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Neo Tokyo (film)
, also titled ''Manie-Manie'' on its title card, is a 1987 anime science fiction anthology film produced by Project Team Argos and Madhouse. The film was conceived and produced by Madhouse founders Masao Maruyama and Rintaro, the latter of whom served as composition organizer alongside Katsuhiro Otomo on the project. The 50 minute-long film has three segments, each under a different screenwriter and film director: Rintaro's "Labyrinth Labyrinthos," an exploration into the maze of a little girl's mind, Yoshiaki Kawajiri's "Running Man," focusing on a deadly auto race, and Katsuhiro Ōtomo's "Construction Cancellation Order," a cautionary tale about man's dependency on technology. In addition to original music by Godiego's Mickie Yoshino, two prominently feature famous pieces of Western classical music: the first of Erik Satie's ''Gymnopédies'' and the "Toreador Song" of Georges Bizet's '' Carmen'' in "Labyrinth" and "Morning Mood" from Edvard Grieg's ''Peer Gynt'' score, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rintaro
is the pseudonym of , a well-known director of anime. He works frequently with the animation studio Madhouse (which he co-founded), though he is a freelance director not employed directly by any one studio. He began working in the animation industry—at age 17—as an in-between animator on the 1958 film '' Hakujaden''. His works have won and been nominated for multiple awards, including a nomination for Best Film (''Metropolis'') at the 2001 Festival de Cine de Sitges. Rintaro is a fan of science fiction, and has been influenced by American westerns, gangster films, film noir, and French films. Additionally, he was influenced by Osamu Tezuka, and worked with him on ''Kimba the White Lion'' and ''Astro Boy''. He said that when he was making ''Metropolis'', which was based on Tezuka's manga of the same name, he "wanted to communicate Tezuka's spirit". Rintaro personally introduced the film at the Big Apple Anime Fest in 2001, where it was screened before its theatrical release b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auto Racing
Auto racing (also known as car racing, motor racing, or automobile racing) is a motorsport involving the racing of automobiles for competition. Auto racing has existed since the invention of the automobile. Races of various sorts were organised, with the first recorded as early as 1867. Many of the earliest events were effectively reliability trials, aimed at proving these new machines were a practical mode of transport, but soon became an important way for automobile makers to demonstrate their machines. By the 1930s, specialist racing cars had developed. There are now numerous different categories, each with different rules and regulations. History The first prearranged match race of two self-powered road vehicles over a prescribed route occurred at 4:30 A.M. on August 30, 1867, between Ashton-under-Lyne and Old Trafford, a distance of eight miles. It was won by the carriage of Isaac Watt Boulton. Internal combustion auto racing events began soon after the constructio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Feature
The double feature is a motion picture industry phenomenon in which theatres would exhibit two films for the price of one, supplanting an earlier format in which one feature film and various short subject reels would be shown. Opera use Opera houses staged two operas together for the sake of providing long performance for the audience. This was related to one-act or two-act short operas that were otherwise commercially hard to stage alone. A prominent example is the double-bill of ''Pagliacci'' with '' Cavalleria rusticana'' first staged on 22 December 1893 by the Met. The two operas have since been frequently performed as a double-bill, a pairing referred to in the operatic world colloquially as "Cav and Pag". Origin and format The double feature originated in the later 1930s. Though the dominant presentation model, consisting of all or some of the following, continued well into the 1940s: * One or more live acts * An animated cartoon short subject * One or more live-action ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dubbing (filmmaking)
Dubbing (re-recording and mixing) is a post-production process used in filmmaking and video production, often in concert with sound design, in which additional or supplementary recordings are lip-synced and "mixed" with original production sound to create the finished soundtrack. The process usually takes place on a dub stage. After sound editors edit and prepare all the necessary tracks—dialogue, automated dialogue replacement (ADR), effects, Foley, and music—the dubbing mixers proceed to balance all of the elements and record the finished soundtrack. Dubbing is sometimes confused with ADR, also known as "additional dialogue replacement", "automated dialogue recording" and "looping", in which the original actors re-record and synchronize audio segments. Outside the film industry, the term "dubbing" commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called "revoicing" in the film industry. The t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Direct-to-video
