National Crafts Museum (Japan)
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National Crafts Museum (Japan)
The is a museum of Japanese crafts in Kanazawa, Ishikawa Prefecture, Japan. Still retaining the more formal, official designation , it forms part of the Independent Administrative Institution . As part of the government policy of regional revitalization, the facility relocated in 2020 from Kitanomaru Park in Tokyo, where it first opened in 1977. It is now housed in two Western-style buildings of the Meiji period that have themselves been relocated from elsewhere in Kanazawa, reassembled, and restored, the 1898 Old 9th Division Command Headquarters and 1909 Old Army Generals Club. From the collection of some 3,800 items, by craftsmen from all over Japan, some 1,900 have been transferred, including approximately 1,400 by "holders" and preservers of Important Intangible Cultural Properties, who are often referred to as "Living National Treasures", and members of the Japan Art Academy. See also * Ishikawa Prefectural Museum of Art * Ishikawa Prefectural History Museum * 21st Centu ...
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Kanazawa
is the capital city of Ishikawa Prefecture, Japan. , the city had an estimated population of 466,029 in 203,271 households, and a population density of 990 persons per km2. The total area of the city was . Overview Cityscape File:もてなしドーム3.jpg, Kanazawa Station(2013) File:Omichoichibakan004.jpg, Ōmichō-Market(Ōmichō-Ichiba)(2013) File:Kanazawa view from Utatsuyama Park.jpg, Skyline of Kanazawa City(2017) File:Cityscape at downtown Kanazawa.jpg, CBD of Kanazawa File:Katamachi Crossing.jpg, Downtown of Katamachi Area (2022) Geography Kanazawa is located in north-western Ishikawa Prefecture in the Hokuriku region of Japan and is bordered by the Sea of Japan to the west and Toyama Prefecture to the east. The city sits between the Sai and Asano rivers. The eastern portion of the city is dominated by the Japanese Alps. Parts of the city are within the borders of the Hakusan National Park. Climate Kanazawa has a humid subtropical cl ...
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Intangible Cultural Property (Japan)
An , as defined by the Japanese government's Law for the Protection of Cultural Properties (1950), is a part of the Cultural Properties of high historical or artistic value such as drama, music, and craft techniques. The term refers exclusively to human skills possessed by individuals or groups which are indispensable to produce Cultural Properties. Items of particular importance can be designated as . Recognition is also given to the owners of an item to encourage its transmission. There are three types of recognition: individual recognition, collective recognition, and group recognition. Special grants of two million yen a year are given to individual holders (the so-called Living National Treasures) to help protect their properties. The government also contributes part of the expenses incurred either by the holder of an Intangible Cultural Property during training of his successor, or by a recognized group for public performances. To promote the understanding, and therefore th ...
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Museums In Ishikawa Prefecture
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 count ...
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Buildings And Structures In Kanazawa, Ishikawa
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much art ...
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Japanese-Western Eclectic Architecture
is an architectural style that emerged from the Eclecticism in architecture movement of the late 19th and early 20th century, which intentionally incorporated Japanese architectural and Western architectural components into one building design. The style is both a precursor to and a style of . The style emerged in Yokohama in the 1853–1867 Bakumatsu period, and spread throughout Japan after the 1868 Meiji Restoration, and then to Asian and Western countries during the expansion of the Empire of Japan. This architectural style is characterised by both components of enlightenment Western-style architecture and components of historically emblematic traditional Japanese architecture. Buildings that are early exemplary representations of this style are: built by in 1872, the Kaichi School Museum building built in 1876, and built in 1881. History The earliest examples of Japanese-Western Eclectic Architecture were built by the French government as part of the Japonism artis ...
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Mingei
The concept of , variously translated into English as "folk craft", "folk art" or "popular art", was developed from the mid-1920s in Japan by a philosopher and aesthete, Yanagi Sōetsu (1889–1961), together with a group of craftsmen, including the potters Hamada Shōji (1894–1978) and Kawai Kanjirō (1890–1966). As such, it was a conscious attempt to distinguish ordinary crafts and functional utensils (pottery, lacquerware, textiles, and so on) from "higher" forms of art – at the time much admired by people during a period when Japan was going through rapid westernisation, industrialisation, and urban growth. In some ways, therefore, ''mingei'' may be seen as a reaction to Japan's rapid modernisation processes. Origins As a young man, Yanagi developed a liking for Yi Dynasty (1392-1910) ceramics, and in 1916, made his first trip to Korea. There he started to collect items, especially pottery, made by local Korean craftsmen. Realising that Yi Dynasty wares had been made by ...
