Night (Blake)
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Night (Blake)
"Night" is a poem in the illuminated 1789 collection ''Songs of Innocence'' by William Blake, later incorporated into the larger compilation ''Songs of Innocence and of Experience''. "Night" speaks about the coming of evil when darkness arrives, as angels protect and keep the sheep from the impending dangers. ''Songs of Innocence'' was written by William Blake in 1789 as part of his Illuminated Books. Blake's aim for his ''Songs'' was to depict the two contrary states of human existence: innocence and experience. The Songs speak upon the "innocence" of being a child and the "experience" gained over a lifetime. The ''Songs'' are separated into ten different objects, with each object offering a different situation and how it is viewed from a child's perspective. Background Blake was a non-conformist. He opposed the British monarchy and aligned his thoughts with Thomas Paine and Mary Wollstonecraft. Blake was an advocate for using the imagination over natural observations. He believe ...
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Songs Of Innocence And Of Experience
''Songs of Innocence and of Experience'' is a collection of illustrated poems by William Blake. It appeared in two phases: a few first copies were printed and illuminated by Blake himself in 1789; five years later, he bound these poems with a set of new poems in a volume titled ''Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul''. Blake was also a painter before the creation of ''Songs of Innocence and Experience'' and had painted such subjects as Oberon, Titania, and Puck dancing with fairies. "Innocence" and "Experience" are definitions of consciousness that rethink Milton's existential-mythic states of "Paradise" and "Fall". Often, interpretations of this collection centre around a mythical dualism, where "Innocence" represents the "unfallen world" and "Experience" represents the "fallen world". Blake categorizes our modes of perception that tend to coordinate with a chronology that would become standard in Romanticism: childhood is a ...
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William Blake
William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his " prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God" or "human existence itself". Although Blake was considered mad by contemporaries for his idiosyncratic views, he is held in high regard b ...
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Thomas Paine
Thomas Paine (born Thomas Pain; – In the contemporary record as noted by Conway, Paine's birth date is given as January 29, 1736–37. Common practice was to use a dash or a slash to separate the old-style year from the new-style year. In the old calendar, the new year began on March 25, not January 1. Paine's birth date, therefore, would have been before New Year, 1737. In the new style, his birth date advances by eleven days and his year increases by one to February 9, 1737. The O.S. link gives more detail if needed. – June 8, 1809) was an English-born American political activist, philosopher, political theorist, and revolutionary. He authored ''Common Sense'' (1776) and ''The American Crisis'' (1776–1783), two of the most influential pamphlets at the start of the American Revolution, and helped inspire the Patriots in 1776 to declare independence from Great Britain, hitherto an unpopular cause. His ideas reflected Enlightenment-era ideals of transnational human rig ...
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Mary Wollstonecraft
Mary Wollstonecraft (, ; 27 April 1759 – 10 September 1797) was a British writer, philosopher, and advocate of women's rights. Until the late 20th century, Wollstonecraft's life, which encompassed several unconventional personal relationships at the time, received more attention than her writing. Today Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and her works as important influences. During her brief career, she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Wollstonecraft is best known for ''A Vindication of the Rights of Woman'' (1792), in which she argues that women are not naturally inferior to men, but appear to be only because they lack education. She suggests that both men and women should be treated as rational beings and imagines a social order founded on reason. After Wollstonecraft's death, her widower published a ''Memoir ...
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Empiricism
In philosophy, empiricism is an epistemological theory that holds that knowledge or justification comes only or primarily from sensory experience. It is one of several views within epistemology, along with rationalism and skepticism. Empiricism emphasizes the central role of empirical evidence in the formation of ideas, rather than innate ideas or traditions. However, empiricists may argue that traditions (or customs) arise due to relations of previous sensory experiences. Historically, empiricism was associated with the "blank slate" concept (''tabula rasa''), according to which the human mind is "blank" at birth and develops its thoughts only through experience. Empiricism in the philosophy of science emphasizes evidence, especially as discovered in experiments. It is a fundamental part of the scientific method that all hypotheses and theories must be tested against observations of the natural world rather than resting solely on ''a priori'' reasoning, intuition, or r ...
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Ideal Form
The theory of Forms or theory of Ideas is a philosophical theory, fuzzy concept, or world-view, attributed to Plato, that the physical world is not as real or true as timeless, absolute, unchangeable ideas. According to this theory, ideas in this sense, often capitalized and translated as "Ideas" or "Forms", are the non-physical essences of all things, of which objects and matter in the physical world are merely imitations. Plato speaks of these entities only through the characters (primarily Socrates) of his dialogues who sometimes suggests that these Forms are the only objects of study that can provide knowledge. The theory itself is contested from within Plato's dialogues, and it is a general point of controversy in philosophy. Nonetheless, the theory is considered to be a classical solution to the problem of universals. The early Greek concept of form precedes attested philosophical usage and is represented by a number of words mainly having to do with vision, sight, and app ...