Direct-to-video or straight-to-video refers to the release of a film, TV series, short or special to the public immediately on home video formats rather than an initial theatrical release or television premiere. This distribution strategy was prevalent before streaming platforms came to dominate the TV and movie distribution markets. Because inferior sequels or prequels of larger-budget films may be released direct-to-video, review references to direct-to-video releases are often pejorative. Direct-to-video release has also become profitable for independent filmmakers and smaller companies. Some direct-to-video genre films (with a high-profile star) can generate well in excess of $50 million revenue worldwide. Reasons for releasing direct to video A production studio may decide not to generally release a TV show or film for several possible reasons: a low budget, a lack of support from a TV network, negative reviews, its controversial nature, that it may appeal to a small ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peer Gynt (Grieg)
''Peer Gynt'', Op. 23, is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Grieg later created two suites from his ''Peer Gynt'' music. Some of the music from these suites has received coverage in popular culture; see Grieg's music in popular culture. Background Edvard Grieg (1843–1907) was one of the definitive leaders of Scandinavian music and his influence was great. Although composing many short piano pieces and chamber works, the work Grieg did for Henrik Ibsen stood out. Originally composing 90 minutes of orchestral music for the play, he later went back and extracted certain sections for the suites. Peer Gynt's travels around the world and distant lands are represented by the instruments Grieg chooses to use. When Ibsen asked Grieg to write music for the play in 1874, he reluctantly agreed. However, it was mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edvard Grieg
Edvard Hagerup Grieg ( , ; 15 June 18434 September 1907) was a Norwegian composer and pianist. He is widely considered one of the foremost Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia. Grieg is the most celebrated person from the city of Bergen, with numerous statues which depict his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school ( Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home Troldhaugen is dedicated to his legacy. Background Edvard Hagerup Grieg was born in Bergen, Norway (then part of Sweden–Norway). His parents were Alexander Grieg (1806–1875), a merchant and the B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morning Mood
"Morning Mood" ( no, Morgenstemning i ørkenen, translation=Morning mood in the desert, link=no, italic=no) is part of Edvard Grieg's ''Peer Gynt'', Op. 23, written in 1875 as incidental music to Henrik Ibsen's play of the same name, and was also included as the first of four movements in ''Peer Gynt Suite No. 1'', Op. 46. Music Written in E major, the melody uses the pentatonic scale and alternates between flute and oboe. Unusually, the climax occurs early in the piece at the first ''forte'' which signifies the sun breaking through. The time signature is and the tempo instruction is ''Allegretto pastorale''. It is orchestrated for flutes, oboes, clarinets, bassoons, horns, trumpets, timpani, and string section. A performance takes about four minutes. Setting The piece depicts the rising of the sun during act 4, scene 4, of Ibsen's play, which finds Peer Gynt stranded in the Moroccan desert after his companions took his yacht and abandoned him there while he slept. The s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical canon; the " Habanera" from act 1 and the " Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of '' opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. José abandons h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toreador Song
The Toreador Song is the popular name for the aria "" ("I toast you"), from the French opera '' Carmen'', composed by Georges Bizet to a libretto by Henri Meilhac and Ludovic Halévy. It is sung by the bullfighter (French: '' toréador'') Escamillo as he enters in act 2 and describes various situations in the bullring, the cheering of the crowds and the fame that comes with victory. The refrain, "", forms the middle part of the prelude to act 1 of ''Carmen''. Music The bass-baritone couplet has a vocal range from B2 to F4 and a tessitura from C3 to E4. Its time signature is common time (4/4), its key is F minor with the refrain in F major. The tempo indication is ''allegro molto moderato'', =108. The orchestra introduces the first melodic section, which is jaunty and flashy. Like Carmen's Habanera, it is built on a descending chromatic scale as Escamillo describes his experiences in the bullfighting ring. In the chorus praising the toreador, the music turns celebrato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gymnopédies (Satie)
The ''Gymnopédies'' (), or ''Trois Gymnopédies'', are three piano compositions written by French composer and pianist Erik Satie. He completed the whole set by 2 April 1888, but they were at first published individually: the first and the third in 1888, the second in 1895. History The work's unusual title comes from the French form of gymnopaedia, the ancient Greek word for an annual festival where young men danced naked – or perhaps simply unarmed. The source of the title has been a subject of debate. Satie and his friend Alexis Roland-Manuel maintained that he adopted it after reading Gustave Flaubert's novel ''Salammbô'', while others see a poem by J. P. Contamine de Latour as the source of Satie's inspiration, since the first ''Gymnopédie'' was published in the magazine ''La Musique des familles'' in the summer of 1888 together with an excerpt of Latour's poem ''Les Antiques'', where the term appears. However, it remains uncertain whether the poem was composed bef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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