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Nelson Cavaquinho
Nelson Cavaquinho (October 29, 1911 – February 18, 1986, birth name Nelson Antônio da Silva) was one of the most important singer/composers of samba. He is usually seen as a representative of the tragic aspects of samba thematics, with many songs about death and hopelessness. He was a prominent figure of samba school Estação Primeira de Mangueira. Biography Nelson was born in Rio de Janeiro. Coming from a poor family, he quit school at a young age to seek employment in a factory. He showed a musical talent at a young age playing a home-made guitar made of a cigar box and wires. When he could, he would borrow a cavaquinho and try and copy the techniques of professional cavaquinho players. He demonstrated a great ability to play the instrument and composed a choro ("Caminhando") which gained him notoriety as a musician (due in part to an uncommon modulation which made it hard for other instrumentalists to harmonize it). He was finally given a cavaquinho and having demonstrate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba Musicians
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "sam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nelson Cavaquinho (1972)
Nelson Cavaquinho (October 29, 1911 – February 18, 1986, birth name Nelson Antônio da Silva) was one of the most important singer/composers of samba. He is usually seen as a representative of the tragic aspects of samba thematics, with many songs about death and hopelessness. He was a prominent figure of samba school Estação Primeira de Mangueira. Biography Nelson was born in Rio de Janeiro. Coming from a poor family, he quit school at a young age to seek employment in a factory. He showed a musical talent at a young age playing a home-made guitar made of a cigar box and wires. When he could, he would borrow a cavaquinho and try and copy the techniques of professional cavaquinho players. He demonstrated a great ability to play the instrument and composed a choro ("Caminhando") which gained him notoriety as a musician (due in part to an uncommon modulation which made it hard for other instrumentalists to harmonize it). He was finally given a cavaquinho and having demons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
GRES Estação Primeira De Mangueira
GRES may refer to: * GRES (power station), a Russian term referring to a condenser type electricity-only thermal power station * ''Grêmio Recreativo Escola de Samba A samba school ( pt, Escola de samba) is a dancing, marching, and drumming (Samba Enredo) club. They practice and often perform in a huge square-compounds ("quadras de samba") and are devoted to practicing and exhibiting samba, an Afro-Brazilian ...'' (Recreative Guild Samba School), an acronym used by Brazilian Samba schools See also * Grès (other) {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rio De Janeiro
Rio de Janeiro ( , , ; literally 'River of January'), or simply Rio, is the capital of the state of the same name, Brazil's third-most populous state, and the second-most populous city in Brazil, after São Paulo. Listed by the GaWC as a beta global city, Rio de Janeiro is the sixth-most populous city in the Americas. Part of the city has been designated as a World Heritage Site, named "Rio de Janeiro: Carioca Landscapes between the Mountain and the Sea", on 1 July 2012 as a Cultural Landscape. Founded in 1565 by the Portuguese, the city was initially the seat of the Captaincy of Rio de Janeiro, a domain of the Portuguese Empire. In 1763, it became the capital of the State of Brazil, a state of the Portuguese Empire. In 1808, when the Portuguese Royal Court moved to Brazil, Rio de Janeiro became the seat of the court of Queen Maria I of Portugal. She subsequently, under the leadership of her son the prince regent João VI of Portugal, raised Brazil to the dignity of a k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavaquinho
The cavaquinho (pronounced in Portuguese) is a small Portuguese string instrument in the European guitar family, with four wires or gut strings. More broadly, ''cavaquinho'' is the name of a four-stringed subdivision of the lute family of instruments. A cavaquinho player is called a ''cavaquista''. Forms There are several forms of cavaquinho used in different regions and for different styles of music. Separate varieties are named for Portugal, Braga (''braguinha''), Minho (''minhoto''), Lisbon, Madeira, Brazil, and Cape Verde; other forms are the ''braguinha'', ‘''cavacolele''’, cavaco, machete, and ukulele. Portuguese The Venezuelan concert cuatro is very nearly the same instrument, but somewhat larger. Cavaquinho Brasileiro, cavaco, and cuatro The Brazilian cavaquinho is slightly larger than the Portuguese cavaquinho, resembling a small classical guitar. Its neck is raised above the level of the sound box, and the sound hole is usually round, like cavaquinhos from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choro
''Choro'' (, "cry" or "lament"), also popularly called ''chorinho'' ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as ''chorões''. Choro instruments Originally ''choro'' was played by a trio of flute, guitar and cavaquinho (a small chordophone with four strings). Other instruments commonly played in choro are the mandolin, clarinet, saxophone, trumpet and trombone. These melody instruments are backed by a rhythm section composed of 6-string guitar, 7-string guitar (playing bass lines) and light percussion, such as a pandeiro. The cavaquinho appears sometimes as a melody instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements * Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. *Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation was semi. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cartola
Angenor de Oliveira, known as Cartola (Portuguese for top hat), (; October 11, 1908 – November 30, 1980) was a Brazilian singer, composer and poet considered to be a major figure in the development of samba. Cartola composed, alone or with partners, more than 500 songs. Biography The third son of Sebastião Joaquim de Oliveira and Aida Gomes de Oliveira, Angenor was born at Rua Ferreira Viana, 74, in the Catete district of Rio de Janeiro. His parents named him ''Agenor,'' but a transcription error on his birth certificate rendered it ''Angenor'', which he learned when he was 55. His nickname was bestowed by friends when he was 15: A construction worker, he always wore a hat—which he called a ''cartola'' (top hat)—to protect his hair and clothes. When Cartola was eight, his family moved to the Laranjeiras neighborhood in Rio; financial difficulties necessitated another move, to Mangueira hill in 1919, where a small favela (an unregulated slum, typically without public s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guilherme De Brito
Guilherme de Brito Bollhorst (January 3, 1922 – April 28, 2006), known as Guilherme de Brito, was a Brazilian '' sambista'', singer, songwriter, and painter. Biography Guilherme de Brito Bollhorst was born in Vila Isabel, a traditional neighborhood with regard to samba, the home of 12 years older Noel Rosa, with whom he was acquainted and who often gave him rides on his car. Brito was the son of Alfredo Nicolau Bollhorst and Marieta de Brito Bollhorst. Guilherme de Brito got a cavaquinho as a present when he was eight; later he became also a '' violonista''. With the death of his father when he was 12, Brito had to drop his studies and start working. He got a job at old Casa Edson, one of the first recording studios to function in Brazil. His aptitude as an artist arose at an early age; when still a boy, he used to draw with pencils and coal. Guilherme de Brito met his most important partner, 11 years older Nelson Cavaquinho, when the latter, already famous and known, used to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1911 Births
A notable ongoing event was the race for the South Pole. Events January * January 1 – A decade after federation, the Northern Territory and the Australian Capital Territory are added to the Commonwealth of Australia. * January 3 ** 1911 Kebin earthquake: An earthquake of 7.7 moment magnitude strikes near Almaty in Russian Turkestan, killing 450 or more people. ** Siege of Sidney Street in London: Two Latvian anarchists die, after a seven-hour siege against a combined police and military force. Home Secretary Winston Churchill arrives to oversee events. * January 5 – Egypt's Zamalek SC is founded as a general sports and Association football club by Belgian lawyer George Merzbach as Qasr El Nile Club. * January 14 – Roald Amundsen's South Pole expedition makes landfall, on the eastern edge of the Ross Ice Shelf. * January 18 – Eugene B. Ely lands on the deck of the USS ''Pennsylvania'' stationed in San Francisco harbor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
