No More Love (film)
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No More Love (film)
''No More Love'' (german: Nie wieder Liebe) is a 1931 German musical comedy film directed by Anatole Litvak and starring Lilian Harvey, Harry Liedtke and Felix Bressart.Grange p. 369 It is based on Julius Berstl's novel '' Dover-Calais''. It was shot at the Babelsberg Studios in Berlin and on location along the French Riviera including Nice. The film's art direction was by Werner Schlichting. A separate French-language version ''Calais-Dover'' was also released. Cast * Lilian Harvey as Gladys O'Halloran * Harry Liedtke as Sandercroft * Felix Bressart as Jean * Margo Lion as Eine Stimmungssängerin * Oskar Marion as Jack * Julius Falkenstein as Dr. Baskett * Hermann Speelmans as Tom * Theo Lingen as Rhinelander * Raoul Lange as Der Spanier * Louis Brody as Der Koch * Rina Marsa as Claire * Konstantin Kalser as Der Schiffsjunge * Hans Behal as Charlie * Mischa Spoliansky Mischa Spoliansky (28 December 1898 – 28 June 1985) was a Russian-born composer who made his name wri ...
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Anatole Litvak
Anatoly Mikhailovich Litvak (russian: Анатолий Михайлович Литвак; 21 May 1902 – 15 December 1974), better known as Anatole Litvak, was a Ukrainian-born American filmmaker who wrote, directed, and produced films in various countries and languages. He began his theatrical training at age 13 in Petrograd, Russia (now again known as St. Petersburg). Litvak was notable for directing little-known foreign actors to early fame and is believed to have contributed to several actors winning Academy Awards. In 1936 he directed ''Mayerling'', a film which made French actors Charles Boyer and Danielle Darrieux international stars. He returned Swedish star Ingrid Bergman to popularity with American audiences in 1956 with ''Anastasia'', in which she won her second Oscar. He directed Olivia de Havilland to an Academy Award nomination for ''The Snake Pit'' (1948). He directed Jean Gabin in his screen debut and directed Elia Kazan in his earliest acting role, ''City fo ...
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Musical Comedy Film
Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. With the advent of sound in the late 1920s, musicals gained popularity with the public and are exemplified by the films of Busby Ber ...
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Hermann Speelmans
Hermann Speelmans (14 August 1906 – 9 February 1960) was a German stage and film actor.Capua p. 120 Selected filmography * ''Her Dark Secret'' (1929) - Emil * ''Diana'' (1930) * ''There Is a Woman Who Never Forgets You'' (1930) * ''Danton'' (1931) - Legendre * ''The Man in Search of His Murderer'' (1931) - Jim * ''Inquest'' (1931) - Bruno Klatte, Artist * ''Kinder vor Gericht'' (1931) - August Schulze, Vater * ''Checkmate'' (1931) - Markutius, pensionierter Kriminalbeamter * ''No More Love'' (1931) - Tom * '' The Battle of Bademunde'' (1931) - Hannes * ''Der Herr Finanzdirektor'' (1931) - Albert Boudaine * '' The Captain from Köpenick'' (1931) - Wachtmeister Killian * '' At Your Orders, Sergeant'' (1932) * ''Night Convoy'' (1932) - Banjospieler * '' Under False Flag'' (1932) - Kriminalkommissar Schulz * '' Crime Reporter Holm'' (1932) * '' A Shot at Dawn'' (1932) - Schmitter * ''Spoiling the Game'' (1932) - Erwin Banz - Rennfahrer * ''F.P.1'' (1932) - Chefingenieur Damsky * '' ...
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Julius Falkenstein
Julius Falkenstein (25 February 1879 – 9 December 1933) was a German stage and film actor of the silent era. He appeared in more than 180 films between 1914 and 1933. Falkenstein was Jewish, but secured a special permit to continue making films following the Nazi rise to power in 1933. He died of natural causes the same year, having made only one further film. Selected filmography * ''Die geheimnisvolle Villa'' (1914) * '' The Princess of Neutralia'' (1917) *'' The Toboggan Cavalier'' (1918) * ''The Oyster Princess'' (1919) * ''The Dancer Barberina'' (1920) * ''The Love of a Thief'' (1920) * ''The Princess of the Nile'' (1920) * '' Romeo and Juliet in the Snow'' (1920) * '' The Haunted Castle'' (1921) * ''The Story of Christine von Herre'' (1921) * '' The Convict of Cayenne'' (1921) * ''Lola Montez, the King's Dancer'' (1922) * '' Dr. Mabuse the Gambler'' (1922) * ''His Excellency from Madagascar'' (1922) * ''Don Juan'' (1922) * ''Das Milliardensouper'' (1923) * '' Earth ...
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Oskar Marion
Oskar Marion (2 April 1896 – March 1986) was an Austrian film actor. Life Born as Oskar Viktor Lepka in Brno on 2 April 1896. His parents were physician Antonín Lepka and Žofie Lepková (née Müller). Marion went to study medicine to Vienna, but after 1 year he had to enlist to be an ambulance driver, when World War I broke out. After the war ended he decided to become an actor. He worked at Wiener Kammerspiele, Brno City Theatre, Estates Theatre and several theatres in Berlin. From 1919 to 1940 he acted mostly in German and Austrian movies. He had a few roles in Czech movies, because he was fluent in both German and Czech. After the end of his acting career, he worked as an assistant director and producer in West Germany. Selected filmography * ''The Loves of Käthe Keller'' (1919) * '' The Secret of the Scaffold'' (1919) * '' Colonel Chabert'' (1920) * '' At War in the Diamond Fields'' (1921) * '' Die rote Nacht'' (1921) * ''The Favourite of the Queen'' (1922) * '' The Me ...
