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Naima Moujahid
"Naima" ( ) is a jazz ballad composed by John Coltrane in 1959 that he named after his then-wife, Juanita Naima Grubbs. Coltrane first recorded it for his 1959 album ''Giant Steps'', and it became one of his first well-known works. History Coltrane recorded "Naima" many times. It appears on ''The Complete Copenhagen Concert'' (1961), ''Live at the Village Vanguard Again!'' (1966), ''Afro Blue Impressions'' (1977), ''The Complete 1961 Village Vanguard Recordings'' (1997), and '' Blue World'' (2019). "Naima" has since become a jazz standard. Structure According to Coltrane, "The tune is built on suspended chords over an E pedal tone on the outside. On the inside – the channel – the chords are suspended over a B pedal tone." The composition, on that recording, is a slow, restrained melody, with a brief piano solo by Wynton Kelly. Chord changes Chord changes for "Naima": ‖: B–7/E‖ E–7 ‖ Amaj7+5/E Gmaj7+5/E ‖ Amaj7/E:‖ ‖ Bmaj7/B‖ B79 ‖ Bmaj7 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic Minor Scale
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also has a harmonic form but lacks a melodic form. In each of these scales, the first, third, and fifth scale degrees form a minor triad (rather than a major triad, as in a major scale). In some contexts, ''minor scale'' is used to refer to any heptatonic scale with this property (see Related modes below). Natural minor scale Relationship to relative major A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth degree of its relative major scale. For instance, the A natural minor scale can be built by starting on the 6th degree of the C major scale: : Because of this, the key of A minor is called the ''relative minor'' of C major. Every major key has a relative minor, which starts on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McCoy Tyner
Alfred McCoy Tyner (December 11, 1938March 6, 2020) was an American jazz piano, jazz pianist and composer known for his work with the John Coltrane Quartet (from 1960 to 1965) and his long solo career afterwards. He was an NEA Jazz Masters, NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated Electronic keyboard, electric keyboards or synthesizers into his work. Tyner has been widely imitated, and is one of the most recognizable and influential pianists in jazz history. Early life and family Tyner was born on December 11, 1938, in Philadelphia, Pennsylvania, the eldest of three children of Jarvis and Beatrice (Stevenson) Tyner. His younger brother Jarvis Tyner was the executive vice-chairman of the Communist Party USA. Tyner was encouraged to study piano by his mother, who had installed a piano at her beauty salon. He began piano lessons at age 13 at the Granoff School of Music where he had als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Honeysuckle Breeze
''The Honeysuckle Breeze'' is the debut album by American jazz saxophonist Tom Scott featuring performances recorded in 1967 for the Impulse! label.Impulse! Records discography accessed April 13, 2011 Parts of the saxophone solo in "Today" were sampled in " They Reminisce Over You," by jazz rap duo , off their critically acclaimed 1992 album '' Mecca and the Soul Brother''. Reception |
Tom Scott (saxophonist)
Thomas Wright Scott (born May 19, 1948) is an American saxophonist, composer, and arranger. He was a member of The Blues Brothers and led the jazz fusion group L.A. Express. Early life, family and education Scott was born in Los Angeles, California, US. He is the son of film and television composer Nathan Scott, who had more than 850 television credits and more than 100 film credits as a composer, orchestrator, and conductor, including the theme songs for '' Dragnet'' and '' Lassie''. Career Tom Scott's career began as a teenager as leader of the jazz ensemble Neoteric Trio and the band Men of Note. After that, he worked as a session musician. In 1970, Quincy Jones said of him: "Tom Scott, the saxophonist; he's 21, and out of sight! Plays any idiom you can name, and blows like crazy on half a dozen horns." Scott wrote the theme songs for the television shows '' Starsky and Hutch'' and ''The Streets of San Francisco''. In 1974, with the L.A. Express he composed the score for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four For Trane
''Four for Trane'' is a studio album by tenor saxophonist Archie Shepp released on Impulse! Records in 1965. Four of the five tracks were composed and originally recorded by John Coltrane (released on his albums ''Giant Steps'' and ''Coltrane Plays the Blues'') and rearranged by Shepp and trombonist Roswell Rudd. The other featured players are trumpeter Alan Shorter (brother of Wayne, here playing flugelhorn), alto saxophonist John Tchicai (Shepp’s fellow member of the New York Contemporary Five), bassist Reggie Workman and drummer Charles Moffett (who had worked extensively with Ornette Coleman). Coltrane himself co-produced the album alongside Bob Thiele. The album was Shepp's first release for Impulse! Background According to Coltrane biographer Ashley Kahn, ''Four for Trane'' "was a direct result of Coltrane’s intervention, and his faith in the young tenor saxophonist from Philadelphia." Shepp recalled his efforts to get a recording date with Impulse!: "I had spent mont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archie Shepp
