Attestations Urðarbrunnr is attested in the following works: ''Poetic Edda'' In the ''Poetic Edda'', Urðarbrunnr is mentioned in stanz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valkyrie
In Norse mythology, a valkyrie ("chooser of the slain") is one of a host of female figures who guide souls of the dead to the god Odin's hall Valhalla. There, the deceased warriors become (Old Norse "single (or once) fighters"Orchard (1997:36) and Lindow (2001:104).). When the are not preparing for the events of Ragnarök, the valkyries bear them mead. Valkyries also appear as lovers of heroes and other mortals, where they are sometimes described as the daughters of royalty, sometimes accompanied by ravens and sometimes connected to swans or horses. Valkyries are attested in the ''Poetic Edda'' (a book of poems compiled in the 13th century from earlier traditional sources), the ''Prose Edda'', the (both by Snorri Sturluson) and the (one of the Sagas of Icelanders), all written—or compiled—in the 13th century. They appear throughout the poetry of skalds, in a 14th-century charm, and in various runic inscriptions. The Old English cognate term appears in several Old E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valkyrs
In Norse mythology, a valkyrie ("chooser of the slain") is one of a host of female figures who guide souls of the dead to the god Odin's hall Valhalla. There, the deceased warriors become (Old Norse "single (or once) fighters"Orchard (1997:36) and Lindow (2001:104).). When the are not preparing for the events of Ragnarök, the valkyries bear them mead. Valkyries also appear as lovers of heroes and other mortals, where they are sometimes described as the daughters of royalty, sometimes accompanied by ravens and sometimes connected to swans or horses. Valkyries are attested in the ''Poetic Edda'' (a book of poems compiled in the 13th century from earlier traditional sources), the ''Prose Edda'', the (both by Snorri Sturluson) and the (one of the Sagas of Icelanders), all written—or compiled—in the 13th century. They appear throughout the poetry of skalds, in a 14th-century charm, and in various runic inscriptions. The Old English cognate term appears in several Old Engli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verðandi
In Norse mythology, Verðandi (Old Norse, meaning possibly "happening" or "present"Orchard (1997:174).), sometimes anglicized as Verdandi or Verthandi, is one of the norns. Along with Urðr (Old Norse "fate"Orchard (1997:169).) and Skuld (Norn), Skuld (possibly "debt" or "future"Orchard (1997:151).), Verðandi makes up a Numbers in Germanic paganism, trio of Norns that are described as deciding the fates (wyrd) of people. Etymology ''Verðandi'' is literally the present participle of the Old Norse verb "''verða''", "to become", and is commonly translated as "in the making" or "that which is happening/becoming"; it is related to the Dutch word ''worden'' and the German word ''werden'', both meaning "to become". Attestation ''Völuspá'' She appears in the following verse from the ''Poetic Edda'' poem ''Völuspá'', along with Urðr and Skuld: Notes References * Orchard, Andy (1997). ''Dictionary of Norse Myth and Legend''. Orion Publishing Group, Cassell. {{Time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yggdrasill
Yggdrasil (from Old Norse ), in Norse cosmology, is an immense and central sacred tree. Around it exists all else, including the Nine Worlds. Yggdrasil is attested in the ''Poetic Edda'' compiled in the 13th century from earlier traditional sources, and in the ''Prose Edda'' compiled in the 13th century by Snorri Sturluson. In both sources, Yggdrasil is an immense ash tree that is central to the cosmos and considered very holy. The gods go to Yggdrasil daily to assemble at their traditional governing assemblies, called things. The branches of Yggdrasil extend far into the heavens, and the tree is supported by three roots that extend far away into other locations; one to the well Urðarbrunnr in the heavens, one to the spring Hvergelmir, and another to the well Mímisbrunnr. Creatures live within Yggdrasil, including the dragon Níðhöggr, an unnamed eagle, and the stags Dáinn, Dvalinn, Duneyrr and Duraþrór. Scholars generally consider ''Hoddmímis holt'', ''Mímameiðr'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skuld
Skuld (the name possibly means "debt" and is related to the English word "should") is a Norn in Norse mythology. Along with Urðr (Old Norse "fate"Orchard (1997:169).) and Verðandi (possibly "happening" or "present"Orchard (1997:174).), Skuld makes up a trio of Norns that are described as deciding the fates of people. Skuld appears in at least two poems as a Valkyrie. ''Poetic Edda'' Skuld is mentioned in ''Völuspá'', a poem collected in the 13th century ''Poetic Edda'': ''Prose Edda'' ''Gylfaginning'' In the ''Prose Edda'' book ''Gylfaginning'', Snorri informs the reader that the youngest Norn, Skuld, is in effect also a valkyrie, taking part in the selection of warriors from the slain: ::These are called Valkyrs: them Odin sends to every battle; they determine men's feyness and award victory. Gudr and Róta and the youngest Norn, she who is called Skuld, ride ever to take the slain and decide fights." [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wyrd
