Nivvāṇalīlāvaīkahā
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Nivvāṇalīlāvaīkahā
The ''Nivvāṇalīlāvaīkahā'' (Nivvāṇa-līlāvaī-kahā) 'Story of the Final Emancipation of Līlāvatī' composed in 1036 by Jineshvara, a Jain monk. The work was composed in Jain Maharashtri, a Prakrit language. Jineshvara was a reformist of lax monasticism, and his work was considered highly conducive to liberation. The primary purpose of Jain narrative literature was to edify lay people through amusement; consequently the stories are racy, and in some cases the moralising element is rather tenuous. The main feature of Jain narrative literature is its concern with past and future lives. There developed a genre of soul biography, the histories, over a succession of rebirths, of a group of characters who exemplified the vices of anger, pride, deceit, greed and delusion. A Sanskrit abridgement of ''Nivvāṇalīlāvaīkahā'' was made by Jinaratna, pupil of Jineshvara, by the title ''Līlāvatīsāra''. See also *Līlāvatīsāra(The Epitome of Lilavati) *Jinaratna ...
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Jinaratna
Jinaratna (Jina·ratna; Hindi: जिनरत्न) was a Jain scholar monk who composed ''Līlāvatīsāra.'' He completed his poem in the year 1285 CE in Jabaliputra, western India, (modern Jalore in Rajasthan). It is an epitome of a much larger work called '' '' composed in Jain Maharashtri, a Prakrit language, in 1036 by Jineshvara, also a Jain monk. What little is known about Jinaratna, he states himself in the colophon he placed at the end of his poem, in which he gives the lineage of the succession of monastic teachers and pupils from Vardhamana, the teacher of Jineshvara who was the author of '' ,'' to another Jineshvara who was Jinaratna's own teacher. Jinaratna studied literature, logic and the canonical texts of the White-Clad Jains, with Jineshvara and other monks. In his colophon he acknowledges the help he received from others in the preparation and correction of the text of ''Līlāvatīsāra.'' Jinaratna in his introductory verses to ''Līlāvatīsāra'' d ...
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Līlāvatīsāra
Līlāvatīsāra (epitome of Līlāvatī) is a poem composed by Jinaratna. Jina Ratna belonged to Khartara Gachchha of the Svetambara sect of Jainism. It tells the stories of the lives of a group of souls as they pass through a series of embodiments on their way to final liberation from the continual cycle of death and rebirth. The purpose of these stories, which are related to Queen Līlāvatī and her husband King Sinha by the teacher-monk Samarasena (Samara-sena), is to promote the ethic of Jainism, which holds that strict adherence to a nonviolent way of life is the key to liberation from the troubles of the world. In the end, Queen Līlāvatī, King Sinha and the other leading characters attain perfect knowledge and liberation. As its title suggests, ''The Epitome of Līlāvatī'' is an epitome of a much larger work, Nivvāṇa-līlāvaī-kahā ''The Story of the Final Emancipation of Līlāvatī'', composed in 1036 by Jineshvara, also a Jain monk. Jinaratna wrote his ep ...
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Maharashtri
Maharashtri or Maharashtri Prakrit ('), is a Prakrit language of ancient as well as medieval India and the ancestor of Marathi and Konkani. Maharashtri Prakrit was commonly spoken until 875 CEV.Rajwade, ''Maharashtrache prachin rajyakarte''The Linguist List
Dr.Kolarkar, ''Marathyancha Itihaas'' and was the official language of the . Works like ''Karpūramañjarī'' and (150 BCE) were written in it.

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Prakrit
The Prakrits (; sa, prākṛta; psu, 𑀧𑀸𑀉𑀤, ; pka, ) are a group of vernacular Middle Indo-Aryan languages that were used in the Indian subcontinent from around the 3rd century BCE to the 8th century CE. The term Prakrit is usually applied to the middle period of Middle Indo-Aryan languages, excluding earlier inscriptions and the later Pali. ''Prākṛta'' literally means "natural", as opposed to ''saṃskṛta'', which literally means "constructed" or "refined". Prakrits were considered the regional spoken (informal) languages of people, and Sanskrit was considered the standardized (formal) language used for literary, official and religious purposes across Indian kingdoms of the subcontinent. Literary registers of Prakrits were also used contemporaneously (predominantly by śramaṇa traditions) alongside Classical Sanskrit of higher social classes. Etymology The dictionary of Monier Monier-Williams (1819–1899), and other modern authors however, interpret ...
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Jain Literature
Jain literature (Sanskrit: जैन साहित्य) refers to the literature of the Jain religion. It is a vast and ancient literary tradition, which was initially transmitted orally. The oldest surviving material is contained in the canonical ''Jain Agamas,'' which are written in Ardhamagadhi, a Prakrit ( Middle-Indo Aryan) language. Various commentaries were written on these canonical texts by later Jain monks. Later works were also written in other languages, like Sanskrit and Maharashtri Prakrit. Jain literature is primarily divided between the canons of the ''Digambara'' and ''Śvētāmbara'' orders. These two main sects of Jainism do not always agree on which texts should be considered authoritative. More recent Jain literature has also been written in other languages, like Marathi, Tamil, Rajasthani, Dhundari, Marwari, Hindi, Gujarati, Kannada, Malayalam and more recently in English. Beliefs The Jain tradition believes that their religion is eternal, and the ...
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The Epitome Of Lilavati
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archai ...
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