Archie Shepp (born May 24, 1937) is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz. Biography Early life Shepp was born in Fort Lauderdale, Florida, but raised in Philadelphia, Pennsylvania. He studied piano, clarinet and alto saxophone before narrowing his focus to tenor saxophone. He occasionally plays soprano saxophone as well. He studied drama at Goddard College from 1955 to 1959. He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp's first recording under his own name, '' Archie Shepp - Bill Dixon Quartet'', was released on Savoy Records in 1962 and featured a composition by Ornette Coleman. Along with alto saxophonist John Tchicai and trumpeter Don Cherry, he formed the New York Contemporary Five. John Coltrane's admiration for Shepp led to recordings for Impulse! Records, the first of which was ''Four for Trane'' in 1964 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carsten Meinert
Karsten or Carsten is a both a given name and a surname. It is believed to be either derived from a Low German form of Christian (given name), Christian, or "man from karst". Notable persons with the name include: Given name ;Carsten: * Carsten Charles Sabathia (born 1980), Former baseball player most famous for being a New York Yankee * Carsten Niebuhr (1733–1815), German mathematician, cartographer, and explorer in the service of Denmark * Carsten Pohl (born 1965), German basketball coach ;Karsten: * Karsten Alnæs (born 1938), Norwegian author, historian, and journalist * Karsten Andersen (1920–1997), Norwegian conductor * Big Daddy Karsten (born 1989), 2017 Eurovision Jury List; Norwegian Pre-select for Eurovision (Melodi Grand Prix 2021) * Karsten Buer (1913–1993), Norwegian harness coach * Karsten Fonstad (1900–1970), Norwegian politician * Karsten Forsterling (born 1980), Australian rower * Karsten Isachsen (1944–2016), Norwegian Lutheran priest, essayist and publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New View (John Handy Album)
''New View'' is a live album by saxophonist John Handy and his quintet, recorded and released in 1967. It was Handy's second live and third release for Columbia. The original LP features three pieces: two Handy originals and a version of "Naima", recorded as a homage to saxophone legend John Coltrane, who would die three weeks after this recording (July 17). The subtitle "In Memory of" was expressly added for the release in late 1967. The song "Tears of Ole Miss (Anatomy of a Riot)" was inspired by the Ole Miss riot of 1962 and initially performed by Handy's Freedom Band, a group formed in 1963 to raise funds for Civil Rights causes. Donaldson, Gordon. Liner notes. New View, 1967. LP. Track listing #" Naima (In Memory of John Coltrane)" (John Coltrane) - 9:31 #"A Little Quiet" (Handy) - 9:13 (13:29 on CD) #"Tears of Ole Miss (Anatomy of a Riot)" (Handy) - 23:37 (31:00 on CD) "A Little Quiet" and "Tears of Ole Miss" were edited for LP issue (Columbia CS 9497), but appear u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Handy
John Richard Handy III (born February 3, 1933) is an American jazz musician most commonly associated with the alto saxophone. He also sings and plays the tenor and baritone saxophone, saxello, clarinet, and oboe. Biography Handy was born in Dallas, Texas, United States. He first came to prominence while working for Charles Mingus in the 1950s. In the 1960s, Handy led several groups, among them a quintet with Michael White, violin, Jerry Hahn, guitar, Don Thompson, bass, and Terry Clarke, drums. This group's performance at the 1965 Monterey Jazz Festival was recorded and released as an album; Handy received Grammy nominations for "Spanish Lady" (jazz performance) and "If Only We Knew" (jazz composition). After completing high school at McClymonds High School in Oakland, he studied music at San Francisco State College, interrupted by service during the Korean War, graduating in 1958. Following graduation, he moved to New York City. Handy has taught music history and p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Double Six
Les Double Six (also known as the Double Six of Paris) was a French vocal jazz group established in 1959 by Mimi Perrin. The group established an international reputation in the early 1960s. The name of the group was an allusion to the fact that the sextet used double-tracking techniques to enhance and "fatten" the sound, very much like Brian Wilson of the Beach Boys did in the recording studio. The membership of the group varied from recording to recording. The six members would all sing once to a recording track, then sing the exact duplicate performance again to a second track, "doubling" each individual vocal part. Singing in French, they performed jazz standards, particularly themes by Quincy Jones and Dizzy Gillespie, adding the poetic or humorous lyrics written by the imaginative Perrin. Inspired by several American groups, the singers vocalized in the manner of instruments, reconstructing brilliant improvisations of saxophones, trumpets or trombones. The group was not l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altered Scale
In jazz, the altered scale, altered dominant scale, Palamidian Scale, or Super Locrian scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. These are: * the fifth is altered to a 5 and a 5 * the ninth is altered to a 9 and a 9 *the eleventh is altered to a 11 (equivalent to a 5) *the thirteenth is altered to a 13 (equivalent to a 5) The altered forms of some of the non-essential tones coincide (augmented eleventh with diminished fifth and augmented fifth with minor thirteenth) meaning those scale degrees are enharmonically identical and have multiple potential spellings. The natural forms of the non-essential tones are not present in the scale. This means it lacks a major ninth, a perfect eleventh, a perfect fifth, and a major thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
