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Nicola Filacuridi
Nicola Filacuridi (Greek: Νικόλαος Φυλακουρίδης, ''Nikólaos Phylakourídēs'') (Alexandria 1 June 1920 – Sydney 12 February 2009) was an Egyptian-born operatic tenor of Greek origin, who had an illustrious career in Italy in the 1950s. Filacuridi was born in Alexandria, Egypt into a family of Greek origin. He first studied in his native city with Ettore Cordone and made his debut at the Cairo Opera in 1945, as Turiddu in ''Cavalleria rusticana''. Shortly after this, he left for Italy to continue his studies with Federico Del Cupolo. He made his Italian stage debut in Savona, as Alfredo, in 1949. The following year, he appeared at the Rome Opera as Maurizio in ''Adriana Lecouvreur''. He then sang at all the major opera houses of Italy, Trieste, Venice, Parma, Turin, Florence, Naples, etc. He made his La Scala debut in 1953, in a contemporary work ''Leonore 40/45'' by Rolf Liebermann, and took part in the premiere of the ''Dialogues of the Carmelites'' in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Filacuridi
Nicola Filacuridi (Greek: Νικόλαος Φυλακουρίδης, ''Nikólaos Phylakourídēs'') (Alexandria 1 June 1920 – Sydney 12 February 2009) was an Egyptian-born operatic tenor of Greek origin, who had an illustrious career in Italy in the 1950s. Filacuridi was born in Alexandria, Egypt into a family of Greek origin. He first studied in his native city with Ettore Cordone and made his debut at the Cairo Opera in 1945, as Turiddu in ''Cavalleria rusticana''. Shortly after this, he left for Italy to continue his studies with Federico Del Cupolo. He made his Italian stage debut in Savona, as Alfredo, in 1949. The following year, he appeared at the Rome Opera as Maurizio in ''Adriana Lecouvreur''. He then sang at all the major opera houses of Italy, Trieste, Venice, Parma, Turin, Florence, Naples, etc. He made his La Scala debut in 1953, in a contemporary work ''Leonore 40/45'' by Rolf Liebermann, and took part in the premiere of the ''Dialogues of the Carmelites'' in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogues Of The Carmelites
' (''Dialogues of the Carmelites''), FP 159, is an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc, completed in 1956. The composer's second opera, Poulenc wrote the libretto after the work of the same name by Georges Bernanos. The opera tells a fictionalised version of the story of the Martyrs of Compiègne, Carmelite nuns who, in 1794 during the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation. The world première of the opera occurred (in Italian translation) on 26 January 1957 at La Scala in Milan. The première of the French-language version took place in Paris on 21 June 1957. The United States première, in English, followed in San Francisco in September 1957. Development Bernanos had been hired in 1947 to write the dialogue for a film screenplay, through Raymond-Léopold Bruckberger and the scenario writer Ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Campora
Giuseppe Campora (September 30, 1923 – December 5, 2004) was an Italian operatic tenor. Early life Giuseppe Campora was born on September 30, 1923, in Tortona, Italy. Career Campora was a Giacomo Puccini, Puccinian tenor. In 1954 he was the dubbed voice for Nicolai Filacuridi as Pinkerton in the Carmine Gallone directed film of Madama Butterfly. Campora enjoyed successes in all the major theatres of Italy (including Maurizio in ''Adriana Lecouvreur'' with Magda Olivero at the Teatro alla Scala, 1958), as well as at the Metropolitan Opera in New York City, where his performances of the 1950s and 1960s are still fondly remembered. He was the Edgardo in ''Lucia di Lammermoor'', in Maria Callas's only Met broadcast, in 1956. In 1973, he debuted at the New York City Opera as the Chevalier des Grieux, in ''Manon''. In 1980, he was heard at the San Diego Opera in ''Die Fledermaus'', opposite Dame Joan Sutherland and Beverly Sills, in their only joint appearance. He also frequently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmine Gallone
Carmine Gallone (10 September 1885 – 11 March 1973) was an early Italian film director, screenwriter, and film producer, who was also controversial for his works of pro-Fascist propaganda and historical revisionism. Considered one of Italian cinema's leading early directors, he directed over 120 films in his fifty-year career between 1913 and 1963. Life and career Carmine Gallone was born as Carmelo Camillo Gallone on 10 September 1885 in Taggia (in the province of Imperia), but grew up in Naples. His father was Italian, from Sorrento, and his mother was French, from Nice.G. Martini, ''Patchwork: 100 anni di cinema in Italia : un viaggio attraverso le regioni'', Finzioni, 1997, p. 168 He began writing plays at 15 and in 1911 won first prize at a national drama competition for his drama ''Brittanico''. He later moved to Rome where in 1912 he was hired as a general worker by the Teatro Argentina company, all the while continuing to write plays. In the same year he had his fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame Butterfly (1954 Film)
''Madame Butterfly'' ( it, Madama Butterfly, link=no) is a 1954 musical film directed by Carmine Gallone and starring Kaoru Yachigusa, Nicola Filacuridi and Michiko Tanaka. It is based on Giacomo Puccini's opera, '' Madama Butterfly'' which is based on David Belasco's short story of the same name. Cast * Kaoru Yachigusa as Madame Butterfly, sung by Orietta Moscucci * Nicola Filacuridi as Pinkerton, sung by Giuseppe Campora * Michiko Tanaka as Suzuki, sung by Gianna Maria Canale * Ferdinando Lidonni as Sharpless, the Consul * Kiyoshi Takagi as Goro, sung by Paolo Carloni * Yoshio Kosugi as Bonze, sung by Plinio Clabassi * Tetsu Nakamura as Yamadori, sung by Adelio Zagonara * Josephine Corry as Kate Pinkerton Production ''Madame Butterfly'' was shot at Cinecittà Studios Cinecittà Studios (; Italian for Cinema City Studios), is a large film studio in Rome, Italy. With an area of 400,000 square metres (99 acres), it is the largest film studio in Europe, and is considered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Stockho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fedora Barbieri
