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New Zealand Māori Arts And Crafts Institute
The New Zealand Māori Arts and Crafts Institute (NZMACI) is an indigenous traditional art school located in Rotorua New Zealand. It operates the national schools of three major Māori art forms. NZMACI opened in 1963 as a successor school to the previous national school for woodcarving (wānanga whakairo) in Rotorua, New Zealand. The original Institute had been established in 1926 by Sir Āpirana Ngata to combat the impending threat of the loss of traditional Māori arts. The new school continued the tradition in a location well-established for traditional Māori arts and crafts. The location of the schools at Whakarewarewa enabled access to the Rotorua tourist market, which has allowed the Institute to operate with financial independence for the majority of its history. The school is associated with tours which have been guided through the Whakarewarewa Valley since the mid-19th century, now under the umbrella of ''Te Puia''. History The New Zealand School of Māori Arts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tāne
In Māori mythology, Tāne (also called Tāne-mahuta, Tāne-nui-a-Rangi, and several other names) is the god of forests and of birds, and the son of Ranginui and Papatūānuku, the sky father and the earth mother, who used to lie in a tight embrace where their many children lived in the darkness between them (Grey 1956:2). On Tahiti, Tane was the god of peace and beauty. Separates his parents The children of Rangi and Papa grew frustrated at their confinement in the cramped space between their parents. Tū, future god of war, proposes that they should kill their parents. But Tāne (or Tāne-mahuta) disagrees, suggesting that it is better to separate them, sending Rangi into the sky and leaving Papa below to care for them. Tāne's brothers Rongo, then Tangaroa, Haumia-tiketike and Tū all try in vain to separate the parents. After many tries, Tāne lies on his back and pushes with his strong legs, and finally forces his parents apart, and Rangi rises high into the heavens (G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Art
Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of Medium (arts), materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In vernacular English, ''modern'' and ''contemporary'' are synonyms, resulting in some conflation and confusion of the terms ''modern art'' and ''contemporary art'' by non-specialists. Scope Some define contemporary art as art produced within "our lifetime," recognising tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zonnebeke
Zonnebeke (; vls, Zunnebeke) is a municipality located in the Belgian province of West Flanders. The municipality comprises the villages of , , Passendale, Zandvoorde and Zonnebeke proper. On January 1, 2006, Zonnebeke had a total population of 11,758. The total area is 67.57 km2 which gives a population density of 174 inhabitants per km2. History The villages of Zonnebeke congregated around a large Augustinian abbey and its associated Benedictine convent in Nonnebosschen. Both were destroyed during the iconoclastic outbreak in 1580. Only the abbey was rebuilt, but was looted during the French occupation the abbey was confiscated. Passendale played a role in the Battle of Westrozebeke in 1382. Situated in the centre of the Ypres Salient, World War I destroyed the whole area. Left abandoned until the early 1920s, people slowly returned and rebuilt the villages. In 1932, the locals opened a cheese making facility, which to this day is the only source of Passendale cheese. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Te Matatini
Te Matatini is a nation-wide Māori performing arts festival and competition for ''kapa haka'' performers from all of New Zealand. The name was given by Professor Wharehuia Milroy, a composite of ''Te Mata'' meaning ''the face'' and ''tini'' denoting ''many'' — hence the meaning of ''Te Matatini'' is ''many faces''. The Te Matatini festival is held every two years in different regions of New Zealand. Authority (''mana'') is given to different tribes (''iwi'') to host the festival. For example, in 2017 the ''mana'' was given to Te Whanganui-a-Tara on behalf of the Ngāti Kahungunu (''Heretaunga'') region. Mead (2003) explains, Mana is undergone by a set of rules before it is given, the people or person in charge has to accept these constraints and strive to rise above them in order to do the job that is set before them. Te Matatini is seen as playing a very important role within Maoridom in promoting the tikanga of the Māori culture and ''Kapa Haka.'' It provides a valuable e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marae
A ' (in New Zealand Māori, Cook Islands Māori, Tahitian), ' (in Tongan), ' (in Marquesan) or ' (in Samoan) is a communal or sacred place that serves religious and social purposes in Polynesian societies. In all these languages, the term also means cleared and free of weeds or trees. generally consist of an area of cleared land roughly rectangular (the itself), bordered with stones or wooden posts (called ' in Tahitian and Cook Islands Māori) perhaps with ' (terraces) which were traditionally used for ceremonial purposes; and in some cases, a central stone ' or ''a'u''. In the Rapa Nui culture of Easter Island, the term ' has become a synonym for the whole marae complex. In some modern Polynesian societies, notably that of the Māori of New Zealand, the marae is still a vital part of everyday life. In tropical Polynesia, most marae were destroyed or abandoned with the arrival of Christianity in the 19th century, and some have become an attraction for tourists or archaeol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Māori Renaissance
The Māori renaissance is the revival in fortunes of the Māori of New Zealand beginning in the 1970s. Until 1914, and possibly later, the perception of the Māori race, although dying out, was capable and worthy of saving, but only within a European system. From the 1970s, government policy changed to promoting a bicultural New Zealand society. This change has led to Maori being politically, culturally and artistically ascendant. Māori population was at a low point at the beginning of the twentieth century with less than 50,000, and the Pākehā population had grown to over 800,000. The total Māori population grew in the 20th century and alongside this was a rebuilding of a cultural, economic and political base. This was the foundation of the Māori renaissance in the 1960s and 70s where, “...by 1940, Māori land was being developed for Māori (with state assistance) rather than sold, Māori political influence was being felt, and a renaissance in Māoritanga was proudly ass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edna Pahewa