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Kenroku-en
Kenroku-en (兼六園, Six Attributes Garden), located in Kanazawa, Ishikawa, Japan, is an old private garden. Along with Kairaku-en and Kōraku-en, Kenroku-en is one of the Three Great Gardens of Japan. The grounds are open year-round except for December 29 through January 3 during daylight hours and famous for its beauty in all seasons; an admission fee is charged. History Kenroku-en was developed from the 1620s to the 1840s by the Maeda clan, the ''daimyōs'' who ruled the former Kaga Domain. While the date of initial development of the garden that would become known as Kenrokuen is rather unclear, one version of the garden's origins can perhaps be marked by the completion of the Tatsumi water channel in 1632 by Maeda Toshitsune, the third ''daimyō'' of the powerful Maeda clan and ruler of the Kaga Domain from 1605 to 1639, as this feature would be later incorporated into creating the garden's twisting waterways in 1822. Conversely, in other versions of the garden's incep ...
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21st Century Museum Of Contemporary Art, Kanazawa
First or 1st is the ordinal form of the number 1 (number), one (#1). First or 1st may also refer to: *World record, specifically the first instance of a particular achievement Arts and media Music * 1$T, American rapper, singer-songwriter, DJ, and record producer Albums * 1st (album), ''1st'' (album), a 1983 album by Streets * 1st (Rasmus EP), ''1st'' (Rasmus EP), a 1995 EP by The Rasmus, frequently identified as a single * ''1ST'', a 2021 album by SixTones * First (Baroness EP), ''First'' (Baroness EP), an EP by Baroness * First (Ferlyn G EP), ''First'' (Ferlyn G EP), an EP by Ferlyn G * First (David Gates album), ''First'' (David Gates album), an album by David Gates * First (O'Bryan album), ''First'' (O'Bryan album), an album by O'Bryan * First (Raymond Lam album), ''First'' (Raymond Lam album), an album by Raymond Lam * ''First'', an album by Denise Ho Songs * First (Cold War Kids song), "First" (Cold War Kids song), a song by Cold War Kids * First (Lindsay Lohan song), ...
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Ishikawa Prefectural History Museum
is a prefectural museum in Kanazawa, Japan, dedicated to the history and culture of Ishikawa Prefecture. The three ICP red brick buildings date to 1909-14 and functioned first as the local arsenal, then after the Pacific War as the Kanazawa College of Art, before being converted into a museum in 1986. See also * List of Historic Sites of Japan (Ishikawa) * Kaga Province * Noto Province * Ishikawa Prefectural Museum of Art , also known as IPMA, is the main art gallery of Ishikawa Prefecture, Japan. It is one of Japan's many museums which are supported by a prefecture. The collection includes some of the prefecture's most important cultural assets and works by artis ... References External links *Ishikawa Prefectural History Museum Museums in Ishikawa Prefecture Buildings and structures in Kanazawa, Ishikawa History museums in Japan Prefectural museums Museums established in 1986 1986 establishments in Japan {{Japan-museum-stub ...
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Ishikawa Prefectural Museum Of Art
, also known as IPMA, is the main art gallery of Ishikawa Prefecture, Japan. It is one of Japan's many museums which are supported by a prefecture. The collection includes some of the prefecture's most important cultural assets and works by artists with some connection to the region. It is located in Kanazawa, Ishikawa within the grounds of the Kenrokuen Garden. The gallery was first opened in 1959. When the collection outgrew its original building, a new facility was constructed. The current structure was completed in 1983. The museum has a large permanent collection; and only part of it is exhibited at any one time. The core collection includes significant works from the Maeda family collection which had been previously housed in at the University of Tokyo.Lillehoj, Elizabeth. (2007). ''Acquisition: Art and Ownership in Edo-period Japan.'' p. 89. See also * List of National Treasures of Japan (crafts: others) * Maeda Ikutokukai * Prefectural museum A prefectural m ...
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Japan Art Academy
is the highest-ranking official artistic organization in Japan. It is established as an extraordinary organ of the Japanese Agency for Cultural Affairs (文化庁, Bunkacho) in the thirty-first article of the law establishing the Ministry of Education, Culture, Sports, Science and Technology. The Academy discusses art-related issues, advises the Minister of Education, Culture, Sports, Science and Technology on art-related issues, and promotes arts in three categories: 1) fine art, 2) literary arts, 3) music, drama, and dance. It is closely associated with the annual Japan Art Academy Exhibition ''(Nitten''), the premier art exhibition in Japan; the Japan Art Academy originally ran the Nitten but since 1958 the exhibition is run by a separate private institution. The Japan Art Academy headquarters is in Ueno Park, Tokyo. The Japan Art Academy should not be confused with the Japan Art Institute, which is a completely different organization. History The Japan Art Academy was foun ...
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Meiji Period
The is an era of Japanese history that extended from October 23, 1868 to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. The rapid modernization during the Meiji era was not without its opponents, as the rapid changes to society caused many disaffected traditionalists from the former samurai ...
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