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Nandavarta
The Nandavarta or Nandyavarta is one of the eight auspicious symbols of Jainism for the Svetambara sect. It is an ashtamangala which is used for worship, and could be made with rice grains.''Jainism The World of Conquerors'', par Natubhai Shah, volume II, p. 31, It is also the symbol of 18th Tirthankar Aranatha according to Śvētāmbara and 7th tirthankar Suparshvanatha according to digambar ''Digambara'' (; "sky-clad") is one of the two major schools of Jainism, the other being '' Śvētāmbara'' (white-clad). The Sanskrit word ''Digambara'' means "sky-clad", referring to their traditional monastic practice of neither possessing .... The symbol has 4 arms with compulsorily 9 corners/ turns each. References Citation Source * * Nandyāvarta, an auspicious symbol in Indian art by A. L Srivastava (Book) External links * {{Jainism Topics Jain symbols Hindu symbols Symbols of Indian religions Indian iconography ...
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Nandavarta Rouge Bleu
The Nandavarta or Nandyavarta is one of the eight auspicious symbols of Jainism for the Svetambara sect. It is an ashtamangala which is used for worship, and could be made with rice grains.''Jainism The World of Conquerors'', par Natubhai Shah, volume II, p. 31, It is also the symbol of 18th Tirthankar Aranatha according to Śvētāmbara and 7th tirthankar Suparshvanatha according to digambar ''Digambara'' (; "sky-clad") is one of the two major schools of Jainism, the other being '' Śvētāmbara'' (white-clad). The Sanskrit word ''Digambara'' means "sky-clad", referring to their traditional monastic practice of neither possessing .... The symbol has 4 arms with compulsorily 9 corners/ turns each. References Citation Source * * Nandyāvarta, an auspicious symbol in Indian art by A. L Srivastava (Book) External links * {{Jainism Topics Jain symbols Hindu symbols Symbols of Indian religions Indian iconography ...
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Ashtamangala
The Ashtamangala is a sacred suite of ''Eight Auspicious Signs'' endemic to a number of religions such as Hinduism, Jainism, and Buddhism. The symbols or "symbolic attributes" () are yidam and teaching tools. Not only do these attributes (or energetic signatures) point to qualities of enlightened mindstream, but they are the investiture that ornaments these enlightened "qualities" (Sanskrit: ''guṇa''; ). Many cultural enumerations and variations of the Ashtamangala are extant. In Buddhism Tibetan Buddhism, Tibetan Buddhists make use of a particular set of eight auspicious symbols, ''ashtamangala'', in household and public art. Some common interpretations are given along with each symbol although different teachers may give different interpretations: Conch The right-turning white conch shell (Sanskrit: shankha, ; ) represents the beautiful, deep, melodious, interpenetrating and pervasive sound of the dharma, which awakens disciples from the deep slumber of ignorance an ...
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Jain Symbols
Jain symbols are symbols based on the Jain philosophy. Swastika The four arms of the swastika symbolize the four states of existence as per Jainism: a # Heavenly beings ("''devas encantadia''") # Human beings # Hellish beings # ''Tiryancha'' (subhuman like flora or fauna) It represents the perpetual nature of the universe in the material world, where a creature is destined to one of those states based on their karma. In contrast to this circle of rebirth and delusion is the concept of a straight path, constituted by correct faith, understanding and conduct, and visually symbolized by the three dots above the running cross ''swastika'', which leads the individual out of the transient imperfect world to a permanent perfect state of enlightenment and perfection. This perfect state of liberation is symbolized by the crescent and dot at the top of the ''svastika''. It also represents the four columns of the Jain Sangha: sadhus, sadhvis, sravakas and shravikas - monks, nuns and fe ...
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Jainism
Jainism ( ), also known as Jain Dharma, is an Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third ''tirthankara'' Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth ''tirthankara'' Mahavira, around 600 BCE. Jainism is considered to be an eternal '' dharma'' with the ''tirthankaras'' guiding every time cycle of the cosmology. The three main pillars of Jainism are ''ahiṃsā'' (non-violence), ''anekāntavāda'' (non-absolutism), and '' aparigraha'' (asceticism). Jain monks, after positioning themselves in the sublime state of soul consciousness, take five main vows: ''ahiṃsā'' (non-violence), '' satya'' (truth), '' asteya'' (not stealing), '' brahmacharya'' (chastity), and '' aparigraha'' (non-possessiveness) ...
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Aranatha
Aranath was the eighteenth Jain Tirthankar of the present half cycle of time ( Avasarpini). He was also the eighth Chakravartin and thirteenth Kamadeva. According to Jain beliefs, he was born around 16,585,000 BCE. He became a siddha i.e. a liberated soul which has destroyed all of its karmas. Aranath was born to King Sudarshana and Queen Devi (Mitra) at Hastinapur in the Ikshvaku dynasty. His birth date was the tenth day of the Migsar Krishna month of the Indian calendar. There were 50,000 monks with arnath. Life Like all other Chakravartin, he also conquered all the lands and went to write his name on the foothills of mountains. Seeing the names of other Chakravartin already there, he saw his ambitions dwarfed. He then renounced his throne and became an ascetic for penance. At an age over 84,000 years he and attained Moksha (liberation) on Mount Shikharji. Worship ''Svayambhūstotra'' by '' Acarya Samantabhadra'' is the adoration of twenty-four tirthankaras. Twenty s ...