Edna Pahewa (born 1954) is a New Zealand weaver and was the head of weaving () at Te Rito, the weaving school of the New Zealand Māori Arts and Crafts Institute, for 18 years. Her work is held in the permanent collection of Te Papa. Biography Pahewa began weaving as a child when she was taught by her Nanny Bub, the younger sister of Rangitīaria Dennan. Pahewa's mother, Emily Schuster, was a renowned weaver, as was her twin sister Dawn Smith, and both women influenced Pahewa. Pahewa was also taught by Diggeress Te Kanawa. Pahewa has taught weaving at Te Papa o Te Aroha and Te Wananga o Aotearoa, both in Tokoroa. Pahewa was the head of the New Zealand Māori Arts and Crafts Institute's weaving school, Te Rito, located in Rotorua that her mother Emily Schuster set-up in 1967. Both her mother and her sister Dawn have also held the head role of Te Tumu Raranga at the institute. After 18 years in the role Pahewa was succeeded by Meleta Bennett. She is a member of Te Roopu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Māori Traditional Textiles
Māori traditional textiles are the indigenous textiles of the Māori people of New Zealand. The organisation Te Roopu Raranga Whatu o Aotearoa, the national Māori weavers' collective, aims to preserve and foster the skills of making and using these materials. Textiles made from locally sourced materials were developed by Māori in New Zealand after migration from Polynesia as the plants used in the Pacific islands did not grow well in the New Zealand climate. In traditional Māori weaving of garments the main fibre is called muka and is made from harakeke. The Māori language terms for different types of weaving are commonly named as raranga, whatu and whiri. Raranga is a plaiting technique used for making baskets and mats; whatu is a pre-European finger weft twining weaving method used to make cloaks; and whiri is braiding to make cord. Most people weaving traditional Māori textiles were and are women. Traditionally, to become expert a young woman was initiated into Te Whare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wakarewarewa Weaving School 2 2011
Whakarewarewa (reduced version of Te Whakarewarewatanga O Te Ope Taua A Wahiao, meaning ''The gathering place for the war parties of Wahiao'', often abbreviated to Whaka by locals) is a Rotorua semi-rural geothermal area in the Taupo Volcanic Zone of New Zealand. This was the site of the Māori fortress of Te Puia, first occupied around 1325, and known as an impenetrable stronghold never taken in battle. Māori have lived here ever since, taking full advantage of the geothermal activity in the valley for heating and cooking. Whakarewarewa has some 500 pools, most of which are alkaline chloride hot springs, and at least 65 geyser vents, each with their own name. Seven geysers are currently active. Pohutu Geyser, meaning big splash or explosion, erupts approximately hourly to heights of up to . Many of the thermal features at Whakarewarewa have been adversely affected by Rotorua residents taking advantage of the underlying geothermal fluids of the city by drawing shallow wel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pounamu
Pounamu is a term for several types of hard and durable stone found in southern New Zealand. They are highly valued in New Zealand, and carvings made from pounamu play an important role in Māori culture. Name The Māori word , also used in New Zealand English, refers to two main types of green stone valued for carving: nephrite jade, classified by Māori as , , , and other names depending on colour; and translucent bowenite, a type of serpentine, known as . The collective term pounamu is preferred, as the other names in common use are misleading, such as New Zealand jade (not all pounamu is jade) and greenstone (a generic term used for unrelated stone from many countries). Pounamu is only found in New Zealand, whereas much of the carved "greenstone" sold in souvenir shops is jade sourced overseas. The Māori classification of pounamu is by colour and appearance; the shade of green is matched against a colour found in nature, and some hues contain flecks of red or brow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hone Taiapa , Italy
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Honing is a kind of metalworking. Hone may also refer to: * Hone (name) (incl. Hōne), a list of people with the surname, given name or nickname * Hõne language, spoken in Gombe State and Taraba State, Nigeria * Hône Hône ( Valdôtain: (locally ); Issime wae, Ounu) is a town and ''comune'' (population 1,146) in the Aosta Valley region of north-western Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whare Whakairo
A wharenui (; literally "large house") is a communal house of the Māori people of New Zealand, generally situated as the focal point of a '' marae''. Wharenui are usually called meeting houses in New Zealand English, or simply called ''whare'' (a more generic term simply referring to a house or building). Also called a ''whare rūnanga'' ("meeting house") or ''whare whakairo'' (literally "carved house"), the present style of wharenui originated in the early to middle nineteenth century. The houses are often carved inside and out with stylized images of the iwi's (or tribe's) ancestors, with the style used for the carvings varying from tribe to tribe. Modern meeting houses are built to regular building standards. Photographs of recent ancestors may be used as well as carvings. The houses always have names, sometimes the name of a famous ancestor or sometimes a figure from Māori mythology. Some meeting houses are built at places that are not the location of a tribe, but where many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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