Cartola
Angenor de Oliveira, known as Cartola (Portuguese for top hat), (; October 11, 1908 – November 30, 1980) was a Brazilian singer, composer and poet considered to be a major figure in the development of samba. Cartola composed, alone or with partners, more than 500 songs. Biography The third son of Sebastião Joaquim de Oliveira and Aida Gomes de Oliveira, Angenor was born at Rua Ferreira Viana, 74, in the Catete district of Rio de Janeiro. His parents named him ''Agenor,'' but a transcription error on his birth certificate rendered it ''Angenor'', which he learned when he was 55. His nickname was bestowed by friends when he was 15: A construction worker, he always wore a hat—which he called a ''cartola'' (top hat)—to protect his hair and clothes. When Cartola was eight, his family moved to the Laranjeiras neighborhood in Rio; financial difficulties necessitated another move, to Mangueira hill in 1919, where a small favela (an unregulated slum, typically without public ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samb ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dona Zica
Euzébia Silva de Oliveira, better known as Dona Zica, (1913 –2003), was a Brazilian samba dancer at the Mangueira Samba school in Rio de Janeiro, who went on to play an important role in the Mangueira favela. Early life Dona Zica was born in Piedade in the north of Rio de Janeiro on 6 February 1913. Her father died when she was one year old. She moved with her family to Mangueira as a child, where she became one of the first members of the Mangueira Samba school, participating in its first parade, in 1928, when she was 15. She first married at the age 19, Carlos Dias do Nascimento, a footballer, and they had six children, one of whom was adopted. Dona Zica was widowed after 20 years of marriage. Having previously worked as a cloth weaver, she then worked as a dishwasher, a kitchen assistant and, finally, a cook at a club known as the ''Clube Bola Preta''. Marriage to "Cartola" in October 1964, Zica married the samba dancer, composer and songwriter, Cartola (Agenor de Oliv ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Beth Carvalho
Elizabeth Santos Leal de Carvalho (May 5, 1946 – April 30, 2019), known professionally as Beth Carvalho, was a Brazilian samba singer, guitarist, cavaquinist and composer. Biography Carvalho was raised in a middle-class family in Rio de Janeiro's South Zone. Her father, João Francisco Leal de Carvalho, was a lawyer. She grew up influenced by different types of music. Her father used to take her to samba school rehearsals, and her mother was a lover of classical music who encouraged her to become a ballerina. She started playing the guitar as a teenager, and got involved with the emerging Bossa Nova movement, winning a nationwide song contest on TV at the age of 19. Following a 1967 album, "Muito Na Onda," with the project 'Conjunto 3D,' Carvalho did her first solo record, 1968's "Andança", and carried the song of the same name to victory in a larger festival, which brought her to prominence. Although she started her career with Bossa Nova, that was an ephemeral phase ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Laranjeiras
Laranjeiras (, ''orange trees'') is an upper-middle-class neighborhood located in the South Zone of Rio de Janeiro, Brazil. Primarily residential, It is one of the city's oldest neighborhoods, having been founded in the 17th century, with the construction of country houses in the valley located around the Carioca River, which bordered Corcovado Mountain. Because of this, the neighborhood was previously called ''Vale do Carioca'', or Carioca Valley. While primarily residential, several important governmental, cultural, and sports institutions and schools make this a bustling neighborhood. Well known landmarks in Laranjeiras include the Guanabara Palace (seat of the state government of Rio de Janeiro), the Palácio Laranjeiras (official residence of the state's governor), and the ''Parque Guinle'' ( Eduardo Guinle Park), as well as the headquarters and Laranjeiras Stadium of Fluminense Football Club, and Rio's branch of the Hebraica Social and Sports Club, and several oth ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paulinho Da Viola
Paulinho da Viola (born Paulo César Batista de Faria on 12 November 1942) () is a Brazilian '' sambista'', singer-songwriter, guitar, cavaquinho and mandolin player, known for his sophisticated harmonies and soft, gentle singing voice. Biography Born in Rio de Janeiro, Brazil, to a family deeply rooted in the samba tradition, Paulinho met and befriended much of Rio's samba elite as a child. His father César Faria was a guitar player,Alvaro Neder"Artist Biography" AllMusic. and musicians such as Pixinguinha and Jacob do Bandolim would often come to his house for rehearsals, which Paulinho watched for hours on end. After the rehearsals, Paulinho would pick up his father's guitar and strum the few chords he knew. Later, as a teenager, he was frequently seen at jams at mandolin master Jacob do Bandolim's house, quietly and attentively observing the older, more experienced musicians. He began writing his own songs as a teenager, but never considered a career as a professional mus ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bossa Nova
