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Nitzer Ebb
Nitzer Ebb () are a British EBM group formed in 1982 by Essex school friends Vaughan "Bon" Harris (programming, synthesizers, drums, vocals), Douglas McCarthy (vocals), and David Gooday (drums). History Initial releases (1983–1987) The group released their demo ''Basic Pain Procedure'' in 1983, but it was two years until they met PWL producer Phil Harding, who produced their 1985 debut single "Isn't It Funny How Your Body Works?" and helped them set up their own label, Power Of Voice Communications. The band at the time was inspired by the post-punk scene and specifically acts like "Siouxsie and the Banshees, Killing Joke and Bauhaus who were having a big influence on us, in some ways stylistically but also in the energy that they gave". They released three more singles on their own label, "Warsaw Ghetto" (1985), "Warsaw Ghetto Remixes" (1986) and "Let Your Body Learn" (1986), before signing to Mute Records in 1986. The singles "Murderous" (1986) and "Let Your Body Lear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chelmsford
Chelmsford () is a City status in the United Kingdom, city in the City of Chelmsford district in the county of Essex, England. It is the county town of Essex and one of three cities in the county, along with Southend-on-Sea and Colchester. It is located north-east of London at Charing Cross and south-west of Colchester. The population of the urban area was 111,511 in the 2011 Census, while the wider district has 168,310. The demonym for a Chelmsford resident is "Chelmsfordian". The main conurbation of Chelmsford incorporates all or part of the former parishes of Broomfield, Newland Spring, Great Leighs, The Walthams, Great Baddow, Little Baddow, Galleywood, Howe Green, Margaretting, Pleshey, Stock, Roxwell, Danbury, Bicknacre, Writtle, Moulsham, Rettendon, The Hanningfields, The Chignals, Widford, Essex, Widford and Springfield, Essex, Springfield, including Springfield Barnes, now known as Chelmer Village. The communities of Chelmsford, Massachusetts, Chelmsford, Ontario a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Beeston
Julian Beeston is an English musician, mainly noted for his time in the electronic groups Nitzer Ebb and Cubanate. He has spent time as a remixing engineer working on artists such as Bob Marley and Billy Idol. More recently, he has worked as a composer and producer, making music for TV commercials for companies such as Mitsubishi and Ford and has produced trailers for Universal, Miramax and 20th Century Fox 20th Century Studios, Inc. (previously known as 20th Century Fox) is an American film production company headquartered at the Fox Studio Lot in the Century City area of Los Angeles. As of 2019, it serves as a film production arm of Walt Dis .... Discography as Shining *Din (1995) *Dinmix (1997) References External links * External links Personal website English electronic musicians Living people Year of birth missing (living people) Pigface members Nitzer Ebb members {{UK-electronic-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
That Total Age
''That Total Age'' is the debut album of the British British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, ... EBM group Nitzer Ebb. After its release, it spawned the hit single "Join in the Chant," which hit #9 on the US dance chart in 1987. For unknown reasons, the song "Warsaw Ghetto" was omitted from the original CD versions. The 2018 remastered CD corrects this and adds additional remixes. The symbols on the cover of the album stand for "Force is Machine", "Visions of Order", and "Muscle and Hate". Two of these phrases can be heard repeated in the song "Join in the Chant". Track listing LP: Mute Stumm 45 (UK), Geffen/Warner Bros. 24155 # "Fitness to Purpose" – 5:00 # "Warsaw Ghetto" – 3:47 # "Violent Playground" – 3:46 # "Murderous" – 5:40 # "Smear Body" – 5:40 # "Join ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid House
Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago producers DJ Pierre of Phuture and Sleezy D. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop. Characteristics Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Roland TB-303 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balearic Beat
Balearic beat, also known as Balearic house, Balearic, Ibiza house or Ibizan chillout, is an eclectic blend of DJ-led dance music that emerged in the mid-1980s. It later became the name of a more specific style of electronic dance music that was popular into the mid-1990s. Balearic beat was named for its popularity among European nightclub and beach rave patrons on the Balearic island of Ibiza, a popular tourist destination. Some dance music compilations referred to it as "the sound of Ibiza", even though many other, more aggressive and upbeat forms of dance music could be heard on the island, such as Balearic trance. History This style was popularized at Amnesia, an Ibizan nightclub, by DJ Alfredo from Argentina, who had a residency there. DJ Alfredo, whose birth name is Alfredo Fiorito, has been credited as the "Father of the Balearic beat". Alfredo played an eclectic mix of dance music with his style encompassing the indie hypno grooves of the Woodentops, the mystic rock of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago House
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the first ever house music productions, which were by Chicago-based artists in the 1980s. History and origins Disco edits Following Chicago's Disco Demolition Night in mid-1979, disco music's mainstream popularity fell into decline. In the early 1980s, fewer and fewer disco records were being released, but the genre remained popular in some Chicago nightclubs and on at least one radio station, WBMX-FM. In this era, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records, newer Italo disco, electro, EBM tracks, B-boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker and John Robie as well as electronic pop music by Kraftwerk, Telex and Yellow Magic Orchestra. Some of these DJs also made and played their own edits of their favorite songs on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Body Music
