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Nikolai Kapustin
Nikolai Girshevich Kapustin (russian: link=no, Никола́й Ги́ршевич Капу́стин ; 22 November 19372 July 2020) was a Soviet composer and pianist of Russian-Jewish descent. He played with early Soviet jazz bands such as the Oleg Lundstrem Orchestra. In his compositions, mostly for piano, he used a fusion of jazz and classical forms. He and other pianists recorded his works. Early life Kapustin was born in Horlivka, Ukraine. When he was age four, with his father fighting in World War II, his mother and grandmother moved with him and his sister to the Kyrgyz city of Tokmak. He composed his first piano sonata at age 13. From age 14, Kapustin studied piano with Avrelian Rubakh (a pupil of Felix Blumenfeld, who also taught Simon Barere and Vladimir Horowitz). Beginning in 1954, he discovered jazz. His teacher supported his interest. Kapustin studied from 1956 with Alexander Goldenweiser at the Moscow Conservatory, graduating in 1961. He included Sergei Prok ...
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Nikolai Kapustin
Nikolai Girshevich Kapustin (russian: link=no, Никола́й Ги́ршевич Капу́стин ; 22 November 19372 July 2020) was a Soviet composer and pianist of Russian-Jewish descent. He played with early Soviet jazz bands such as the Oleg Lundstrem Orchestra. In his compositions, mostly for piano, he used a fusion of jazz and classical forms. He and other pianists recorded his works. Early life Kapustin was born in Horlivka, Ukraine. When he was age four, with his father fighting in World War II, his mother and grandmother moved with him and his sister to the Kyrgyz city of Tokmak. He composed his first piano sonata at age 13. From age 14, Kapustin studied piano with Avrelian Rubakh (a pupil of Felix Blumenfeld, who also taught Simon Barere and Vladimir Horowitz). Beginning in 1954, he discovered jazz. His teacher supported his interest. Kapustin studied from 1956 with Alexander Goldenweiser at the Moscow Conservatory, graduating in 1961. He included Sergei Prok ...
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Anton Kapustin
Anton Nikolayevich Kapustin (born November 10, 1971, Moscow) is a Russian-American theoretical physicist and the Earle C. Anthony Professor of Theoretical Physics at the California Institute of Technology. His interests lie in quantum field theory and string theory, and their applications to particle physics and condensed matter theory. He is the son of the pianist-composer Nikolai Kapustin. Education Kapustin obtained a B.S. in physics from Moscow State University in 1993. He received a Ph.D. in physics from the California Institute of Technology in 1997 with John Preskill as his advisor. Research He has made several contributions to dualities and other aspects of quantum field theories, in particular topological field theories and supersymmetric gauge theories. With Edward Witten he discovered deep connections between the S-duality of supersymmetric gauge theories and the geometric Langlands correspondence In mathematics, the geometric Langlands correspondence is a refo ...
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1950s In Jazz
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the ''Birth of the Cool''. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop. Cool jazz later became strongly identified with the West Coast jazz scene, but also had a particular resonance in Europe, especially Scandinavia, with ...
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Steven Osborne (pianist)
Steven George McNeil Osborne (born 1971) is a Scottish pianist who has performed concertos and solo recitals worldwide. He was taught by Richard Beauchamp at St Mary's Music School in Edinburgh before going to the Royal Northern College of Music in Manchester to study under Renna Kellaway. After graduating, Osborne went on to win first prize in the prestigious Clara Haskil International Piano Competition in Switzerland in 1991 and the Naumburg International Competition in New York in May 1997. In 1999 he was selected as BBC New Generation Artist in the first year of the scheme. His recording career began when he was signed to Hyperion Records in 1998 and has resulted in bi-annual recordings. The first disc with the BBC Scottish Symphony Orchestra celebrated Osborne's Scottish musical heritage with a pairing of Sir Alexander Mackenzie's Scottish Concerto alongside Sir Donald Tovey's Piano Concerto in A, winning a BBC Music Magazine 'Best of the Year' and a Gramophone 'Criti ...
