Naples Archaeological Museum
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Naples Archaeological Museum
The National Archaeological Museum of Naples ( it, Museo Archeologico Nazionale di Napoli, italic=no, sometimes abbreviated to MANN) is an important Italian archaeological museum, particularly for ancient Roman remains. Its collection includes works from Greek, Roman and Renaissance times, and especially Roman artifacts from the nearby Pompeii, Stabiae and Herculaneum sites. From 1816 to 1861, it was known as Real Museo Borbonico ("the Royal Bourbon Museum"). Building The building was built as a cavalry barracks in 1585. From 1616 to 1777 it was the seat of the University of Naples. During the 19th century, after it became a museum, it suffered many changes to the main structure. Collections The museum hosts extensive collections of Greek and Roman antiquities. Their core is from the Farnese Collection, which includes a collection of engraved gems (including the Farnese Cup, a Ptolemaic bowl made of sardonyx agate and the most famous piece in the "Treasure of the Magnificent", ...
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Ancient Rome
In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 BC), Roman Republic (509–27 BC) and Roman Empire (27 BC–476 AD) until the fall of the western empire. Ancient Rome began as an Italic settlement, traditionally dated to 753 BC, beside the River Tiber in the Italian Peninsula. The settlement grew into the city and polity of Rome, and came to control its neighbours through a combination of treaties and military strength. It eventually dominated the Italian Peninsula, assimilated the Greek culture of southern Italy ( Magna Grecia) and the Etruscan culture and acquired an Empire that took in much of Europe and the lands and peoples surrounding the Mediterranean Sea. It was among the largest empires in the ancient world, with an estimated 50 to 90 million inhabitants, roughly 20% of t ...
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Farnese Cup
The Farnese Cup or Tazza Farnese is a 2nd-century BC cameo hardstone carving bowl or cup made in Hellenistic Egypt in four-layered sardonyx agate, now in the Naples National Archaeological MuseumInv. MANN 27611. It is a 20 cm wide and similar in form to a Greek phiale or Roman patera, with no foot. It features relief carvings on both its exterior and interior surfaces and is around twenty centimeters in diameter. There is no surviving evidence regarding when and why the piece was made, though there is general consensus among scholars that it was created in Alexandria, due to the blending of Ancient Egyptian and Ancient Greek or Roman iconography found in its relief carvings. This provides a range of time wherein it may have been created, spanning from approximately 300 BC to 20 BC. The underside has a large Gorgon's head occupying most of the area, probably intended to ward off evil. The upper side has a scene with several figures that has long puzzled scholars. It seem ...
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Farnese Hercules
The ''Farnese Hercules'' ( it, Ercole Farnese) is an ancient statue of Hercules, probably an enlarged copy made in the early third century AD and signed by Glykon, who is otherwise unknown; the name is Greek but he may have worked in Rome. Like many other Ancient Roman sculptures it is a copy or version of a much older Greek original that was well known, in this case a bronze by Lysippos (or one of his circle) that would have been made in the fourth century BC. This original survived for over 1500 years until it was melted down by Crusaders in 1205 during the Sack of Constantinople. The enlarged copy was made for the Baths of Caracalla in Rome (dedicated in 216 AD), where the statue was recovered in 1546, and is now in the Museo Archeologico Nazionale in Naples. The heroically-scaled ''Hercules'' is one of the most famous sculptures of antiquity, and has fixed the image of the mythic hero in the European imagination. The ''Farnese Hercules'' is a massive marble statue, followi ...
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Museo Di Capodimonte
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy. The museum was inaugurated in 1957. History The vast collection at the museum traces its origins back to 1738. During that year King Charles VII of Naples and Sicily (later Charles III, king of Spain) decided to build a hunting lodge on the Capodimonte hill, but then decided that he would instead build a grand palace, partly because his existing residence, the Palace of Portici, was too small to accommodate his court, and partly because he needed somewhere to house the fabulous Farnese art collection which he had inherited from his mother, Elisabetta Farnese, last descendant of the sovereign ducal family of Parma. Over the yea ...
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Nesiotes
Kritios ((; ( grc, Κριτίος) was an Athenian sculptor, probably a pupil of Antenor, working in the early 5th century BCE, whose manner is on the cusp of the Late Archaic and the Severe style of Early Classicism in Attica. He was the teacher of Myron. With Nesiotes (Νησιώτης,) Kritios made the replacement of the Tyrannicides ("Tyrant-killers") groupThe "Tyrant-killers" (Τυραννοκτόνοι), Harmodius and Aristogeiton, the heroic lovers who slew the tyrant Hipparchus. by Antenor, which had been carried off by the Persians in the first stage of the Greco-Persian Wars. The new group stood in the Agora of Athens and its composition is known from Roman copies. With Nesiotes Kritios made other statues, of bronze, dedicated on the Acropolis, of which only their inscribed bases remain to give testament. The head of a marble statue found on the Acropolis so much resembles the copies of one of the Tyrannicides – Harmodius – that it has been called the ''Kritios Bo ...
