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National Museum, Wrocław
The National Museum in Wrocław ( pl, Muzeum Narodowe we Wrocławiu), established 28 March 1947 and officially inaugurated on 11 July 1948, is one of Poland's main branches of the National Museum system. It holds one of the largest collections of contemporary art in the country. Conclusion of World War II The holdings of Wrocław Museum are closely connected with the history of border shifts in Central Europe following World War II. After the annexation of eastern half of the Second Polish Republic by the Soviet Union, main parts of Poland's art collections were transferred from the cities incorporated into the USSR like Lviv. Collections not returned included the Ossolineum holdings which became part of the Lviv National Museum. The cultural heritage shipped in 1946 included Polish and European paintings from 17th to 19th centuries. Most historic buildings in Wrocław were destroyed or heavily damaged during the Siege of Breslau. The new Polish Department of Museums and Herit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wrocław
Wrocław (; german: Breslau, or . ; Silesian German: ''Brassel'') is a city in southwestern Poland and the largest city in the historical region of Silesia. It lies on the banks of the River Oder in the Silesian Lowlands of Central Europe, roughly from the Baltic Sea to the north and from the Sudeten Mountains to the south. , the official population of Wrocław is 672,929, with a total of 1.25 million residing in the metropolitan area, making it the third largest city in Poland. Wrocław is the historical capital of Silesia and Lower Silesia. Today, it is the capital of the Lower Silesian Voivodeship. The history of the city dates back over a thousand years; at various times, it has been part of the Kingdom of Poland, the Kingdom of Bohemia, the Kingdom of Hungary, the Habsburg monarchy of Austria, the Kingdom of Prussia and Germany. Wrocław became part of Poland again in 1945 as part of the Recovered Territories, the result of extensive border changes and expulsions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Medieval Poland
The culture of medieval Poland was closely linked to the Catholic Church and its involvement in the country's affairs, especially during the first centuries of the Polish state's history. Many of the oldest Polish customs and artifacts date from the Middle Ages, which in Poland lasted from the late 10th to late 15th century, and were followed by the Polish Renaissance. Early centuries (10th–12th) The Christianization of the Kingdom of Poland led, as in the rest of Europe, to the supplementation of previous pagan Slavic mythology-based culture Polanie with the new Christian culture of the Kingdom of Poland under the Piast dynasty. Michael J. Mikoś, ''Polish Literature from the Middle Ages to the End of the Eighteenth Century. A Bilingual Anthology'', Warsaw: Constans, 1999Cultural background/ref> Around the 12th century, the ecclesiastical network in Poland was composed of about one thousand parishes grouped in eight dioceses. The new customs spread as the Church also a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco De Zurbarán
Francisco de Zurbarán ( , ; baptized 7 November 1598 – 27 August 1664) was a Spanish Painting, painter. He is known primarily for his religious paintings depicting monks, nuns, and martyrs, and for his still-lifes. Zurbarán gained the nickname "Spanish Caravaggio", owing to the forceful use of chiaroscuro in which he excelled. He was the father of the painter Juan de Zurbarán. Biography Zurbarán was born in 1598 in Fuente de Cantos, Extremadura; he was baptized on 7 November of that year. His parents were Luis de Zurbarán, a haberdasher, and his wife, Isabel Márquez. In childhood he set about imitating objects with charcoal. In 1614 his father sent him to Seville to apprentice for three years with Pedro Díaz de Villanueva, an artist of whom very little is known. Zurbarán's first marriage, in 1617, was to María Paet who was nine years older. María died in 1624 after the birth of their third child. In 1625 he married again to wealthy widow Beatriz de Morales. On 17 Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Frans Van Bloemen
Jan Frans van Bloemen (baptized 12 May 1662 - buried 13 June 1749) was a Flemish landscape painter mainly active in Rome. Here he was able to establish himself as the leading painter of views (vedute) of the Roman countryside depicted in the aesthetic of the classical landscape tradition.Professor Helen Hills, Dr Melissa Calaresu, ''New Approaches to Naples c.1500–c.1800: The Power of Place'', Ashgate Publishing, Ltd., 28 Dec 2013 Life Born in Antwerp, Jan Frans van Bloemen was a younger brother of Pieter van Bloemen.Jan Frans van Bloemen at the He likely trained with his brother. Between 1681 and 1684, he was in his native Antwerp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osias Beert
Osias Beert or Osias Beert the Elder (c. 1580 – 1623) was a Flemish painter active in Antwerp who played an important role in the early development of flower and "breakfast"-type still lifes as independent genres in Northern European art. He has been recognized as one of the most influential artists of the earliest generation of still life painters in Flanders.Osias Beert I (Antwerp c. 1570–1624) ''Oysters on a pewter plate, sweetmeats and biscuits in a silver tazza, two façon-de-venise wine glasses and an orange in a niche'' at Christie's He contributed in particular to the development of still lifes placed on table tops featuring festive culinary delights as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frans Floris