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Suparshvanatha
Suparshvanatha ( sa, सुपार्श्वनाथ ), also known as Suparśva, was the seventh Jain '' Tīrthankara'' of the present age ('' avasarpini''). He was born to King Pratistha and Queen ''Prithvi'' at Varanasi on 12 Jestha Shukla in the Ikshvaku clan. He is said to have attained ''moksha'' at Shikharji on the sixth day of the dark half of the month of ''Phālguna''. Jain biography Life before renunciation Suparśvanātha was the seventh Jain '' Tīrthankara'' of the present age ('' avasarpini''). He was born to King Pratishtha and Queen Prithvi at Varanasi on 12 Jestha Shukla in the Ikshvaku clan. There is temple dedicated to Suparshvanatha built in Bhadaini, Varanasi to commemorate the birth of Suparshvanatha. Nine months before the birth of ''Suparśvanātha'', Queen ''Prithivī'' dreamt the sixteen most auspicious dreams. Suparśvanātha spent 5 lakh ''pūrva'' as youth (''kumāra kāla'') and ruled His kingdom for 14 lakh ''pūrva'' and 20 ''pūrvāṇ ...
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Śvētāmbara
The Śvētāmbara (; ''śvētapaṭa''; also spelled ''Shwethambara'', ''Svetambar'', ''Shvetambara'' or ''Swetambar'') is one of the two main branches of Jainism, the other being the ''Digambara''. Śvētāmbara means "white-clad", and refers to its ascetics' practice of wearing white clothes, which sets it apart from the ''Digambara'' "sky-clad" Jains, whose ascetic practitioners go naked. Śvētāmbaras, unlike Digambaras, do not believe that ascetics must practice nudity. The Svetambara and Digambara traditions have had historical differences ranging from their dress code, their temples and iconography, attitude towards Jain nuns, their legends and the texts they consider as important. Svetambara Jain communities are currently found mainly in Gujarat, Rajasthan and coastal regions of Maharashtra. According to Jeffery D. Long, a scholar of Hindu and Jain studies, about four-fifths of all Jains in India are Svetambaras. History Majority of the Svetambaras are ''murtipuja ...
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Digambar
''Digambara'' (; "sky-clad") is one of the two major schools of Jainism, the other being '' Śvētāmbara'' (white-clad). The Sanskrit word ''Digambara'' means "sky-clad", referring to their traditional monastic practice of neither possessing nor wearing any clothes. Digambara and Śvētāmbara traditions have had historical differences ranging from their dress code, their temples and iconography, attitude towards female monastics, their legends, and the texts they consider as important. Digambara monks cherish the virtue of non-attachment and non-possession of any material goods. Monks carry a community-owned ''picchi'', which is a broom made of fallen peacock feathers for removing and thus saving the life of insects in their path or before they sit. The Digambara literature can be traced only to the first millennium, with its oldest surviving sacred text being the mid-second century '' Ṣaṭkhaṅḍāgama'' "Scripture in Six Parts" of Dharasena (the Moodabidri manuscript ...
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Hindu Symbols
Hindus (; ) are people who religiously adhere to Hinduism. Jeffery D. Long (2007), A Vision for Hinduism, IB Tauris, , pages 35–37 Historically, the term has also been used as a geographical, cultural, and later religious identifier for people living in the Indian subcontinent. The term ''"Hindu"'' traces back to Old Persian which derived these names from the Sanskrit name ''Sindhu'' (सिन्धु ), referring to the river Indus. The Greek cognates of the same terms are "''Indus''" (for the river) and "''India''" (for the land of the river). The term "''Hindu''" also implied a geographic, ethnic or cultural identifier for people living in the Indian subcontinent around or beyond the Sindhu (Indus) River. By the 16th century CE, the term began to refer to residents of the subcontinent who were not Turkic or Muslims. Hindoo is an archaic spelling variant, whose use today is considered derogatory. The historical development of Hindu self-identity within the local ...
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Symbols Of Indian Religions
A symbol is a mark, sign, or word that indicates, signifies, or is understood as representing an idea, object, or relationship. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise very different concepts and experiences. All communication (and data processing) is achieved through the use of symbols. Symbols take the form of words, sounds, gestures, ideas, or visual images and are used to convey other ideas and beliefs. For example, a red octagon is a common symbol for "STOP"; on maps, blue lines often represent rivers; and a red rose often symbolizes love and compassion. Numerals are symbols for numbers; letters of an alphabet may be symbols for certain phonemes; and personal names are symbols representing individuals. The variable 'x', in a mathematical equation, may symbolize the position of a particle in space. The academic study of symbols is semiotics. In cartography, an organized collection of symbols forms a legend for a map. ...
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