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to musicologist Gilberto M ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nelson Cavaquinho
Nelson Cavaquinho (October 29, 1911 – February 18, 1986, birth name Nelson Antônio da Silva) was one of the most important singer/composers of samba. He is usually seen as a representative of the tragic aspects of samba thematics, with many songs about death and hopelessness. He was a prominent figure of samba school Estação Primeira de Mangueira. Biography Nelson was born in Rio de Janeiro. Coming from a poor family, he quit school at a young age to seek employment in a factory. He showed a musical talent at a young age playing a home-made guitar made of a cigar box and wires. When he could, he would borrow a cavaquinho and try and copy the techniques of professional cavaquinho players. He demonstrated a great ability to play the instrument and composed a choro ("Caminhando") which gained him notoriety as a musician (due in part to an uncommon modulation which made it hard for other instrumentalists to harmonize it). He was finally given a cavaquinho and having demonstrat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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O Dia
''O Dia'' (''The Day'') is a major daily newspaper in Rio de Janeiro, Brazil. Its sales are slightly higher than its main rival, ''O Globo''. In August 2012, it was sold to Central Record de Comunicação. History The newspaper was founded on 5 June 1951 by the then deputy , future governor of the states of Guanabara and Rio de Janeiro. Chagas used graphic equipment evening The News (owned by São Paulo former Governor Ademar de Barros) to run the newspaper. Chagas was a partner and political ally of Ademar at the time. At the time of the coup d'état in Brazil in 1964, the newspaper published an article published on 2 April of that year, which stated: In 1983, O Dia was purchased by journalist and entrepreneur Ary Carvalho. Initially a strong popular appeal newspaper, facing police and violence news, the newspaper underwent extensive renovation in the early 1990s, with the intention to compete for readers with more traditional Jornal do Brasil and O Globo ''O Globo'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Black Orpheus
''Black Orpheus'' ( Portuguese: ''Orfeu Negro'' ) is a 1959 romantic tragedy film made in Brazil by French director Marcel Camus and starring Marpessa Dawn and Breno Mello. It is based on the play ''Orfeu da Conceição'' by Vinicius de Moraes, which is itself an adaptation of the Greek legend of Orpheus and Eurydice, set in the modern context of a '' favela'' in Rio de Janeiro during ''Carnaval''. The film was an international co-production among production companies in Brazil, France and Italy. The film is particularly noted for its soundtrack by two Brazilian composers: Antônio Carlos Jobim, whose song " A felicidade" opens the film; and Luiz Bonfá, whose " Manhã de Carnaval" and "Samba de Orfeu" have become classics of '' bossa nova''. The songs sung by the character Orfeu were dubbed by singer Agostinho dos Santos. Lengthy passages of the film were shot in the Morro da Babilônia, a '' favela'' in the Leme neighbourhood of Rio de Janeiro. ''Black Orpheus'' won th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Clara Nunes
Clara Nunes (, August 12, 1942 – April 2, 1983) was a Brazilian samba and MPB singer, considered one of the greatest of her generation. She was the first female singer in Brazil to sell over 100,000 copies of a record,"Viúvo de Clara Nunes não quer mexerico em filme" R7. November 15, 2010. with "Tristeza Pé No Chão" and her achievements in the samba genre earned her the title of "Queen of Samba".Neder, Alvaro. Clara Nunes biography . She had an enormous ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Elizeth Cardoso
Elizeth Moreira Cardoso (sometimes listed as Elisete Cardoso) (July 16, 1920 – May 7, 1990), was a singer and actress of great renown in Brazil. Biography Cardoso was born in Rio de Janeiro; her father was a serenader who played guitar, and her mother was an amateur singer. Elizeth began working at an early age and between 1930 and 1935 was a store clerk and hairdresser among other things. She was discovered by Jacob do Bandolim at her 16th birthday party, to which he was brought by her cousin Pedro, a popular figure among the musicians of the day. Jacó took her to ''Rádio Guanabara'' where, in spite of her father's initial opposition, she appeared on the ''Programa Suburbano'' with Vicente Celestino, Araci de Almeida, Moreira da Silva, Noel Rosa and Marília Batista on August 18, 1936. The week after she was hired by the station to appear on a weekly program. Following this, she continued to perform on various shows with multiple radio stations. In the 1960s she had ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |