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New Beat
New beat is a Belgian electronic dance music genre that fuses elements of new wave, hi-NRG,Simon Reynolds: ''Generation Ecstasy: Into the World of Techno and Rave Culture.'' Routledge 1999, , p. 124. EBM and hip hop (e.g. scratching).Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , pp. 102–103. It flourished in Western Europe during the late-1980s. New beat spawned a subgenre called "hard beat" (a blend of EBM, new beat and acid house)Nikki van Lierop: ''Hard Beat 1st Compilation.'', 1989."Hard Beat is the perfect link between Electronic Body Music and New Beat." and became a key influence on the evolution of European electronic dance music styles such as hardcore techno and gabber. History New beat originated in Belgium in 1987, and was popular in several music clubs across Western Europe. Sometimes described as "new wave disco beat"Philipp Anz, Arnold Meyer: ''New Beat.'' In: Philipp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid House
Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago producers DJ Pierre of Phuture and Sleezy D. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop. Characteristics Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Roland TB-303 ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antwerp
Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504,Statistics Belgium; ''Loop van de bevolking per gemeente'' (Excel file) Population of all municipalities in Belgium, . Retrieved 1 November 2017. it is the most populous municipality in Belgium, and with a metropolitan population of around 1,200,000 people, it is the second-largest metrop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Brussel
A studio is an artist or worker's workroom. This can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, radio or television production broadcasting or the making of music. The term is also used for the workroom of dancers, often specified to dance studio. The word ''studio'' is derived from the , from , from ''studere'', meaning to study or zeal. The French term for studio, ''atelier'', in addition to designating an artist's studio is used to characterize the studio of a fashion designer. ''Studio'' is also a metonym for the group of people who work within a particular studio. :uz:Studiya Art studio The studio of any artist, especially from the 15th to the 19th centuries, characterized all the assistants, thus the designation of paintings as "from the workshop of..." or "studio of..." An art studio is sometimes called an at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Grid
The Grid is an English electronic dance group, consisting of David Ball (formerly of Soft Cell) and Richard Norris, with guest contributions from other musicians. They are best known for the hits "Swamp Thing", "Texas Cowboys", "Crystal Clear", "Rollercoaster" and "Floatation". Band members * Richard Norris – keyboards, drum programming * David Ball – keyboards, programming * Sacha Rebecca Souter – vocals History The Grid formed in 1988, after both Ball and Norris had worked with Psychic TV on the '' Jack the Tab – Acid Tablets Volume One'' album. They recorded the track "Meet Every Situation Head On" together as "M.E.S.H.". The Grid had their first success with their debut single, "Floatation", released on East West Records in 1990. They went on to release a string of ten UK hit singles and four albums, and toured the UK, Europe, Asia and Australia. The group's 1994 album '' Evolver'' reached No. 14 in the UK Albums Chart. The lead single from this album, "Swamp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Norris (musician)
Richard Norris was born 23 June 1965 and is a London-based record producer, songwriter, sound engineer, musician, DJ and author. He is best known as a member of electronic dance band The Grid. Richard has also worked as a producer and engineer since the 80s with artists such as: Bryan Ferry, Genesis Breyer P-Orridge, Marc Almond, Joe Strummer and the Pet Shop Boys. Norris began making music as a teenage member of St. Albans punk band Innocent Vicars. Vicars recorded two singles in 1980: "Antimatter" and "Funky Town" for the independent No Brain Records. Norris started working in the music industry as the label manager for the British psychedelic record label Bam Caruso before becoming a writer for NME in 1987. Bands The Grid Norris and David Ball collaborated when they formed the electronic dance group The Grid in 1988. The Grid signed to Warner Bros Records/East West Records the same year. The Grid had six Top 40 UK Singles Chart hits between 1990 and 1995 including: "Floatati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch Control
A variable speed pitch control (or vari-speed) is a control on an audio device such as a turntable, tape recorder, or CD player that allows the operator to deviate from a standard speed (such as 33, 45 or even 78 rpm on a turntable), resulting in adjustments in pitch. The latter term "vari-speed" is more commonly used for tape decks, particularly in the UK. Analog pitch controls vary the voltage being used by the playback device; digital controls use digital signal processing to change the playback speed or pitch. A typical DJ deck allows the pitch to be increased or reduced by up to 8%, which is achieved by increasing or reducing the speed at which the platter rotates. Turntable or CD playing speed may be changed for beatmatching and other DJ techniques, while pitch shift using a pitch control has myriad uses in sound recording. Vari-speed in consumer cassette decks Superscope, Inc. of Sun Valley added vari-speed as a feature of portable cassette decks in 1975. The C-1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Split-Second
