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Narita-san
Narita-san (成田山 "Narita mountain") Shinshō-ji ( 新勝寺 "New victory temple") is a Shingon Buddhist temple located in central Narita, Chiba, Japan. It was founded in 940 by Kanchō Daisōjō, a disciple of Kōbō Daishi. It is a lead temple in the Chisan branch (Chisan-ha 智山派) of New Shingon (Shingi Shingon 新義真言宗), includes a large complex of buildings and grounds, and is one of the best-known temples in the Kantō region. It is dedicated to Ācala (Japanese: Fudō myōō ("Unmovable Wisdom King")) who is usually depicted holding a sword and rope and surrounded by flames. Often called a fire god, he is associated with fire rituals. Founding The temple was established in 940 to commemorate the victory of the forces dispatched from the Heian capital to suppress a revolt by the powerful Kantō region samurai, Taira no Masakado. The Shingon priest Kanchō accompanied the force, bringing with him an image of Acala from the Gomadō (Fire Offering Hall) of Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narita, Chiba
is a city in Chiba Prefecture, Japan. , the city had an estimated population of 131,852 in 63,098 households and a population density of 620 persons per km². The total area of the city is . It is the site of Narita International Airport, one of the two main international airports serving the Greater Tokyo Area. Geography Narita is located in the northern center of Chiba prefecture, about from the prefectural capital at Chiba and from the center of Tokyo. Narita International Airport is about further from the city center of Narita (the location of the city hall). Located on the Shimosa Plateau, the old town (centered on Narita-san) and the new town are in the southwestern part of the city, and Narita International Airport is in the hills in the southeast. Agricultural areas take water from the Tone River, which runs through the border between Imba-numa in the western part of the city and Ibaraki prefecture on the north. Most of the city is between above sea level. Surround ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acala
or Achala ( sa, अचल, "The Immovable", ), also known as (, "Immovable Lord") or (, "Noble Immovable Lord"), is a wrathful deity and ''dharmapala'' (protector of the Dharma) prominent in Vajrayana Buddhism and East Asian Buddhism., Jp. rel. dict., pp. 242–246 Originally a minor deity described as a messenger or acolyte of the buddha Vairocana, Acala later rose to prominence as an object of veneration in his own right as a remover of obstacles and destroyer of evil, eventually becoming seen as the wrathful manifestation of either Vairocana, the buddha Akṣobhya, or the bodhisattva Mañjuśrī. In later texts, he is also called (, "Violent Wrathful One", ) or (, "Violent One of Great Wrath", ), the names by which he is more commonly known in countries like Nepal and Tibet. In East Asian esoteric Buddhism, Acala is classed among the Wisdom Kings () and is preeminent among the five Wisdom Kings of the Womb Realm. Accordingly, he occupies an important hierarchical positio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō I
was an early kabuki actor in Japan. He remains today one of the most famous of all kabuki actors and is considered one of the most influential. His many influences include the pioneering of the ''aragoto'' style of acting which came to be largely associated with Edo kabuki and with Danjūrō and his successors in the Ichikawa Danjūrō line. Like many actors, Danjūrō also dabbled in playwriting, which he did under the '' haimyō'' (poetry name) Mimasuya Hyōgo. "Mimasu" (三升) is the name for the '' mon'' of the Ichikawa family; many actors in the Danjūrō line have since used "Mimasu" or "Sansho", an alternate reading of the same characters, as their ''haimyō''. Lineage As the originator of the most celebrated and prestigious stage name in kabuki, there have been a great many descendants of Danjūrō I in the kabuki world, some of them quite famous and accomplished themselves. Danjūrō's father, Horikoshi Juzō, was not involved in the theatre, but was an '' otokodat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Main Hall (Japanese Buddhism)
Main hall is the building within a Japanese Buddhist temple compound ('' garan'') which enshrines the main object of veneration.Kōjien Japanese dictionary Because the various denominations deliberately use different terms, this single English term translates several Japanese words, among them ''butsuden'', ''butsu-dō'', ''kondō'', ''konpon-chūdō'', and ''hondō''. ''Hondō'' is its exact Japanese equivalent, while the others are more specialized words used by particular sects or for edifices having a particular structure. Kondō (Asuka and Nara periods) The term started to be used during the Asuka and Nara periods. A ''kondō'' is the centerpiece of an ancient Buddhist temple's ''garan'' in Japan. The origin of the name is uncertain, but it may derive from the perceived preciousness of its content, or from the fact that the interior was lined with gold. This is the name used by the oldest temples in the country.Iwanami Nihonshi Jiten A ''kondō'', for example Hōryū-ji's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homa (ritual)
In the Vedic Hinduism, a homa (Sanskrit: होम) also known as havan, is a fire ritual performed on special occasions by a Hindu priest usually for a homeowner (" grihastha": one possessing a home). The grihasth keeps different kinds of fire including one to cook food, heat his home, amongst other uses; therefore, a Yajna offering is made directly into the fire. A homa is sometimes called a "sacrifice ritual" because the fire destroys the offering, but a homa is more accurately a "votive ritual". The fire is the agent, and the offerings include those that are material and symbolic such as grains, ghee, milk, incense and seeds. It is rooted in the Vedic religion, and was adopted in ancient times by Buddhism and Jainism. The practice spread from India to Central Asia, East Asia and Southeast Asia. Homa rituals remain an important part of many Hindu ceremonies, and variations of homa continue to be practiced in current-day Buddhism, particularly in parts of Tibet and Japan. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ichikawa Danjūrō II
