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NDR Chor
The NDR Chor (North German Radio Choir) is the choir of the German broadcaster Norddeutscher Rundfunk (NDR), based in Hamburg. It was founded in 1946, with Max Thurn as the first director of then 55 singers. The group has participated in premieres of contemporary music, such as the posthumous concert premiere of Schoenberg's opera ''Moses und Aron''. It is also known for a capella music, introduced by Helmut Franz such as a recording of all such works by Johannes Brahms. The current artistic director is Philipp Ahmann, who has held the position from 2008. NDR Chor, now a group of 28 singers, is one of the leading professional chamber choirs in Germany. History The NDR Chor was founded in Hamburg on 1 May 1946, then as choir of the Nordwestdeutscher Rundfunk (NWDR) and took its present name in 1956 when the broadcaster was split in NDR and WDR. Its first director was Max Thurn who accepted 55 singers from more than 2,000 applications by professional singers. During the first years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburg
(male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal_code_type = Postal code(s) , postal_code = 20001–21149, 22001–22769 , area_code_type = Area code(s) , area_code = 040 , registration_plate = , blank_name_sec1 = GRP (nominal) , blank_info_sec1 = €123 billion (2019) , blank1_name_sec1 = GRP per capita , blank1_info_sec1 = €67,000 (2019) , blank1_name_sec2 = HDI (2018) , blank1_info_sec2 = 0.976 · 1st of 16 , iso_code = DE-HH , blank_name_sec2 = NUTS Region , blank_info_sec2 = DE6 , website = , footnotes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (Rossini)
Stabat Mater is a work by Gioachino Rossini based on the traditional structure of the Stabat Mater sequence for chorus and soloists. It was composed late in his career after retiring from the composition of opera. He began the work in 1831 but did not complete it until 1841. Composition In 1831 Rossini was traveling in Spain in the company of his friend the Spanish banker, Alexandre Aguado, owner of Château Margaux. In the course of the trip, Fernández Varela, a state councillor, commissioned a setting of the traditional liturgical text, the Stabat Mater. Rossini managed to complete part of the setting of the sequence in 1832, but ill health made it impossible for him to complete the commission. Having written only half the score (nos. 1 and 5–9), he asked his friend Giovanni Tadolini to compose six additional movements. Rossini presented the completed work to Varela as his own. It was premiered on Holy Saturday of 1833 in the Chapel of San Felipe el Real in Madrid, but this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Paulinerkirche, Leipzig, Leipzig University Church, as a professor at the Leipzig Conservatory, Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen. Reger first composed mainly ''Lieder'', chamber music, choral music and works for piano and organ. He later turned to orchestral compositions, such as the popular ''Variations and Fugue on a Theme by Mozart'' (1914), and to works for choir and orchestra such as ''Gesang der Verklärten'' (1903), ' (1909), ''Der Einsiedler'' and the ''Requiem (Reger), Hebbel Requiem'' (both 1915). Biography Born in Brand, Bavaria, Brand, Kingdom of Bavaria, Bavaria, Reger was the first child of Josef Reger, a school teacher and amateur musician, and his wife Katharina Philomena. The devout Catholic fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of #Early instruments, period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament (music), temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no Sound recording and reproduction, sound recordings exist of music before the late 19th century, historically informed performance is largely derived from Musicology, music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans-Christoph Rademann
Hans-Christoph Rademann (born 5 August 1965 in Dresden) is a German choral conductor, currently the director of the Dresdner Kammerchor and the Internationale Bachakademie Stuttgart. Career Born in Dresden, Rademann grew up in Schwarzenberg and received his first musical experiences in his father's church choir. As a teenager he was taught the violin and piano. From 1975 to 1983, he was a member of the Dresdner Kreuzchor. After completing school, he studied choral and orchestral conducting at the Musikhochschule Dresden until 1990. He acquired further experience in several classes with Helmuth Rilling and Philippe Herreweghe. Rademann has conducted the chamber choir Dresdner Kammerchor since its founding in 1985. During 1991–1999 he was artistic director of the Academy of Music in Dresden. From 1999 to 2004, Rademann served as choir director of the NDR Chor. With the start of the 2007/2008 season Rademann took over as chief conductor for RIAS Kammerchor; he had already condu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leon Schidlowsky