Fedora Barbieri (4 June 1920 – 4 March 2003) was an Italian mezzo-soprano and actor. Barbieri was born in Trieste. She performed regularly in Florence for fifty years, and performed internationally through the years. She died, aged 82, in Florence. Career After studying singing with Federico Bugamelli and Luigi Toffolo, she won an audition at age twenty to enter the school of the Teatro Comunale in Florence, where she studied with Giulia Tess. She then debuted in November 1940, as Fidalma in Il matrimonio segreto. Her Teatro alla Scala debut, where she was to have her greatest successes, came in 1942, as Meg Page. She was one of the first performers to investigate and perform in early operas by Monteverdi and Pergolesi. She made her debut at the Metropolitan Opera on 6 November 1950, as Princess Eboli in Verdi's ''Don Carlos''. Altogether, she gave 95 performances there over 9 seasons, in 11 different roles. She also sang Eboli in the famous Luchino Visconti production ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcella Pobbé
Marcella Pobbe (13 July 1921 - 17 June 2003) was an Italian operatic soprano who sang a wide range of roles in both the lyric and spinto repertory.Enrico Stinchelli Le stelle della lirica: i grandi cantanti della storia dell'opera 2002- Page 85 "Marcella Pobbe (Montegalda, Vicenza 1921), attiva in molte opere del genere lirico e lirico-spinto, tra cui vanno almeno segnalate Faust, Otello e Adriana ." Pobbe was born in Montegalda near Vicenza, where she studied with Elena Fava, and later entered the Rossini Conservatory in Pesaro, where she studied with Rinalda Pavoni. She also studied at the Accademia Chigiana in Siena with Giorgio Favaretto. She made her stage debut in Spoleto, as Gounod's Marguerite, in 1949, and the same year, first appeared at the Teatro San Carlo in Naples, where she was to appear regularly until 1973. She made her debut at the Rome Opera in 1954, in the title role of Gluck's ''Iphigénie en Tauride'', and at La Scala in 1955, as Bathseba in the premiere of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Tagliabue
Carlo Pietro Tagliabue (January 13, 1898 in Mariano Comense – April 5, 1978 in Monza) was an Italian baritone. After studies with Leopoldo Gennai and Annibale Guidotti he made his debut in Lodi, Lombardy, in ''Loreley'' and ''Aida''. His debuts in Genoa (1923), Torino, La Scala (1930), Rome (1931), and Naples (1931) were all in ''Tristan und Isolde'' (sung in Italian). He also performed in Wagner's ''Götterdämmerung'', ''Tannhäuser'' and ''Lohengrin''. However, Tagliabue would go on to excel in the Verdian repertoire, especially '' La forza del destino'', ''Aida'', ''Rigoletto'', '' La traviata'', ''Nabucco'', and '' Otello''. He created the role of Basilio in Respighi's ''La fiamma'' in 1934. His international career included Buenos Aires' Teatro Colón (1934), the Metropolitan Opera, New York City (1937–39), and San Francisco Opera and Covent Garden, London (1938). Tagliabue's last performance was in 1955 at La Scala, at the famous performance of ''La traviata' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosanna Carteri
Rosanna Carteri (14 December 193025 October 2020) was an Italian soprano, primarily active from the 1950s through the mid 1960s. After her debut in Rome at age 19 as Elsa in Wagner's ''Lohengrin'', she appeared in leading roles internationally, based at La Scala in Milan. She participated in world premieres such as the title role of Pizzetti's '' Ifigenia''. Life and career Rosanna Carteri was born in Verona and raised in Padua. She studied with Ferrucio Cusinati and started singing in concert at the age of twelve. She won a RAI singing contest in 1948 which led to her operatic debut at the Baths of Caracalla in Rome as Elsa in Wagner's ''Lohengrin'' in 1949, aged only 19. She made her La Scala debut in Milan in 1951 in the title role of Piccinni's ''La buona figliuola'', directed by Giorgio Strehler. She first sang at the Salzburg Festival as Desdemona in Verdi's ''Otello'' in 1952, conducted by Wilhelm Furtwängler, and at the San Francisco Opera as Mimi in Puccini's ''La boh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Moffo
Anna Moffo (June 27, 1932 – March 9, 2006) was an American opera singer, television personality, and actress. One of the leading lyric- coloratura sopranos of her generation, she possessed a warm and radiant voice of considerable range and agility. Noted for her physical beauty, she was nicknamed "La Bellissima". Winning a Fulbright to study in Italy, Moffo became popular there after performing leading operatic roles on three RAI television productions in 1956. She returned to America for her debut at the Lyric Opera of Chicago on October 16, 1957. In New York, her Metropolitan Opera debut took place on November 14, 1959. She performed at the Met for over seventeen seasons. Moffo's earliest recordings were made for EMI Records; she signed an exclusive contract with RCA Victor in 1960, recording for the company until the late 1970s. In the early 1960s, she hosted her own show on Italian television and appeared in several operatic films along with other non-singing roles. In t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
