Negative Pickup Deal
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Negative Pickup Deal
In film production, a negative pickup is a contract entered into by an independent producer and a movie studio conglomerate wherein the studio agrees to purchase the movie from the producer at a given date and for a fixed sum. Depending on whether the studio pays part or all of the cost of the film, the studio will receive the rights (theatrical, television, home entertainment) domestic and/or international to the film, with net profits split between the producer and the studio. The word "negative" in this context can be confusing because it does not relate to a numerical value (where negative means less than zero), but instead comes from the pre-digital era in which a motion picture was embodied in Photographic film, physical film negatives. Background By selling the rights to distribute the film in territories not covered in the negative pickup ("Film finance#Pre-sales, pre-selling") or making other deals collateral to the production, a producer will usually cover all their co ...
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Film Production
Filmmaking (film production) is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, starting with an initial story, idea, or commission. It then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience that may result in a film release and an exhibition. Filmmaking occurs in a variety of economic, social, and political contexts around the world. It uses a variety of technologies and cinematic techniques. Although filmmaking originally involved the use of film, most film productions are now digital. Today, filmmaking refers to the process of crafting an audio-visual story commercially for distribution or broadcast. Production stages Film production consists of five major stages: * Development: Ideas for the film are created, rights to existing intellectual properties are purchased, etc., and the screenplay is written. ...
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Terry Gilliam
Terrence Vance Gilliam (; born 22 November 1940) is an American-born British filmmaker, comedian, animator, actor and former member of the Monty Python comedy troupe. Gilliam has directed 13 feature films, including ''Time Bandits'' (1981), ''Brazil'' (1985), ''The Adventures of Baron Munchausen'' (1988), ''The Fisher King'' (1991), '' 12 Monkeys'' (1995), ''Fear and Loathing in Las Vegas'' (1998), ''The Brothers Grimm'' (2005), '' Tideland'' (2005), and ''The Imaginarium of Doctor Parnassus'' (2009). Being the only Monty Python member not born in Britain, he became a naturalised British subject in 1968 and formally renounced his American citizenship in 2006. Gilliam was born in Minnesota, but spent his high school and college years in Los Angeles. He started his career as an animator and strip cartoonist. He joined Monty Python as the animator of their works, but eventually became a full member and was given acting roles. He became a feature film director in the 1970s. Most of ...
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Actor
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' ( acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of ...
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Catch-22 (logic)
A catch-22 is a paradoxical situation from which an individual cannot escape because of contradictory rules or limitations. The term was coined by Joseph Heller, who used it in his 1961 novel ''Catch-22''. An example is Brantley Foster in '' The Secret of My Success'': "How can I get any experience until I get a job that me experience?" Catch-22s often result from rules, regulations, or procedures that an individual is subject to, but has no control over, because to fight the rule is to accept it. Another example is a situation in which someone is in need of something that can only be had by not being in need of it (e.g. the only way to qualify for a loan is to prove to the bank that you do not need a loan). One connotation of the term is that the creators of the "catch-22" situation have created arbitrary rules in order to justify and conceal their own abuse of power. Origin and meaning Joseph Heller coined the term in his 1961 novel ''Catch-22'', which describes absurd bureau ...
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Film Director
A film director controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking. The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget. There are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, producers, film editors or actors. Other film directors have attended a film school. Directors use different approaches. Some outline a general plotline and let the actors improvise dialogue, while others control every aspect and demand that the actors and crew follow instructions precisely. Some directors also write thei ...
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Final Cut (film Editing)
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which increasingly involves the use of digital technology. The film editor works with raw footage, selecting shots and combining them into sequences which create a finished motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work. On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job of an editor is not simply to mechanically put pieces of a film togeth ...
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Arnon Milchan
Arnon Milchan ( he, ארנון מילצ'ן; December 6, 1944) is an Israeli businessman, film producer and spy. He has been involved in over 130 full-length motion pictures and is the founder of production company Regency Enterprises. Regency's film credits include ''12 Years a Slave,'' ''JFK'', ''Heat'', ''Fight Club'', and '' Mr. & Mrs. Smith''. Milchan has earned two nominations for the Academy Award for Best Picture, for ''L.A. Confidential'' and '' The Revenant''. Milchan was also an Israeli intelligence operative from the mid-1960s to the mid-1980s. Biography Milchan was born in Rehovot, then-British Mandate of Palestine, to a Jewish family. He has a sister named Dalia. His mother was descended from European Jewish disciples of the rabbi Vilna Gaon who came to Palestine in the early 19th century, and he is the eighth generation of his family in the country. Milchan was first married to French model, Brigitte Genmaire, and later divorced. The couple had three children, ...
