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Narratology
Narratology is the study of narrative and narrative structure and the ways that these affect human perception. It is an anglicisation of French ''narratologie'', coined by Tzvetan Todorov (''Grammaire du Décaméron'', 1969). Its theoretical lineage is traceable to Aristotle (''Poetics'') but modern narratology is agreed to have begun with the Russian Formalists, particularly Vladimir Propp (''Morphology of the Folktale'', 1928), and Mikhail Bakhtin's theories of heteroglossia, dialogism, and the chronotope first presented in ''The Dialogic Imagination'' (1975). Cognitive narratology is a more recent development that allows for a broader understanding of narrative. Rather than focus on the structure of the story, cognitive narratology asks "how humans make sense of stories" and "how humans use stories as sense-making instruments". Defining narrative Structuralist narratologists like Rimmon-Kenan define narrative fiction as "the narration of a succession of fictional eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerald Prince
Gerald J. Prince (born November 7, 1942 in Alexandria, Egypt) is an American academic and literary theoretician. He is Professor of Romance Languages at the University of Pennsylvania, where he is also affiliated with department of Linguistics and the Program in Comparative Literature, and with the Annenberg School for Communication. Prince received his Ph.D. from Brown University (1968). He is a leading scholar of narrative poetics, and has helped to shape the discipline of narratology, developing key concepts such as the narratee, narrativity, the disnarrated, and narrative grammar. In addition to his theoretical work, he is a distinguished critic of contemporary French literature, and is regarded as an authority on the French novel of the twentieth century. Prince's writings in French and English have been translated into many other languages, and he has been a Visiting Professor at universities in France, Belgium, Italy, Australia, and Canada, as well as the United States. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Point Of View (literature)
Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot (the series of events). Narration is a required element of all written stories ( novels, short stories, poems, memoirs, etc.), with the function of conveying the story in its entirety. However, narration is merely optional in most other storytelling formats, such as films, plays, television shows, and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narrator to establish whether or not the narrator and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabula And Syuzhet
In narratology, fabula ( rus, фабула, p=ˈfabʊlə) equates to the thematic content of a narrative and syuzhet ( rus, сюжет, p=sʲʊˈʐɛt, a=Ru-сюжет.ogg) equates to the chronological structure of the events within the narrative. Vladimir Propp and Viktor Shklovsky originated the terminology as part of the Russian Formalism movement in the early 20th century. Narratologists have described fabula as "the raw material of a story", and syuzhet as "the way a story is organized".Cobley, Paul. "Narratology." The Johns Hopkins Guide to Literary Theory and Criticism. Baltimore: Johns Hopkins University Press, Web. Since Aristotle's ''Poetics'', narrative plots have been described as having a beginning, middle, and end. Classical narratives tend to have synchronous fabula and syuzhet, but they may be treated in an asynchronous manner according to a modern or postmodern style. An asynchronous effect is often achieved in postructuralist film and novels via flashbacks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative Structure
Narrative structure is a literary element generally described as the structural framework that underlies the order and manner in which a narrative is presented to a reader, listener, or viewer. The narrative text structures are the plot and the setting. Definition Narrative structure is about story and plot: the content of a story and the form used to tell the story. Story refers to the dramatic action as it might be described in chronological order. Plot refers to how the story is told. Story is about trying to determine the key conflicts, main characters, setting and events. Plot is about how, and at what stages, the key conflicts are set up and resolved. Variations Three-act structure The three-act structure is a common structure in classical film and other narrative forms in or associated with the West. The first act begins with setup, where all of the main characters and their basic situations are introduced, as well as the setting, and contains the primary level o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meir Sternberg
Meir Sternberg is an Israeli literary critic and biblical scholar. He is Artzt Professor of Poetics and Comparative Literature at Tel Aviv University. Along with Robert Alter and Adele Berlin, Sternberg is one of the most prominent practitioners of a literary approach to the Bible. Sternberg made an important contribution to narrative theory in his book ''Expositional Modes and Temporal Ordering in Fiction'', first published in Johns Hopkins University Press (1978) and later in Indiana University Press (1993). In his book Sternberg systematically explores how the order of information offered by the literary text creates for readers effects such as curiosity, suspense and surprise by analyzing examples that range from Homer's Odyssey to selected modern novels. Sternberg's contribution in this book to Narratology, with its emphasis on the effects of the literary texts on readers, can be seen as part of Reader-response criticism. Sternberg is best known for his 1985 book ''The P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetics (Aristotle)
Aristotle's ''Poetics'' ( grc-gre, Περὶ ποιητικῆς ''Peri poietikês''; la, De Poetica; c. 335 BCDukore (1974, 31).) is the earliest surviving work of Greek dramatic theory and first extant philosophical treatise to focus on literary theory. In this text Aristotle offers an account of ποιητική, which refers to poetry and more literally "the poetic art," deriving from the term for "poet; author; maker," ποιητής. Aristotle divides the art of poetry into verse drama (to include comedy, tragedy, and the satyr play), lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: # Differences in music rhythm, harmony, meter and melody. # Difference of goodness in the characters. # Difference in how the narrative is presented: telling a story or acting it out. The surviving book of ''Poetics'' is primarily concerned with drama, and the analysis of tragedy constitutes t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrativity