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Margo Lion (cabaret Singer)
Marguerite Hélène Barbe Elisabeth Constantine Lion (28 February 1899 – 24 February 1989), known as Margo Lion, was a Jewish singer and actress. She was born in Constantinople during Ottoman rule. She moved to Berlin after World War I with her father to join the school of Russian ballet. When the Nazi Party rose to power in 1933 she moved to France to flee antisemitic persecution. She was a successful chanteuse, parodist, cabaret singer, and actress, best known for her role as Pirate Jenny in director G. W. Pabst's 1931 French language adaptation of Bertolt Brecht and Kurt Weill's '' Threepenny Opera'' (''Die Dreigroschenoper''). She appeared in several French films until the early 1970s, including ''Docteur Françoise Gailland'', ''L'Humeur Vagabonde'', ''La Faute De L'Abbe Mouret'', ''Le Petit Matin'', ''Le Fou Du Labo'', ''Julie La Rousse'', and the French romantic melodrama ''Martin Roumagnac'', which starred Marlene Dietrich. Lion and Dietrich sang a famous duet, "Wenn ...
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Calais-Dover
''Calais-Dover'' (french: Calais-Douvres) is a 1931 French-German comedy film directed by Jean Boyer and Anatole Litvak and starring Lilian Harvey, André Roanne and Armand Bernard.Bock & Bergfelder p. 455 It is the French-language version of the German film ''No More Love'', with Harvey reprising her role. The title refers to the Dover–Calais ferry. It incorporated location shooting on the French Riviera with interiors shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Robert Herlth, Walter Röhrig and Werner Schlichting Werner Schlichting (1904–1996) was a German art director who worked on over a hundred films during a lengthy career. He worked on a number of Austrian films including '' The Congress Dances'' and '' The Last Ten Days'' (1955).Fritsche p.253 Sel .... Cast References Bibliography * External links * 1931 films German comedy films 1931 comedy films 1930s French-language films Films directed by Je ...
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Werner Schlichting
Werner Schlichting (1904–1996) was a German art director who worked on over a hundred films during a lengthy career. He worked on a number of Austrian films including '' The Congress Dances'' and ''The Last Ten Days'' (1955).Fritsche p.253 Selected filmography * ''Luther'' (1928) * '' The Flame of Love'' (1930) * ''Calais-Dover'' (1931) * ''No More Love'' (1931) * ''Two Hearts Beat as One'' (1932) * ''The Song of Night'' (1932) * ''How Shall I Tell My Husband?'' (1932) * '' All for Love'' (1933) * ''What Men Know'' (1933) * ''A Song for You'' (1933) * ''My Heart Calls You'' (1934) * ''So Ended a Great Love'' (1934) * ''My Heart Is Calling You'' (1934) * ''Victoria'' (1935) * ''Artist Love'' (1935) * '' Casta Diva'' (1935) * ''The Emperor's Candlesticks'' (1936) * '' Court Theatre'' (1936) * ''Serenade'' (1937) * ''Capers'' (1937) * '' A Mother's Love'' (1939) * ''Bel Ami'' (1939) * ''Destiny'' (1942) * '' The Secret Countess'' (1942) * ''Late Love'' (1943) * ''Archduke Johann's G ...
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Art Direction
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style(s) to use, and when to use motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the collective imagination while resolving conflicting agendas and inconsistencies bet ...
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Nice
Nice ( , ; Niçard: , classical norm, or , nonstandard, ; it, Nizza ; lij, Nissa; grc, Νίκαια; la, Nicaea) is the prefecture of the Alpes-Maritimes department in France. The Nice agglomeration extends far beyond the administrative city limits, with a population of nearly 1 millionDemographia: World Urban Areas
, Demographia.com, April 2016
on an area of . Located on the , the southeastern coast of France on the , at the foot of the

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French Riviera
The French Riviera (known in French as the ; oc, Còsta d'Azur ; literal translation " Azure Coast") is the Mediterranean coastline of the southeast corner of France. There is no official boundary, but it is usually considered to extend from Toulon, Le Lavandou or Saint-Tropez in the west to Menton at the France–Italy border in the east."Côte d'Azur, côte méditerranéenne française entre Cassis et Menton" ("Côte d'Azur, French Mediterranean coast between Cassis and Toulon") in ''Dictionnaire Hachette encyclopédique'' (2000), p. 448."Côte d'Azur, Partie orientale du littoral français, sur la Méditerranée, de Cassis à Menton" ("Côte d'Azur, Eastern part of the French coast, on the Mediterranean, from Cassis to Menton"), in ''Le Petit Larousse illustré'' (2005), p. 1297. The coast is entirely within the Provence-Alpes-Côte d'Azur region of France. The Principality of Monaco is a semi-enclave within the region, surrounded on three sides by France and fronting the ...
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Location Shooting
Location shooting is the shooting of a film or television production in a real-world setting rather than a sound stage or backlot. The location may be interior or exterior. The filming location may be the same in which the story is set (for example, scenes in the film ''The Interpreter'' were set and shot inside the United Nations Headquarters in Manhattan), or it may stand in for a different locale (the films ''Amadeus'' and '' The Illusionist'' were primarily set in Vienna, but were filmed in Prague). Most films feature a combination of location and studio shoots; often, interior scenes will be shot on a soundstage while exterior scenes will be shot on location. Second unit photography is not generally considered a location shoot. Before filming, the locations are generally surveyed in pre-production, a process known as location scouting and recce. Pros and cons Location shooting has several advantages over filming on a studio set. First and foremost, the expense can often ...
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