|
Nicholas Burt
Nicholas Burt (1621 ? — after 1689), or Birt or Burght among other variants, was a prominent English actor of the seventeenth century. In a long career, he was perhaps best known as the first actor to play the role of Othello in the Restoration era. A "Nicholas Bert" was christened on 27 May 1621, in Norwich; the record may refer to the actor, though this is not certain. According to James Wright's ''Historia Histrionica'' (1699), Burt began as a boy player with the King's Men, an apprentice of John Shank (died 1636). He was with the celebrated young company Beeston's Boys in the 1638–42 period. As a young actor filling female roles, Burt gained particular notice for playing Clariana in Shirley's ''Love's Cruelty''. After the theatres closed in 1642 at the start of the English Civil War, Burt, like some other actors, joined the Royalist army supporting the cause of King Charles I. Like fellow actors Charles Hart and Robert Shatterell, Burt served as an officer in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Restoration
The Restoration of the Stuart monarchy in the kingdoms of England, Scotland and Ireland took place in 1660 when King Charles II returned from exile in continental Europe. The preceding period of the Protectorate and the civil wars came to be known as the Interregnum (1649–1660). The term ''Restoration'' is also used to describe the period of several years after, in which a new political settlement was established. It is very often used to cover the whole reign of King Charles II (1660–1685) and often the brief reign of his younger brother King James II (1685–1688). In certain contexts it may be used to cover the whole period of the later Stuart monarchs as far as the death of Queen Anne and the accession of the Hanoverian King George I in 1714. For example, Restoration comedy typically encompasses works written as late as 1710. The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of Edgehill
The Battle of Edgehill (or Edge Hill) was a pitched battle of the First English Civil War. It was fought near Edge Hill and Kineton in southern Warwickshire on Sunday, 23 October 1642. All attempts at constitutional compromise between King Charles and Parliament broke down early in 1642. Both the King and Parliament raised large armies to gain their way by force of arms. In October, at his temporary base near Shrewsbury, the King decided to march to London in order to force a decisive confrontation with Parliament's main army, commanded by the Earl of Essex. Late on 22 October, both armies unexpectedly found the enemy to be close by. The next day, the Royalist army descended from Edge Hill to force battle. After the Parliamentarian artillery opened a cannonade, the Royalists attacked. Both armies consisted mostly of inexperienced and sometimes ill-equipped troops. Many men from both sides fled or fell out to loot enemy baggage, and neither army was able to gain a deci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Fletcher (playwright)
John Fletcher (1579–1625) was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the early Restoration, his fame rivalled Shakespeare's. He collaborated on writing plays with Francis Beaumont, and also with Shakespeare on three plays. Though his reputation has declined since, Fletcher remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration. Biography Early life Fletcher was born in December 1579 (baptised 20 December) in Rye, Sussex, and died of the plague in August 1625 (buried 29 August in St. Saviour's, Southwark). His father Richard Fletcher was an ambitious and successful cleric who was in turn Dean of Peterborough, Bishop of Bristol, Bishop of Worcester and Bishop of London (shortly before his death), as well as chaplain to Queen Elizabeth. As Dean of Pete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Jonson
Benjamin "Ben" Jonson (c. 11 June 1572 – c. 16 August 1637) was an English playwright and poet. Jonson's artistry exerted a lasting influence upon English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satirical plays ''Every Man in His Humour'' (1598), '' Volpone, or The Fox'' (c. 1606), '' The Alchemist'' (1610) and '' Bartholomew Fair'' (1614) and for his lyric and epigrammatic poetry. "He is generally regarded as the second most important English dramatist, after William Shakespeare, during the reign of James I." Jonson was a classically educated, well-read and cultured man of the English Renaissance with an appetite for controversy (personal and political, artistic and intellectual) whose cultural influence was of unparalleled breadth upon the playwrights and the poets of the Jacobean era (1603–1625) and of the Caroline era (1625–1642)."Ben Jonson", ''Grolier Encyclopedia of Knowledge'', volume 10, p. 388. His ancestor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drury Lane
Drury Lane is a street on the eastern boundary of the Covent Garden area of London, running between Aldwych and High Holborn. The northern part is in the borough of Camden and the southern part in the City of Westminster. Notable landmarks The street originated as an early medieval lane referred to in Latin as the ''Via de Aldwych'', which probably connected St. Giles Leper Hospital with the fields of Aldwych Close, owned by the hospital but traditionally said to have been granted to the Danes as part of a peace treaty with King Alfred the Great in Saxon times. It acquired its name from the Suffolk barrister Sir Robert Drury, who built a mansion called Drury House on the lane around 1500. After the death in 1615 of his great-great-grandson, another Robert Drury, the property passed out of the family. It became the London house of the Earl of Craven, then a public house under the sign of his reputed mistress, the Queen of Bohemia. Subsequently, the gardens and courtyards of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initiall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Killigrew