was a Japanese kabuki performer in the lineage of a celebrated family of actors from the Edo region.Nussbaum, Louis Frédéric ''et al.'' (2005). "Ichikawa Danjūrō" in Ichikawa Danjūrō is a stage name. Career The earnestly prayed-for son of Ichikawa Danjūrō I, Danjūrō II acted under the name Ichikawa Kuzō I from 1697 to 1704, the year his father was killed in a backstage quarrel with another actor. Danjūrō II assumed his father's stage name five months after this incident and held it until 1735, when he took the name Ichikawa Ebizō II. Thereafter, the name was handed down in a direct line through the generations, e.g., Danjūrō III and Danjuro IV were the adopted sons of Danjūrō II; Danjūrō VI was the adopted son of Danjūrō V, and Danjūrō VII was the adopted son of Danjūrō VI. In the conservative Kabuki world, stage names are conveyed in formal system which converts the kabuki stage name into a mark of accomplishment. In 1840, Danjūrō IV created ''K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aragoto
, or 'rough style', is a style of kabuki acting that uses exaggerated, dynamic (forms or movements) and speech. roles are characterised by the bold red or blue makeup () worn by actors, as well as their enlarged and padded costumes. The term is an abbreviation of the term , which literally means "wild-warrior style". The style was created and pioneered by Ichikawa Danjūrō I, a kabuki actor in the Edo period (1603-1867), and has come to be epitomized by his successors in the Ichikawa Danjūrō line of kabuki actors. Roles such as the leads in and are particularly representative of the style. is often contrasted with the ("soft" or "gentle") style, which emerged around the same time but focuses on more naturalistic drama. It is also contrasted with or "female-like style". Notable Aragotoshi * The Ichikawa Danjūrō line ** Ichikawa Danjūrō I ** Ichikawa Danjūrō II ** Ichikawa Danjūrō III ** Ichikawa Danjūrō IV ** Ichikawa Danjūrō V ** Ichikawa Danjūrō VI ** ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Calligraphy
also called is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only, but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles. Styles The term shodō (書道, "way of writing") is of Chinese origin, and is widely used to describe the art of Chinese calligraphy during the medieval Tang dynasty. Early Japanese calligraphy was originated from Chinese calligraphy. Many of its principles and techniques are very similar, and it recognizes the same basic writing styles: * seal script (篆書 ''tensho'') (pinyin: ''zhuànshū''). The seal script (tensho) was commonly used throughout the Zhou dynasty (1046–256 BC) and the following Qin dynasty (221–206 BC) of China. After this time period, tensho style fell out of popularity in favor of reisho. However, tensho was still used for titles of published works or inscriptions. The c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kūkai
Kūkai (; 27 July 774 – 22 April 835Kūkai was born in 774, the 5th year of the Hōki era; his exact date of birth was designated as the fifteenth day of the sixth month of the Japanese lunar calendar, some 400 years later, by the Shingon sect (Hakeda, 1972 p. 14). Accordingly, Kūkai's birthday is commemorated on June 15 in modern times. This lunar date converts to 27 July 774 in the Julian calendar, and, being an anniversary date, is not affected by the switch to the Gregorian calendar in 1582. Similarly, the recorded date of death is the second year of the Jōwa era, on the 21st day of the third lunar month (Hakeda, 1972 p. 59), i.e. 22 April 835.), born Saeki no Mao (佐伯 眞魚), posthumously called , was a Japanese Buddhist monk, calligrapher, and poet who founded the esoteric Shingon school of Buddhism. He travelled to China, where he studied Tangmi (Chinese Vajrayana Buddhism) under the monk Huiguo. Upon returning to Japan, he founded Shingon—the Japanese branch of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokugawa Ietsuna
was the fourth ''shōgun'' of the Tokugawa dynasty of Japan who was in office from 1651 to 1680. He is considered the eldest son of Tokugawa Iemitsu, which makes him the grandson of Tokugawa Hidetada and the great-grandson of Tokugawa Ieyasu. Early life (1641–1651) Tokugawa Ietsuna was born in 1641, allegedly the eldest son of Tokugawa Iemitsu with his concubine, Oraku no Kata later Houjuin. Later Ietsuna was raised with his sister, Chiyohime (born by Ofuri) by Iemitsu's concubine, Oman no kata (later Eikoin) and Iemitsu's wife, Takatsukasa Takako later Honriin. After Eikoin retired, Senhime (also called Tenjuin) raised him with Honriin.Nussbaum, Louis-Frédéric. (2005). "''Tokugawa, Ietsuna''" in ; n.b., Louis-Frédéric is a pseudonym of Louis-Frédéric Nussbaum, ''see'Deutsche Nationalbibliothek Authority File. At that time his father was shogun in his own right and had enacted several anti-Christian measures after the bloody Shimabara Rebellion of 1637. Though the suppr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enryaku-ji
is a Tendai monastery located on Mount Hiei in Ōtsu, overlooking Kyoto. It was first founded in 788 during the early Heian period (794–1185) by Saichō was a Japanese Buddhist monk credited with founding the Tendai school of Buddhism based on the Chinese Tiantai school he was exposed to during his trip to Tang China beginning in 804. He founded the temple and headquarters of Tendai at Enryaku-j ... (767–822), also known as Dengyō Daishi, who introduced the Tendai sect of Mahayana Buddhism to Japan from China. The temple complex has undergone several reconstruction efforts since then, with the most significant (that of the main hall) taking place in 1642 under Tokugawa Iemitsu. Enryaku-ji is the headquarters of the Tendai sect and one of the most significant monasteries in Japanese history. As such, it is part of the UNESCO World Heritage Site "Historic Monuments of Ancient Kyoto (Kyoto, Uji and Otsu Cities)". The founders of Jōdo-shū, Jōdo Shinshū, Sōtō, Sōt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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