A Split-Second is a Belgian new beat and electronic body music (EBM) band established in 1985. The band is seen as one of the pioneers of EBM and their music influenced the creation of the new beat genre. History The project was born in 1985 as a solo project of Marc Heyndrickx (under the name Marc Ickx), who self-released the demo-tape "Stained Impressions" with Peter Bonne (later re-named Chrismar Chayell) producing. Bonne at that time was releasing music as Twilight Ritual together with vocalist Geert Coppens. To record the demo, Heyndrickx spent the last of his money on an amp and cassette deck and spent the holidays in the offices of Independent Films. Having heard the initial material, Bonne invited Heyndrickx to record more songs in his 4-track studio. Antler records signed the band immediately upon hearing the first demo. After signing to Antler Records, A Split-Second made their debut in 1986 with the single "Flesh". It was followed the next year by the album '' Bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revolutions Per Minute
Revolutions per minute (abbreviated rpm, RPM, rev/min, r/min, or with the notation min−1) is a unit of rotational speed or rotational frequency for rotating machines. Standards ISO 80000-3:2019 defines a unit of rotation as the dimensionless unit equal to 1, which it refers to as a revolution, but does not define the revolution as a unit. It defines a unit of rotational frequency equal to s−1. The superseded standard ISO 80000-3:2006 did however state with reference to the unit name 'one', symbol '1', that "The special name revolution, symbol r, for this unit is widely used in specifications on rotating machines." The International System of Units (SI) does not recognize rpm as a unit, and defines the unit of frequency, Hz, as equal to s−1. :\begin 1~&\text &&=& 60~&\text \\ \frac~&\text &&=& 1~&\text \end A corresponding but distinct quantity for describing rotation is angular velocity, for which the SI unit is the ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rave Techno
Belgian hardcore techno (also referred to as Belgian techno or rave techno) is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. It flourished in Belgium and influenced the sound of early hardcore from Netherlands, Germany, Italy, UK and North America during the early-1990s, as a part of the rave movement during that period.Simon Reynolds: ''Energy Flash: A Journey through Rave Music and Dance Culture.'' Soft Skull Press 2012, , p. 110. Belgian hardcore is related to both European techno and hardcore techno, being generally considered an early form of the latter. The genre is referred to by several other names, such as "hardcore techno", "techno rave", "Belgian rave" and "bretter tekkno". In Mexico, the style was known as "techno industrial", being associated with EBM and new beat. The immediate predecessors of Belgian hardcore were two short-lived new beat subgenres called "hard beat"Nikki van ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid House
Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago producers DJ Pierre of Phuture and Sleezy D. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop. Characteristics Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Roland TB-303 ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabber
Gabber (; ) is a style of electronic dance music and a subgenre of hardcore techno, as well as the surrounding subculture. The music is more commonly referred to as Hardcore, which is characterised by fast beats, distorted & heavier kickdrums, with darker themes and samples, and was developed in Rotterdam and Amsterdam in the 1990s by producers like Marc Acardipane, Paul Elstak, DJ Rob, and The Prophet, forming record labels such as Rotterdam Records, Mokum Records, Pengo Records and Industrial Strength Records. The word "gabber" comes from Amsterdam Bargoens slang and means "friend". Gabber remains highly popular in the Netherlands, and has seen a major resurgence recent years. Gabber formed as an underground, anti-establishment movement with small, underground raves, most often illegally held in empty warehouses, basements and tunnels. Rave parties such as Thunderdome held by ID&T and Mysteryland became hugely popular, eventually becoming part of mainstream Dutch culture in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore Techno
Hardcore (also known as hardcore techno or hardcore house) is a genre of electronic dance music that originated in the United Kingdom, the Netherlands, Belgium and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more), the intensity of the kicks and the synthesized bass (in some subgenres), the rhythm and the atmosphere of the themes (sometimes violent), the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber. History Early 1970s to early 1980s Hardcore is rooted in the 1970s and early 1980s industrial music, specifically the elements of hard electronic dance music. Groups such as Throbbing Gristle, Coil, Cabaret Voltaire, SPK, Foetus and Einstürzende Neubauten produced music using a wide range of electronic instruments. The message diffused by industrial was then very provocative. Some of the musical sounds and experimentation of in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