Electronic body music (acronymized to EBM) is a genre of electronic music that combines elements of industrial music and synth-punk with elements of disco and dance music. It developed in the early 1980s in Western Europe as an outgrowth of both punk and industrial music cultures. It combines sequenced repetitive basslines, programmed dance music rhythms, and mostly undistorted vocals and commandlike shouts with confrontational or provocative themes. The evolution of the genre reflected "a general shift towards more song-oriented structures in industrial as to a general turn towards the dancefloor by many musicians and genres in the era of post-punk."Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , p. 102–104. It was considered a part of the European new wave and post-punk movement and the first style that blended synthesized sounds with an ecstatic style of dancing (e.g. pogo). EBM gained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Rock
Industrial rock is a fusion genre that fuses industrial music and rock music. It initially originated in the 1970s, and drew influence from early experimental and industrial acts such as Cromagnon, Throbbing Gristle, Einstürzende Neubauten and Chrome. Industrial rock became more prominent in the 1980s with the success of artists such as Killing Joke, Swans, and partially Skinny Puppy, and later spawned the offshoot genre known as industrial metal. The genre was made more accessible to mainstream audiences in the 1990s with the aid of acts such as Nine Inch Nails and Marilyn Manson, both of which have released platinum-selling records. History Origins (late 1970s and 1980s) Richie Unterberger assessed the Red Krayola as "a precursor to industrial rock" with their 1967 record ''The Parable of Arable Land'' exhibiting music made by 50 people on anything from industrial power tools to a revving motorcycle whilst ''Pitchfork'''s Alex Lindhart assessed their 1968 fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bauhaus (band)
Bauhaus are an English rock band formed in Northampton in 1978. Known for their dark image and gloomy sound, Bauhaus are best known as one of the pioneers of gothic rock, although they mixed many genres, including dub, glam rock, psychedelia, and funk. The group consists of Daniel Ash (guitar, saxophone), Peter Murphy (vocals, occasional instruments), Kevin Haskins (drums) and David J (bass). The band formed under the name Bauhaus 1919, in reference to the first operating year of the German art school Bauhaus, but they shortened this name within a year of formation. Their 1979 debut single "Bela Lugosi's Dead" is considered one of the harbingers of gothic rock music and has been influential on contemporary goth culture. Their debut album, '' In the Flat Field'', is regarded as one of the first gothic rock records. Their 1981 second album ''Mask'' expanded their sound by incorporating a wider variety of instruments—such as keyboards, saxophone and acoustic guitar— ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Killing Joke
Killing Joke are an English rock band from Notting Hill, London, England, formed in 1979 by Jaz Coleman (vocals, keyboards), Paul Ferguson (drums), Geordie Walker (guitar) and Youth (bass). Their first album, '' Killing Joke'', was released in 1980. After the release of '' Revelations'' in 1982, bassist Youth was replaced by Paul Raven. The band achieved mainstream success in 1985 with both the album '' Night Time'' and the single " Love Like Blood". The band's musical style emerged from the post-punk scene, but stood out due to their heavier approach, and has been cited as a key influence on industrial rock. Their style evolved over many years, at times incorporating elements of gothic rock, synth-pop and electronic music, often baring Walker's prominent guitar and Coleman's "savagely strident vocals". Killing Joke have influenced many later bands and artists, such as Metallica, Nirvana, Nine Inch Nails and Soundgarden. Although Coleman and Walker have been the only cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siouxsie And The Banshees
Siouxsie and the Banshees were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. They have been widely influential, both over their contemporaries and with later acts. ''Q'' magazine included John McKay's guitar playing on " Hong Kong Garden" in their list of "100 Greatest Guitar Tracks Ever", while ''Mojo'' rated guitarist John McGeoch in their list of "100 Greatest Guitarists of All Time" for his work on " Spellbound". ''The Times'' called the group “one of the most audacious and uncompromising musical adventurers of the post-punk era". Initially associated with the punk scene, the band rapidly evolved to create "a form of post-punk discord full of daring rhythmic and sonic experimentation". Their debut album '' The Scream'' was released in 1978 to widespread critical acclaim. Following membership changes, including the addition of guitarist McGeogh and drummer Budgie, they radically changed their musical dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad music genre, genre of Punk Music, punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the music production, production techniques of dub music, dub and disco; and ideas from art and politics, including critical theory, modernist art, Film, cinema and modernist literature, literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire (band), Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire (band), Cabaret Voltaire, Magazine (band), Magazine, Pere Ubu, Joy Division, Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