Frans Floris, Frans Floris the Elder or Frans Floris de Vriendt (17 April 15191 October 1570) was a Flemish painter, draughtsman, print artist and tapestry designer. He is mainly known for his history paintings, allegorical scenes and portraits.Frans Floris at the Netherlands Institute for Art History He played an important role in the movement in Northern Renaissance painting referred to as . The Romanists had typically travelled to Italy to study the works of leading Italian Hig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Bordone
Paris Bordone (Paris Paschalinus Bordone; 5 July 1500 – 19 January 1571) was an Italian painter of the Venetian Renaissance who, despite training with Titian, maintained a strand of Mannerism, Mannerist complexity and provincial vigor. Biography Bordone was born in Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone. Bordone's works of the 1520s include the ''Holy Family'' in Florence, ''Sacra Conversazione with Donor'' (Glasgow), and ''Holy Family with St. Catherine'' (Hermitage Museum). The ''St. Ambrose and a Donor'' (1523) is now in the Pinacoteca di Brera. In 1525–26, Bordone painted an altarpiece for the church of S. Agostino in Crema, Lombardy, Crema, a ''Madonna with St. Christopher and St George'' (now in the Palazzo Tadini collection at Lovere). A second altarpiece, ''Pentecost'', is also in the Pinacoteca di Brera. In 1534–35, he painted his larg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucas Cranach The Elder
Lucas Cranach the Elder (german: Lucas Cranach der Ältere ; – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced with enthusiasm. He was a close friend of Martin Luther. Cranach also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued throughout his career to paint nude subjects drawn from mythology and religion. Cranach had a large workshop and many of his works exist in different versions; his son Lucas Cranach the Younger and others continued to create versions of his father's works for decades after his death. He has been considered the most successful German artist of his time. Early life He was born at Kronach in uppe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Santi
Giovanni Santi (c. 1435 – 1 August 1494) was an Italian people, Italian Painting, painter, Italian Renaissance interior design, decorator, and the father of Raphael. He was born in 1435 at Colbordolo in the Duchy of Urbino. He studied under Piero della Francesca and was influenced by Fiorenzo di Lorenzo. He was court painter to Federico da Montefeltro, the Duke of Urbino and painted several altarpieces. He died in Urbino. Life and painting Santi was born in 1435 at Colbordolo in the Urbino, Duchy of Urbino. He was a petty merchant for a time; he then studied under Piero della Francesca. He was influenced by Fiorenzo di Lorenzo, and seems to have been an assistant and friend of Melozzo da Forlì. He was court painter to Duke of Urbino Federico da Montefeltro and painted several altarpieces, two now in the Alte Nationalgalerie, Berlin Museum, a Madonna (art), Madonna in the church of San Francesco in Urbino, one at the church of Santa Croce in Fano, one in the National Gallery at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo Rosselli
Cosimo Rosselli (; 1439–1507) was an Italian painter of the Quattrocento, active mainly in his birthplace of Florence, but also in Pisa earlier in his career and in 1481–82 in the Sistine Chapel in Rome, where he painted some of the large frescoes on the side walls. Though generally regarded as a lesser talent in comparison to Sandro Botticelli, Pietro Perugino, and Domenico Ghirlandaio, who were all also active at the Sistine Chapel, Rosselli was still able to win large and important commission throughout his career, a testament to his high level of activity in his native Florence. Important local commissions include a fresco in the cloister of Santissima Annunziata, Florence and those in the Chapel of the Holy Blood in Sant'Ambrogio, Florence. Biography Cosimo Rosselli was born in Florence. In 1453, at the age of fourteen, he became a pupil of Neri di Bicci, who also trained Cosimo's cousin Bernardo di Stefano Rosselli. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnolo Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pieter Brueghel The Younger
Pieter Brueghel (also Bruegel or Breughel) the Younger (, ; ; between 23 May and 10 October 1564 – between March and May 1638) was a Flemish painter, known for numerous copies after his father Pieter Bruegel the Elder's work as well as his original compositions. The large output of his studio, which produced for the local and export market, contributed to the international spread of his father's imagery. Traditionally Pieter Brueghel the Younger has been nicknamed "de helse Brueghel" or "Hell Brueghel" because it was believed he was the author of several paintings with fantastic depictions of fire and grotesque imagery. These paintings have now been attributed to his brother Jan Brueghel the Elder.Alexander Wied and Hans J. Van Miegroet. "Jan Breughel I." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 11 July 2014.Larry Silver, ''Peasant Scenes and Landscapes: The Rise of Pictorial Genres in the Antwerp Art Market'', University of Pennsylvania Press, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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