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Illuminated Manuscript
An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories and deeds. While Islamic manuscripts can also be called illuminated, and use essentially the same techniques, comparable Far Eastern and Mesoamerican works are described as ''painted''. The earliest illuminated manuscripts in existence come from the Kingdom of the Ostrogoths and the Eastern Roman Empire and date from between 400 and 600 CE. Examples include the Codex Argenteus and the Rossano Gospels, both of which are from the 6th century. The majority of extant manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiqu ...
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Anthology
In book publishing, an anthology is a collection of literary works chosen by the compiler; it may be a collection of plays, poems, short stories, songs or excerpts by different authors. In genre fiction, the term ''anthology'' typically categorizes collections of shorter works, such as short stories and short novels, by different authors, each featuring unrelated casts of characters and settings, and usually collected into a single volume for publication. Alternatively, it can also be a collection of selected writings (short stories, poems etc.) by one author. Complete collections of works are often called "complete works" or "" (Latin equivalent). Etymology The word entered the English language in the 17th century, from the Greek word, ἀνθολογία (''anthologic'', literally "a collection of blossoms", from , ''ánthos'', flower), a reference to one of the earliest known anthologies, the ''Garland'' (, ''stéphanos''), the introduction to which compares each of its ...
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The Chimney Sweeper
"The Chimney Sweeper" is the title of a poem by William Blake, published in two parts in ''Songs of Innocence'' in 1789 and ''Songs of Experience'' in 1794. The poem "The Chimney Sweeper" is set against the dark background of child labour that was prominent in England in the late 18th and 19th centuries. At the age of four and five, boys were sold to clean chimneys, due to their small size. These children were oppressed and had a diminutive existence that was socially accepted at the time. Children in this field of work were often unfed and poorly clothed. In most cases, these children died from either falling through the chimneys or from lung damage and other horrible diseases from breathing in the soot. In the earlier poem, a young chimney sweeper recounts a dream by one of his fellows, in which an angel rescues the boys from coffins and takes them to a sunny meadow; in the later poem, an apparently adult speaker encounters a child chimney sweeper abandoned in the snow while hi ...
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The Little Black Boy
"The Little Black Boy" is a poem by William Blake included in ''Songs of Innocence'' in 1789. It was published during a time when slavery was still legal and the campaign for the abolition of slavery was still young. Interpretation In accordance with the running metaphor of the sun, the fact that Blake speaks of "black bodies" and a "sunburnt face" in the fourth stanza seems to imply that black people are near God as a result of their suffering – for one can only become dark and sunburned as a result of being exposed to the sun's rays. In the final stanza this idea is developed further, as the black boy says that he will "shade him he English boyfrom the heat", this implies that the English boy's pale skin is not used to the heat (derived from God's love) – some critics assert that the paleness of the English boy in this poem is symbolic of the fact that the English were distanced from God as a result of their treatment of the black peoples. In the 5th stanza, we see all ...
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Blake Night1 Aa P20 300
Blake is a surname which originated from Old English. Its derivation is uncertain; it could come from "blac", a nickname for someone who had dark hair or skin, or from "blaac", a nickname for someone with pale hair or skin. Another theory, presumably in the belief it is a Welsh patronymic in origin, for which there is no evidence, was that it is a corruption of "Ap Lake", meaning "Son of Lake". Blake was the name of one of the 14 Tribes of Galway in Ireland. These Blakes were descendants of Richard Caddell, alias Blake, who was involved in the Norman invasion of Ireland in 1169. As such a long present foreign name, it became known as de Bláca in Irish. The origins of the name Blake are also considered to be Old Norse, first appearing in Yorkshire, England, possibly derived from the word Blaker, referring to a village and a former municipality of Akershus county, Norway (east of Oslo). Blake often refers to the British poet, painter and printmaker William Blake (1757–1827). No ...
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Blake Night2 Aa P21 300
Blake is a surname which originated from Old English. Its derivation is uncertain; it could come from "blac", a nickname for someone who had dark hair or skin, or from "blaac", a nickname for someone with pale hair or skin. Another theory, presumably in the belief it is a Welsh patronymic in origin, for which there is no evidence, was that it is a corruption of "Ap Lake", meaning "Son of Lake". Blake was the name of one of the 14 Tribes of Galway in Ireland. These Blakes were descendants of Richard Caddell, alias Blake, who was involved in the Norman invasion of Ireland in 1169. As such a long present foreign name, it became known as de Bláca in Irish. The origins of the name Blake are also considered to be Old Norse, first appearing in Yorkshire, England, possibly derived from the word Blaker, referring to a village and a former municipality of Akershus county, Norway (east of Oslo). Blake often refers to the British poet, painter and printmaker William Blake (1757–1827). No ...
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