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Nomos (music)
The nomos ( el, νόμος), also nome, is a genre of ancient Greek music, either solo instrumental or for voice accompanied by an instrument, characterized by a style of great complexity. It came to be associated with virtuoso performers. Although it designates a specific, nameable melody, it is unclear just how fixed it might have been in detail. Most likely, each performer was given some freedom to vary and interpret the melody, using musical phrases and gestures that would change from one performance to another. Etymology The root sense of the Greek word νόμος is "that which is in habitual practice, use or possession"; its specific musical sense is "melody, strain". In the particular application to these melody types called ''nomoi'', it may be translated as "set piece". Types There are four types of ''nomoi'', two vocal and two purely instrumental: # Kitharoedic nomoi, the earliest type, sung to the accompaniment of a kithara, associated with Terpander of Sparta (early s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Ancient Greece
Music was almost universally present in ancient Greek society, from marriages, funerals, and religious ceremonies to theatre, folk music, and the ballad-like reciting of epic poetry. It thus played an integral role in the lives of ancient Greeks. There are some fragments of actual Greek musical notation, many literary references, depictions on ceramics and relevant archaeological remains, such that some things can be known—or reasonably surmised—about what the music sounded like, the general role of music in society, the economics of music, the importance of a professional caste of musicians, etc. The word ''music'' comes from the Muses, the daughters of Zeus and patron goddesses of creative and intellectual endeavours. Concerning the origin of music and musical instruments: the history of music in ancient Greece is so closely interwoven with Greek mythology and legend that it is often difficult to surmise what is historically true and what is myth. The music and music the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympus (musician)
Olympus (or Olympos, el, Ὄλυμπος) is the name of two ancient Greece, ancient Greek musicians, one mythical who lived before the Trojan War, and one apparently real, who lived in the 7th century BC. Both musicians were connected with the Aulos, auletic music, which had its origin in Phrygia.Plutarch, ''de Mus.'' It is possible that the elder and mythical Olympus was invented through some mistake respecting the younger and historical Olympus. Instrumental music was apparently introduced into Greece by Olympus.(ed. ) Mythical Olympus The elder Olympus belongs to the mythical genealogy of Mysian and Phrygian flute-players: Hyagnis (mythology), Hyagnis, Marsyas, and Olympus, to each of whom the invention of the flute was ascribed, and under whose names we have the mythical representation of the contest between the Phrygian ''auletic'' and the Culture of Greece, Greek ''citharoedic'' music: some writers made him the father (instead of son, or disciple, and favourite) of Marsyas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Music
Music was almost universally present in ancient Greek society, from marriages, funerals, and religious ceremonies to theatre, folk music, and the ballad-like reciting of epic poetry. It thus played an integral role in the lives of ancient Greeks. There are some fragments of actual Greek musical notation, many literary references, depictions on ceramics and relevant archaeological remains, such that some things can be known—or reasonably surmised—about what the music sounded like, the general role of music in society, the economics of music, the importance of a professional caste of musicians, etc. The word ''music'' comes from the Muses, the daughters of Zeus and patron goddesses of creative and intellectual endeavours. Concerning the origin of music and musical instruments: the history of music in ancient Greece is so closely interwoven with Greek mythology and legend that it is often difficult to surmise what is historically true and what is myth. The music and music the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (musicologist)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Early life Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He pursued his Bachelor of Music at the University of Cape Town following which he moved to Oxford University to pursue a doctoral degree under the supervision of Edmund Rubbra Career Tyrrell started his career working in an editorial capacity at The Musical Times. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of the second edition of ''The New Grove Dictionary of Music and Musicians'' (2001). From 2000-08, he was Research Professor at Cardiff University. He received numerous awards and honours throughout his career. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Greek-English Lexicon