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Universal Pictures
Universal Pictures (legally Universal City Studios LLC, also known as Universal Studios, or simply Universal; common metonym: Uni, and formerly named Universal Film Manufacturing Company and Universal-International Pictures Inc.) is an American film production and distribution company owned by Comcast through the NBCUniversal Film and Entertainment division of NBCUniversal. Founded in 1912 by Carl Laemmle, Mark Dintenfass, Charles O. Baumann, Adam Kessel, Pat Powers, William Swanson, David Horsley, Robert H. Cochrane, and Jules Brulatour, Universal is the oldest surviving film studio in the United States; the world's fifth oldest after Gaumont, Pathé, Titanus, and Nordisk Film; and the oldest member of Hollywood's "Big Five" studios in terms of the overall film market. Its studios are located in Universal City, California, and its corporate offices are located in New York City. In 1962, the studio was acquired by MCA, which was re-launched as NBCUniversal in 2004. ...
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Brazil (1985 Film)
''Brazil'' is a 1985 dystopian black comedy film directed by Terry Gilliam and written by Gilliam, Charles McKeown, and Tom Stoppard. The film stars Jonathan Pryce and features Robert De Niro, Kim Greist, Michael Palin, Katherine Helmond, Bob Hoskins, and Ian Holm. The film centres on Sam Lowry, a low-ranking bureaucrat trying to find a woman who appears in his dreams while he is working in a mind-numbing job and living in a small apartment, set in a dystopian world in which there is an over-reliance on poorly maintained (and rather whimsical) machines. ''Brazil''s satire of technocracy, bureaucracy, hyper-surveillance, corporatism and state capitalism is reminiscent of George Orwell's 1949 novel ''Nineteen Eighty-Four'' and has been called Kafkaesque and absurdist. Sarah Street's ''British National Cinema'' (1997) describes the film as a "fantasy/satire on bureaucratic society", and John Scalzi's ''Rough Guide to Sci-Fi Movies'' (2005) describes it as a "dystopian satire ...
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Television Network
A television network or television broadcaster is a telecommunications network for distribution of television program content, where a central operation provides programming to many television stations or multichannel video programming distributor, pay television providers. Until the mid-1980s, television broadcast programming, programming in most countries of the world was dominated by a small number of terrestrial networks. Many early television networks (such as NBC, the Australian Broadcasting Corporation, ABC, or the BBC) evolved from earlier radio networks. Overview In countries where most networks broadcast identical, centrally originated content to all of their stations and where most individual television transmitters therefore operate only as large "broadcast relay station, repeater stations", the terms "television network", "television channel" (a numeric identifier or radio frequency) and "television station" have become mostly interchangeable in everyday language, wit ...
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Numerical Value
A number is a mathematical object used to count, measure, and label. The original examples are the natural numbers 1, 2, 3, 4, and so forth. Numbers can be represented in language with number words. More universally, individual numbers can be represented by symbols, called ''numerals''; for example, "5" is a numeral that represents the number five. As only a relatively small number of symbols can be memorized, basic numerals are commonly organized in a numeral system, which is an organized way to represent any number. The most common numeral system is the Hindu–Arabic numeral system, which allows for the representation of any number using a combination of ten fundamental numeric symbols, called digits. In addition to their use in counting and measuring, numerals are often used for labels (as with telephone numbers), for ordering (as with serial numbers), and for codes (as with ISBNs). In common usage, a ''numeral'' is not clearly distinguished from the ''number'' that it ...
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Motion Picture Studio
A film studio (also known as movie studio or simply studio) is a major entertainment company or motion picture company that has its own privately owned studio facility or facilities that are used to make films, which is handled by the production company. Most firms in the entertainment industry have never owned their own studios, but have rented space from other companies. There are also privately held company, independently owned studio facilities, who have never produced a motion picture of their own because they are not entertainment companies or motion picture companies; they are companies who sell only studio space. Beginnings In 1893, Thomas Edison built the first movie studio in the United States when he constructed the Edison's Black Maria, Black Maria, a tarpaper-covered structure near his laboratories in West Orange, New Jersey, West Orange, New Jersey, and asked circus, vaudeville, and dramatic actors to perform for the camera. He distributed these movies at vaudevil ...
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