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Kritios
Kritios ((; ( grc, Κριτίος) was an Athenian sculptor, probably a pupil of Antenor, working in the early 5th century BCE, whose manner is on the cusp of the Late Archaic and the Severe style of Early Classicism in Attica. He was the teacher of Myron. With Nesiotes (Νησιώτης,) Kritios made the replacement of the Tyrannicides ("Tyrant-killers") groupThe "Tyrant-killers" (Τυραννοκτόνοι), Harmodius and Aristogeiton, the heroic lovers who slew the tyrant Hipparchus. by Antenor, which had been carried off by the Persians in the first stage of the Greco-Persian Wars. The new group stood in the Agora of Athens and its composition is known from Roman copies. With Nesiotes Kritios made other statues, of bronze, dedicated on the Acropolis, of which only their inscribed bases remain to give testament. The head of a marble statue found on the Acropolis so much resembles the copies of one of the Tyrannicides – Harmodius – that it has been called the ''Kritios B ...
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Calamis (5th Century BC)
Calamis (fl. 5th century BC) was a sculptor of ancient Greece. He was possibly from Boeotia, but nothing certain is known of his life although he is credited with having lived in Athens, and his sculptures are representative of Athenian sculpture. Although none of his works survives, he is known for his talent and skill in sculpting animals, especially horses, as opposed to the human body. He is known to have worked in marble, bronze, gold, and ivory, and was famed for statues of horses, which Pliny says were unrivaled.''The National Cyclopaedia of Useful Knowledge, Vol.IV'', (London) Charles Knight, p.21 According to Pausanias (9.16.1), Calamis produced a statue of Zeus Ammon for Pindar, and mentions a Hermes Criophorus for Tanagra (9.22.1), which was later depicted on Roman coins of the city. His statue of Apollo Alexikakos stood in the Ceramicus of Athens. He produced his most ambitious work, a 30-cubit statue of Apollo for Apollonia Pontica (on modern St. Ivan Island, Bul ...
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Herakles Farnese MAN Napoli Inv6001 N01
Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptive descent through Amphitryon, Heracles receives the epithet Alcides, as "of the line of Alcaeus (mythology), Alcaeus", father of Amphitryon. Amphitryon's own, mortal son was Iphicles. He was a great-grandson and half-brother (as they are both sired by the god Zeus) of Perseus, and similarly a half-brother of Dionysus. He was the greatest of the Greek heroes, the ancestor of royal clans who claimed to be Heracleidae (), and a champion of the Twelve Olympians, Olympian order against chthonic monsters. In Roman mythology, Rome and the modernity, modern western world, West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life ...
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Villa Of The Papyri
The Villa of the Papyri ( it, Villa dei Papiri, also known as ''Villa dei Pisoni'' and in early excavation records as the ''Villa Suburbana'') was an ancient Roman villa in Herculaneum, in what is now Ercolano, southern Italy. It is named after its unique library of ''papyri'' (or scrolls), discovered in 1750. The Villa was considered to be one of the most luxurious houses in all of Herculaneum and in the Roman world. Maiuri, Amedeo. ''Herculaneum and the Villa of the Papyri.'' Italy (1974): 35-39. Its luxury is shown by its exquisite architecture and by the very large number of outstanding works of art discovered, including frescoes, bronzes and marble sculpture which constitute the largest collection of Greek and Roman sculptures ever discovered in a single context. It was situated on the ancient coastline below the volcano Vesuvius with nothing to obstruct the view of the sea. It was perhaps owned by Julius Caesar's father-in-law, Lucius Calpurnius Piso Caesoninus.Hornblower ...
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Mount Vesuvius
Mount Vesuvius ( ; it, Vesuvio ; nap, 'O Vesuvio , also or ; la, Vesuvius , also , or ) is a somma-stratovolcano located on the Gulf of Naples in Campania, Italy, about east of Naples and a short distance from the shore. It is one of several volcanoes forming the Campanian volcanic arc. Vesuvius consists of a large cone partially encircled by the steep rim of a summit caldera, resulting from the collapse of an earlier, much higher structure. The eruption of Mount Vesuvius in AD 79 destroyed the Roman cities of Pompeii, Herculaneum, Oplontis, Stabiae, and several other settlements. The eruption ejected a cloud of stones, ashes and volcanic gases to a height of , erupting molten rock and pulverized pumice at the rate of per second. More than 1,000 people are thought to have died in the eruption, though the exact toll is unknown. The only surviving eyewitness account of the event consists of two letters by Pliny the Younger to the historian Tacitus. Vesuvius has ...
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Herculaneum Papyri
The Herculaneum papyri are more than 1,800 papyri found in the Herculaneum Villa of the Papyri, in the 18th century, carbonized by the eruption of Mount Vesuvius in AD 79. The papyri, containing a number of Greek philosophical texts, come from the only surviving library from antiquity that exists in its entirety.Interview with Daniel Delattre: the Herculaneum scrolls given to Consul Bonaparte (2010), Napoleon.org
As many as 44 of the works discovered were written by the philosopher and poet Philodemus
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Lorenzo Il Magnifico
Lorenzo di Piero de' Medici (; 1 January 1449 – 8 April 1492) was an Italian statesman, banker, ''de facto'' ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy. Also known as Lorenzo the Magnificent (''Lorenzo il Magnifico'' ) by contemporary Florentines, he was a magnate, diplomat, politician and patron of scholars, artists, and poets. As a patron, he is best known for his sponsorship of artists such as Botticelli and Michelangelo. He held the balance of power within the Italic League, an alliance of states that stabilized political conditions on the Italian peninsula for decades, and his life coincided with the mature phase of the Italian Renaissance and the Golden Age of Florence. On the foreign policy front, Lorenzo manifested a clear plan to stem the territorial ambitions of Pope Sixtus IV, in the name of the balance of the Italian League of 1454. For these reasons, Lorenzo was the subject of the Pazzi conspirac ...
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