Wyrd is a concept in Anglo-Saxon culture roughly corresponding to fate or personal destiny. The word is ancestral to Modern English ''weird'', whose meaning has drifted towards an adjectival use with a more general sense of "supernatural" or "uncanny", or simply "unexpected". The cognate term to ''wyrd'' in Old Norse is , with a similar meaning, but also personified as a deity: Urðr (anglicized as ), one of the Norns in Norse mythology. The word also appears in the name of the well where the Norns meet, Urðarbrunnr. Etymology The Old English term derives from a Proto-Germanic term . ''Wyrd'' has cognates in Old Saxon , Old High German , Old Norse , Dutch (to become), and German . The Proto-Indo-European root is meaning 'to twist', which is related to Latin ''vertere'' 'turning, rotating', and in Proto-Germanic is with a meaning 'to come to pass, to become, to be due'. The same root is also found in , with the notion of 'origin' or ' worth' both in the sense of 'connotati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wyrd
Wyrd is a concept in Anglo-Saxon culture roughly corresponding to fate or personal destiny. The word is ancestral to Modern English ''weird'', whose meaning has drifted towards an adjectival use with a more general sense of "supernatural" or "uncanny", or simply "unexpected". The cognate term to ''wyrd'' in Old Norse is , with a similar meaning, but also personified as a deity: Urðr (anglicized as ), one of the Norns in Norse mythology. The word also appears in the name of the well where the Norns meet, Urðarbrunnr. Etymology The Old English term derives from a Proto-Germanic term . ''Wyrd'' has cognates in Old Saxon , Old High German , Old Norse , Dutch (to become), and German . The Proto-Indo-European root is meaning 'to twist', which is related to Latin ''vertere'' 'turning, rotating', and in Proto-Germanic is with a meaning 'to come to pass, to become, to be due'. The same root is also found in , with the notion of 'origin' or ' worth' both in the sense of 'connotati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skáldskaparmál
''Skáldskaparmál'' (Old Norse: 'The Language of Poetry'; c. 50,000 words; ; ) is the second part of the ''Prose Edda''. The section consists of a dialogue between Ægir, the divine personification of the sea, and Bragi, the god of poetry, in which both Norse mythology and discourse on the nature of poetry are intertwined. The origin of a number of ''kennings'' is given; then Bragi delivers a systematic list of ''kennings'' for various people, places and things. He then goes on to discuss poetic language in some detail, in particular ''heiti'', the concept of poetical words which are non-periphrastic (like ''steed'' for ''horse''), and again systematises these. This in a way forms an early form of poetic thesaurus. References Bibliography * Further reading * Anthony Faulkes"The sources of ''Skáldskaparmál'': Snorri’s intellectual background" in: Alois Wolf (ed.), ''Snorri Sturluson'', Volume 51 of ScriptOralia, Gunter Narr Verlag (1993), 59–76. External ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snorri Sturluson
Snorri Sturluson ( ; ; 1179 – 22 September 1241) was an Icelandic historian, poet, and politician. He was elected twice as lawspeaker of the Icelandic parliament, the Althing. He is commonly thought to have authored or compiled portions of the ''Prose Edda'', which is a major source for what is today known as Norse mythology, and ''Heimskringla'', a history of the Norwegian kings that begins with legendary material in ''Ynglinga saga'' and moves through to early medieval Scandinavian history. For stylistic and methodological reasons, Snorri is often taken to be the author of ''Egil's saga''. He was assassinated in 1241 by men claiming to be agents of the King of Norway. Biography Early life Snorri Sturluson was born in (commonly transliterated as Hvamm or Hvammr) as a member of the wealthy and powerful Sturlungar clan of the Icelandic Commonwealth, in AD 1179. His parents were ''Sturla Þórðarson the Elder'' of ''Hvammur'' and his second wife, ''Guðný Böðvarsdóttir''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Norse Poetry
Old Norse poetry encompasses a range of verse forms written in Old Norse, during the period from the 8th century (see Eggjum stone) to as late as the far end of the 13th century. Most of the Old Norse poetry that survives was preserved in Iceland, but there are also around 122 verses preserved in Swedish rune inscriptions, 54 in Norwegian and 12 in Danish. Poetry played an important role in the social and religious world of the Vikings. In ''Skáldskaparmál'' (1), Snorri Sturluson, recounts the myth of how Odin brought the mead of poetry to Asgard. Poetry is referred to in such terms as 'the drink of the raven-god (= Odin)' even in the oldest preserved poetry, which is an indicator of its significance within the ancient Scandinavian culture. Old Norse poetry developed from the common Germanic alliterative verse, and as such has many commonalities with Old English, Old Saxon, and Old High German poetry, including alliteration, poetic circumlocutions termed kennings, and an exp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artistic License
Artistic license (alongside more contextually-specific derivative terms such as poetic license, historical license, dramatic license, and narrative license) refers to deviation from fact or form for artistic purposes. It can include the alteration of grammar or language, or the rewording of pre-existing text. History The artistic license may also refer to the ability of an artist to apply smaller distortions, such as a poet ignoring some of the minor requirements of grammar for poetic effect. For example, Mark Antony's "Friends, Romans, Countrymen, lend me your ears" from Shakespeare's ''Julius Caesar'' would technically require the word "and" before "countrymen", but the conjunction "and" is omitted to preserve the rhythm of iambic pentameter (the resulting conjunction is called an asyndetic tricolon). Conversely, on the next line, the end of "I come to bury Caesar, not to praise him" has an extra syllable because omitting the word "him" would make the sentence unclear, but ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