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sakadas Of Argos
Sakadas of Argos won a musical competition at the Pythian Games in 586 BC, for '' Nomos Pythicos'', a composition for the aulos that told of the battle between Apollo and Python. This event is one of the earliest known examples of the music of ancient Greece, one of the earliest known accounts of the use of the aulos as a solo instrument, and one of the earliest known accounts of program music Program music or programatic music is a type of instrumental art music that attempts to musically render an extramusical narrative. The narrative itself might be offered to the audience through the piece's title, or in the form of program note .... References External links Life of Sakadas– Primary sources 6th-century BC Greek people Ancient Argives Ancient Greek flautists {{AncientGreece-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mimnermus
Mimnermus ( grc-gre, Μίμνερμος ''Mímnermos'') was a Greek elegiac poet from either Colophon or Smyrna in Ionia, who flourished about 632–629 BC (i.e. in the 37th Olympiad, according to Suda). He was strongly influenced by the example of Homer, yet he wrote short poems suitable for performance at drinking parties and was remembered by ancient authorities chiefly as a love poet. Mimnermus in turn exerted a strong influence on Hellenistic poets such as Callimachus and thus also on Roman poets such as Propertius, who even preferred him to Homer for his eloquence on love themes (see Comments by other poets below). His work was collected by Alexandrian scholars in just two "books" (relatively few compared for example with the twenty-six books for Stesichorus) and today only small fragments survive. The fragments confirm the ancient estimate of him as a "consummate poet" but also indicate that he was a "sturdier character" than the indulgent love poet he was assumed t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lysias
Lysias (; el, Λυσίας; c. 445 – c. 380 BC) was a logographer (speech writer) in Ancient Greece. He was one of the ten Attic orators included in the "Alexandrian Canon" compiled by Aristophanes of Byzantium and Aristarchus of Samothrace in the third century BC. Life According to Dionysius of Halicarnassus and the author of the life ascribed to Plutarch, Lysias was born in 459 BC, which would accord with a tradition that Lysias reached, or passed, the age of eighty. This date was evidently obtained by reckoning back from the foundation of Thurii (444 BC), since there was a tradition that Lysias had gone there at the age of fifteen. Modern critics, in general, place his birth later, c. 445 BC, and place the trip to Thurii around 430 BC. Cephalus, his father, was a native of Syracuse, and on the invitation of Pericles had settled at Athens. The opening scene of Plato's ''Republic'' is set at the house of his eldest son, Polemarchus, in Piraeus. The tone of the picture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kithara
The kithara (or Latinized cithara) ( el, κιθάρα, translit=kithāra, lat, cithara) was an ancient Greek musical instrument in the yoke lutes family. In modern Greek the word ''kithara'' has come to mean "guitar", a word which etymologically stems from ''kithara''. The cithara was a seven-stringed professional version of the lyre, which was regarded as a rustic, or folk instrument, appropriate for teaching music to beginners. As opposed to the simpler lyre, the cithara was primarily used by professional musicians, called kitharodes. The cithara's origins are likely Anatolian. popular in the eastern Aegean and ancient Anatolia. Uses Whereas the basic lyra was widely used as a teaching instrument in boys’ schools, the cithara was a virtuoso's instrument, generally known as requiring a great deal of skill. The cithara was played primarily to accompany dance, epic recitations, rhapsodies, odes, and lyric songs. It was also played solo at the receptions, ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chrysothemis
In Greek mythology, Chrysothemis or Khrysothemis (; grc, Χρυσόθεμις, "golden law") is a name ascribed to several characters. ''Female:'' * Chrysothemis, may refer to known as the attributes of the golden harvest as an agricultural demi-goddess. She is also the daughter of the goddess Demeter ("earth mother") and Karmanor ("he who crops").Pausanias10.7.2/ref> *Chrysothemis, a Hesperide pictured and named on an ancient vase together with Asterope, Hygieia and Lipara. * Chrysothemis, daughter of Danaus. She married (and killed) Asterides, son of Aegyptus. * Chrysothemis, wife of Staphylus, mother of Molpadia, Rhoeo and Parthenos. She was also said to have mothered Parthenos by the god Apollo. * Chrysothemis, daughter of Agamemnon and Clytemnestra. Unlike her sister, Electra, Chrysothemis did not protest or enact vengeance against their mother for having an affair with Aegisthus and then killing their father. She appears in Sophocles's '' Electra''. ''Male:'' *Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