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Nikolai Arnoldovich Petrov
Nikolai Arnoldovich Petrov (russian: Никола́й Арно́льдович Петро́в, 14 April 19433 August 2011) was a Russian pianist. Petrov was born in Moscow, the son of the cellist Arnold Ferkelman and the grandson of the operatic bass Vasily Rodionovich Petrov,Description of Nikolay Petrow and Alexander Ghindin Piano Duo
Blue Orchid, official website. Retrieved December 24, 2010

Retrieved December 24, 2010
and began learning the piano at the age of three. At the Central Music School of the



Marc-André Hamelin
Marc-André Hamelin, OC, CQ (born September 5, 1961), is a Canadian virtuoso pianist and composer. Hamelin is recognized worldwide for the originality and technical proficiency of his performances of the classic repertoire. He has received 11 Grammy Award nominations. Biography Born in Montreal, Quebec, Hamelin began his piano studies at the age of five. His father, a pharmacist by trade who was also an amateur pianist, introduced him to the works of Charles-Valentin Alkan, Leopold Godowsky, and Kaikhosru Shapurji Sorabji when he was still young. He studied at the École de musique Vincent-d'Indy in Montreal with Yvonne Hubert and then at Temple University in Philadelphia. In 1989, he was awarded the Virginia Parker Prize. Hamelin has given recitals in many cities. Festival appearances have included Bad Kissingen, Belfast, Cervantino, La Grange de Meslay, Husum Piano Rarities, Lanaudière, Ravinia, La Roque d’Anthéron, Ruhr Piano, Halifax (Nova Scotia), Singapore Piano, Sn ...
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étude
An étude (; ) or study is an instrumental musical composition, usually short, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano. Of the vast number of études from that era some are still used as teaching material (particularly pieces by Carl Czerny and Muzio Clementi), and a few, by major composers such as Frédéric Chopin, Franz Liszt and Claude Debussy, achieved a place in today's concert repertory. Études written in the 20th century include those related to traditional ones (György Ligeti) and those that require wholly unorthodox technique ( John Cage). 19th century Studies, lessons, and other didactic instrumental pieces composed before the 19th century are extremely varied, without any established genres. Domenico Scarlatti's ''30 Essercizi per gravicembalo'' ("30 Exercises for harpsichord", 1738) do not differ in sco ...
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Variation (music)
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as " Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variation breaks up the steady pulse and creates syncopated off-beats: Harmonic variation The seventh variation introduces powerful new chords, which replace the simple harmonies originally implied by the theme with a prolongational series of descending fifths: Minor mode In the elaborate eighth variation, Mozart changes from the major to the parallel minor mode, while combining three techniques: ...
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Piano Concerto
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal ...
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Piano Sonata
A piano sonata is a sonata written for a solo piano. Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement ( Scarlatti, Liszt, Scriabin, Medtner, Berg), others with two movements ( Haydn, Beethoven), some contain five ( Brahms' Third Piano Sonata) or even more movements. The first movement is generally composed in sonata form. The Baroque keyboard sonata In the Baroque era, the use of the term "sonata" generally referred to either the sonata da chiesa (church sonata) or sonata da camera (chamber sonata), both of which were sonatas for various instruments (usually one or more violins plus basso continuo). The keyboard sonata was relatively neglected by most composers. The sonatas of Domenico Scarlatti (of which there are over 500) were the hallmark of the Baroque keyboard sonata, though they were, for the most part, unpublished during Scarlatti's lifetime. The majority of these sonatas are in one ...
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Partitas For Keyboard (Bach)
The Partitas, BWV 825–830, are a set of six keyboard suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as '' Clavier-Übung I'' in 1731, the first of his works to be published under his own direction. They were, however, among the last of his keyboard suites to be composed, the others being the six English Suites, BWV 806-811 and the six French Suites, BWV 812-817, as well as the Overture in the French style, BWV 831. History The six partitas for keyboard form the last set of suites that Bach composed, and are the most technically demanding of the three. They were composed between 1725 and 1730 or 1731. As with the French and English Suites, the autograph manuscript of the Partitas is no longer extant. In keeping with a nineteenth-century naming tradition that labelled Bach's first set of Suites ''English'' and the second ''French,'' the Partitas are sometimes referred to as the ''German'' Suites. This title, however, is a ...
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the '' Goldberg Variations'' and '' The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the '' St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protest ...
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