Thomas Killigrew (7 February 1612 – 19 March 1683) was an English dramatist and theatre manager. He was a witty, dissolute figure at the court of King Charles II of England. Life Killigrew was one of twelve children of Sir Robert Killigrew of Hanworth, a courtier to James I, and his wife Mary née Woodhouse; he became a page to King Charles I at about the age of thirteen. According to Samuel Pepys, the boy Killigrew used to volunteer as an extra, or "devil," at the Red Bull Theatre, so that he could see the plays for free. The young Killigrew had limited formal education; the Court and the playhouse were his schoolroom. Killigrew was present at the exorcism of the possessed nuns of Loudun. In 1635 he left a sceptical account of the proceedings. Before the English Civil War, Killigrew wrote several plays— tragicomedies like ''Claracilla'' and ''The Prisoners'', as well as his most popular play, ''The Parson's Wedding'' (1637). The latter play has been criticized for its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King's Company
The King's Company was one of two enterprises granted the rights to mount theatrical productions in London, after the London theatre closure had been lifted at the start of the English Restoration. It existed from 1660 to 1682, when it merged with the Duke's Company to form the United Company. History On 21 August 1660, King Charles II granted Thomas Killigrew and Sir William Davenant each official permission in the form of a temporary "privilege" to form acting companies. Killigrew's King's Company fell under the sponsorship of Charles himself; Davenant's Duke's Company under that of Charles's brother, then the Duke of York, later James II of England. The temporary privileges would be followed later by letters patent, issued on 25 April 1662 in Killigrew's case, cementing a hereditary monopoly on theatre for the patent-holders.Milhous, p. 4. The first permanent venue for the King's Company was Gibbon's Tennis Court; in 1663, responding to competition from the Duke's Compan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Pepys
Samuel Pepys (; 23 February 1633 – 26 May 1703) was an English diarist and naval administrator. He served as administrator of the Royal Navy and Member of Parliament and is most famous for the diary he kept for a decade. Pepys had no maritime experience, but he rose to be the Chief Secretary to the Admiralty under both King Charles II and King James II through patronage, diligence, and his talent for administration. His influence and reforms at the Admiralty were important in the early professionalisation of the Royal Navy. The detailed private diary that Pepys kept from 1660 until 1669 was first published in the 19th century and is one of the most important primary sources for the English Restoration period. It provides a combination of personal revelation and eyewitness accounts of great events, such as the Great Plague of London, the Second Dutch War, and the Great Fire of London. Early life Pepys was born in Salisbury Court, Fleet Street, London, on 23 Febru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iago
Iago () is a fictional character in Shakespeare's ''Othello'' (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer. He is the husband of Emilia, who is in turn the attendant of Othello's wife Desdemona. Iago hates Othello and devises a plan to destroy him by making him believe that Desdemona is having an affair with his lieutenant, Michael Cassio. The role is thought to have been first played by Robert Armin, who typically played intelligent clown roles like Touchstone in '' As You Like It'' and Feste in '' Twelfth Night''. The character's source is traced to Giovanni Battista Giraldi Cinthio's tale "Un Capitano Moro" in ''Gli Hecatommithi'' (1565). There, the character is simply "the ensign". Origin While no English translation of Cinthio was available in Shakespeare's lifetime, it is possible Shakespeare knew the Italian original, Gabriel Chappuy's 1584 French translation, or an English translation in manuscript. Cinthio's tale may have b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Clun
Walter Clun (died 2 August 1664) was a noted English actor of the 17th century. His career spanned the difficult period when the theatres were closed during the English Civil War and the Interregnum, from 1642 to 1660. According to James Wright's '' Historia Histrionica'' (1699), Clun and Charles Hart were boy players together with the King's Men in the years prior to the theatre closure. Clun was a member of a group of English actors who performed on the Continent, mainly in The Hague and Paris, between 1644 and 1646; he was also one of the former King's Men who tried to restart the company in December 1648, despite the parliamentarian regime's hostility to theatre. (The effort was not successful.) In the Restoration era, Clun gained particular notice as the Iago to Nicholas Burt's Othello in the earliest Restoration production of Shakespeare's play in 1660. Clun was among the thirteen actors who were initial sharers in the newly organized King's Company in 1661. In additi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
