|
Nicholas Lanier
Nicholas Lanier, sometimes Laniere (baptised 10 September 1588 – buried 24 February 1666) was an English composer and musician; the first to hold the title of Master of the King's Music from 1625 to 1666, an honour given to musicians of great distinction. He was the court musician, a composer and performer and Groom of the Chamber in the service of King Charles I and Charles II. He was also a singer, lutenist, scenographer and painter. Biography Nicholas Lanier was a descendant of a French family of royal musicians, the Lanière family, who were Huguenots, and was baptised at Greenwich. His father and grandfather left France to escape persecutions. His aunt, Emilia Bassano, was the daughter of Venetian musicians at the Tudor court and before her marriage to Alfonso Lanier had been the mistress to the Lord Chamberlain, a cousin of Queen Elizabeth I and, possibly Henry Wriothesly, Earl of Southampton. The historian, A.L.Rowse suggested that she may well have been the famous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Van Dyck - Nicolas Lanier - Google Art Project , the championship trophy of the Swedish junior hockey ...
Anton may refer to: People *Anton (given name), including a list of people with the given name *Anton (surname) Places *Anton Municipality, Bulgaria **Anton, Sofia Province, a village *Antón District, Panama **Antón, a town and capital of the district *Anton, Colorado, an unincorporated town *Anton, Texas, a city *Anton, Wisconsin, an unincorporated community *River Anton, Hampshire, United Kingdom Other uses *Case Anton, codename for the German and Italian occupation of Vichy France in 1942 *Anton (computer), a highly parallel supercomputer for molecular dynamics simulations * ''Anton'' (1973 film), a Norwegian film * ''Anton'' (2008 film), an Irish film *Anton Cup The Anton Cup is the championship trophy of the Swedish junior hockey league, J20 SuperElit. The trophy was donated by Anton Johansson, chairman of the Swedish Ice Hockey Association between 1924 and 1948, in 1952, as an award for Sweden's top-rank ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Lanier 1613
Nicholas is a male given name and a surname. The Eastern Orthodox Church, the Roman Catholic Church, and the Anglican Churches celebrate Saint Nicholas every year on December 6, which is the name day for "Nicholas". In Greece, the name and its derivatives are especially popular in maritime regions, as St. Nicholas is considered the protector saint of seafarers. Origins The name is derived from the Greek name Νικόλαος ('' Nikolaos''), understood to mean 'victory of the people', being a compound of νίκη ''nikē'' 'victory' and λαός ''laos'' 'people'.. An ancient paretymology of the latter is that originates from λᾶς ''las'' ( contracted form of λᾶας ''laas'') meaning 'stone' or 'rock', as in Greek mythology, Deucalion and Pyrrha recreated the people after they had vanished in a catastrophic deluge, by throwing stones behind their shoulders while they kept marching on. The name became popular through Saint Nicholas, Bishop of Myra in Lycia, the inspi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Book Of The Courtier
''The Book of the Courtier'' ( it, Il Cortegiano ) by Baldassare Castiglione is a lengthy philosophical dialogue on the topic of what constitutes an ideal courtier or (in the third chapter) court lady, worthy to befriend and advise a Prince or political leader. Inspired by the Spanish court during his time as Ambassador of the Holy See (1524–1529), Castiglione set the narrative of the book in his years as a courtier in his native Duchy of Urbino. The book quickly became enormously popular and was assimilated by its readers into the genre of prescriptive courtesy books or books of manners, dealing with issues of etiquette, self-presentation, and morals, particularly at princely, or royal courts, books such as Giovanni Della Casa's ''Galateo '' (1558) and Stefano Guazzo's ''The civil conversation'' (1574). The ''Book of the Courtier'' was much more than that, however, having the character of a drama, an open-ended philosophical discussion, and an essay. It has also been seen as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sprezzatura
''Sprezzatura'' () is an Italian word that first appears in Baldassare Castiglione's 1528 ''The Book of the Courtier'', where it is defined by the author as "a certain nonchalance, so as to conceal all art and make whatever one does or says appear to be without effort and almost without any thought about it". It is the ability of the courtier to display "an easy facility in accomplishing difficult actions which hides the conscious effort that went into them". ''Sprezzatura'' has also been described "as a form of defensive irony: the ability to disguise what one really desires, feels, thinks, and means or intends behind a mask of apparent reticence and nonchalance". The word has entered the English language; the Oxford English Dictionary defines it as "studied carelessness", especially as a characteristic quality or style of art or literature, although it is also used in the aesthetic context. History During his stay in Spain as Ambassador of the Holy See (1524-1529), and inspir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the archd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monody
In music, monody refers to a solo vocal style distinguished by having a single melodic line and instrumental accompaniment. Although such music is found in various cultures throughout history, the term is specifically applied to Italian song of the early 17th century, particularly the period from about 1600 to 1640. The term is used both for the style and for individual songs (so one can speak both of monody as a whole as well as a particular monody). The term itself is a recent invention of scholars. No composer of the 17th century ever called a piece a monody. Compositions in monodic form might be called madrigals, motets, or even concertos (in the earlier sense of "concertato", meaning "with instruments"). In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death. (In the context of ancient Greek literature, monody, , could simply refer to lyric poetry sung by a single performer, rather than by a chorus.) History Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dukes Of Mantua
During its history as independent entity, Mantua had different rulers who governed on the city and the lands of Mantua from the Middle Ages to the early modern period. From 970 to 1115, the Counts of Mantua were members of the House of Canossa. During its time as free commune and ''signoria'' ("lordship"), the Lords of Mantua were exponents of the Bonacolsi and Gonzaga families. From 1328, Mantua was informally led by Gonzagas until 1433, when Gianfrancesco Gonzaga assumed the noble title of Marquess of Mantua. In 1530, Federico II received the title of Duke of Mantua. In 1531, the family acquired the vacant Marquisate of Montferrat through marriage. In 1627, Duke Vincent II deceased without heirs, ending the original line of Gonzagas. From 1628 to 1631, a succession war was fought between the Duke of Guastalla, supported by the Holy Roman Empire, and the Duke of Nevers, supported by France, for the control of the Duchy of Mantua. Finally, the Duke of Nevers was recognized a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola Da Gamba
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic ''rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihuel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutenist
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can shor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lovers Made Men
''Lovers Made Men'', alternatively titled ''The Masque of Lethe'' or ''The Masque at Lord Hay's'', was a Jacobean era masque, written by Ben Jonson, designed by Inigo Jones, and with music composed by Nicholas Lanier. It was performed on Saturday 22 February 1617, and was significant in the development and acceptance of opera in seventeenth-century England. Background The Lord Hay in question was James Hay, 1st Earl of Carlisle, one of the early favorites of King James I. Through 1616 Hay had been involved in a major diplomatic embassy to the court of Henri IV in Paris, where Hay had negotiated a potential marriage between James's son and heir Prince Charles, the future Charles I, and a daughter of the French king. (The negotiations were not fruitful in 1616, though a decade later Charles would marry Henri's daughter Henrietta Maria of France.) Hay's embassy was characterized by extraordinary lavish banquets, masques, processions and shows of all types – a pattern of indulgen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Claudio Monteverdi")