Narrativity is the extent to which a media tells a story, which is a storyteller's account of an event or a sequence of events leading to a transition from an initial state to a later state or outcome. There are four theoretical foundations of narrativity, represented by the notions of # narrative content, # narrative discourse, # narrative transportation, and # narrative persuasion. Narrative content and discourse are the linguistic antecedents of narrativity. Narrative content reflects the linear sequence of events as characters live through them—that is, the backbone and structure describing who did what, where, when, and why. Narrative discourse represents how the story is told—that is, storytellers' use of literary devices to expand on the narrative content, such as emotional change over the course of the story line and sequencing of events to create drama. Narrative transportation is the engrossing, transformational experience of being swept away by a story. Narrative pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentence (linguistics)
In linguistics and grammar, a sentence is a linguistic expression, such as the English example "The quick brown fox jumps over the lazy dog." In traditional grammar, it is typically defined as a string of words that expresses a complete thought, or as a unit consisting of a subject and predicate. In non-functional linguistics it is typically defined as a maximal unit of syntactic structure such as a constituent. In functional linguistics, it is defined as a unit of written texts delimited by graphological features such as upper-case letters and markers such as periods, question marks, and exclamation marks. This notion contrasts with a curve, which is delimited by phonologic features such as pitch and loudness and markers such as pauses; and with a clause, which is a sequence of words that represents some process going on throughout time. A sentence can include words grouped meaningfully to express a statement, question, exclamation, request, command, or suggestion. Typical a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linguistics
Linguistics is the scientific study of human language. It is called a scientific study because it entails a comprehensive, systematic, objective, and precise analysis of all aspects of language, particularly its nature and structure. Linguistics is concerned with both the cognitive and social aspects of language. It is considered a scientific field as well as an academic discipline; it has been classified as a social science, natural science, cognitive science,Thagard, PaulCognitive Science, The Stanford Encyclopedia of Philosophy (Fall 2008 Edition), Edward N. Zalta (ed.). or part of the humanities. Traditional areas of linguistic analysis correspond to phenomena found in human linguistic systems, such as syntax (rules governing the structure of sentences); semantics (meaning); morphology (structure of words); phonetics (speech sounds and equivalent gestures in sign languages); phonology (the abstract sound system of a particular language); and pragmatics (how social con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Lubbock
Percy Lubbock, CBE (4 June 1879 – 1 August 1965) was an English man of letters, known as an essayist, critic and biographer. His controversial book ''The Craft of Fiction'' gained influence in the 1920s. Life Percy Lubbock was the son of the merchant banker Frederic Lubbock (1844–1927) and his wife Catherine (1848–1934), daughter of John Gurney (1809–1856) of Earlham Hall, Norfolk, who was a member of an influential Norwich banking family. ''Earlham'', Percy Lubbock's memoir of childhood summer holidays spent at his maternal grandfather's house, was to win him the James Tait Black Memorial Prize in 1922. His father, Frederic Lubbock, was also a banker, a son of Sir John Lubbock, 3rd Baronet, and a younger brother of John Lubbock, 1st Baron Avebury, brought up at Emmetts near Ide Hill in Kent. He was educated at Eton College and King's College, Cambridge. He later became a Fellow of Magdalene College, Cambridge, where he was Pepys Librarian. Lubbock set up home at Gli S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gérard Genette
Gérard Genette (7 June 1930 – 11 May 2018) was a French literary theorist, associated in particular with the structuralist movement and such figures as Roland Barthes and Claude Lévi-Strauss, from whom he adapted the concept of ''bricolage''. Life Genette was born in Paris, where he studied at the Lycée Lakanal and the École Normale Supérieure, University of Paris. After leaving the French Communist Party, Genette was a member of Socialisme ou Barbarie during 1957–8. He received his professorship in French literature at the Sorbonne in 1967. In 1970 with Hélène Cixous and Tzvetan Todorov he founded the journal ''Poétique'' and he edited a series of the same name for Éditions du Seuil. Among other positions, Genette was research director at the École des hautes études en sciences sociales and a visiting professor at Yale University. Work Genette is largely responsible for the reintroduction of a rhetorical vocabulary into literary criticism, for example such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manifesto
A manifesto is a published declaration of the intentions, motives, or views of the issuer, be it an individual, group, political party or government. A manifesto usually accepts a previously published opinion or public consensus or promotes a new idea with prescriptive notions for carrying out changes the author believes should be made. It often is political, social or artistic in nature, sometimes revolutionary, but may present an individual's life stance. Manifestos relating to religious belief are generally referred to as creeds or, a confession of faith. Etymology It is derived from the Italian word ''manifesto'', itself derived from the Latin ''manifestum'', meaning clear or conspicuous. Its first recorded use in English is from 1620, in Nathaniel Brent's translation of Paolo Sarpi's ''History of the Council of Trent'': "To this citation he made answer by a Manifesto" (p. 102). Similarly, "They were so farre surprised with his Manifesto, that they would never s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