Jorge León Schidlowsky Gaete (; 21 July 1931 – 10 October 2022) was a Chilean-Israeli composer and painter. He wrote music for orchestra, chamber ensemble, choir, and instruments including the piano, violin, cello, flute, mandolin, guitar, harp, organ. About 65 pieces were written in graphic notation. His compositions have been performed in numerous countries, with orchestra conductors including Aldo Ceccato, Clytus Gottwald, Erhard Karkoschka, Herbert Kegel, Lukas Foss, Zubin Mehta and Hermann Scherchen. The scores of his graphic music have been shown in exhibitions such as Staatsgalerie Stuttgart and the Wilhelm-Hack-Museum in Ludwigshafen. Schidlowsky worked as a professor of composition both in Chile and Israel, influencing many students. Life and career León Schidlowsky was born in Santiago de Chile on 21 July 1931. He studied there at the Instituto Nacional from 1940 to 1947, and the piano with Roberto Duncker at the Conservatorio Nacional of the Universidad de Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Gläser
Michael Gläser (born 2 November 1957) is a German singer, choral conductor and academic teacher. He was artistic director of broadcasters' choirs including the Rundfunkchor Berlin and the choir of the Bayerischer Rundfunk. He has been professor of choral conducting and Protestant church music at the Hochschule für Musik und Theater München from 1994. Two recordings for which he conducted a choir were nominated for the Grammy Awards. Life Born in Chemnitz, Gläser attended the Thomasschule zu Leipzig from 1967 to 1978 where he was a member of the Thomanerchor. He studied voice with Heidi Rieß and conducting with Andreas Pieske, Wolf-Dieter Hauschild and Dietrich Knothe at the Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig and the Hochschule für Musik "Hanns Eisler" Berlin from 1978 to 1985. He conducted the , the Berliner Singakademie and the MDR Rundfunkchor in Leipzig, where he was also active as a singer. In 1986, he became assistant to Diet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Günter Jena
Günter Jena (born 1933) is a German choral conductor and musicologist. He was the director of church music at St. Michaelis in Hamburg from 1973 to 1997. He founded the festival Bach-Tage Hamburg, and provided music for ballet performances of choreographer John Neumeier at the Hamburg State Opera, including Bach's ''St Matthew Passion''. Career Born in Leipzig, Jena attended the Thomasschule there, and then studied musicology. He studied psychology and philosophy in Berlin, and conducting and organ at the Musikhochschule München with Karl Richter, becoming his assistant. Jena worked as the church musician at in Würzburg. In 1969 he founded the festival . From 1973 he was the church musician at Hamburg's Hauptkirche St. Michaelis, where he regularly conducted performances of works by Bach, music from the classical period and the romantic period. He founded the festival Bach-Tage Hamburg, and was appointed Kirchenmusikdirektor (director of church music) for the region. Jena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirchenmusikdirektor
Kirchenmusikdirektor (KMD, director of church music) is a German title for professional church musicians (' who have responsibility for not only a parish but a larger region, in both Protestant and Catholic church music. The title is also sometimes awarded for long-term merits for church music. Depending on the organisation, different qualifications are required for the title. The leading church musician within a Protestant ''Landeskirche'' is usually called '' Landeskirchenmusikdirektor'' (state church music director), responsible for all church music within that region, and also for contact to church music education in a state. In Catholic dioceses, the equivalent title is ''Diözesankirchenmusikdirektor'' (DKMD). References Titles Honorary titles German church music {{Germany-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass In B Minor
The Mass in B minor (), BWV 232, is an extended setting of the Mass ordinary by Johann Sebastian Bach. The composition was completed in 1749, the year before the composer's death, and was to a large extent based on earlier work, such as a Sanctus Bach had composed in 1724. Sections that were specifically composed to complete the Mass in the late 1740s include the "Et incarnatus est" part of the Credo. As usual for its time, the composition is formatted as a Neapolitan mass, consisting of a succession of choral movements with a broad orchestral accompaniment, and sections in which a more limited group of instrumentalists accompanies one or more vocal soloists. Among the more unusual characteristics of the composition is its scale: a total performance time of around two hours, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atmen Gibt Das Leben
''Atmen gibt das Leben'' (''Breathing Gives Life''), is a choral opera with orchestra by Karlheinz Stockhausen, written in 1974 and expanded in 1976–77. It is Number 39 in the catalogue of the composer's works, and lasts about 50 minutes in performance. History The first part of ''Atmen gibt das Leben'' was composed for a cappella choir during a composition seminar on 1 February 1974. This was in response to a request from the German Choral Association for a piece that could be sung by amateur choirs, and Stockhausen's original idea was that his students should each write a simple choral piece using a text from ''The Bowl of Saki'', by Inayat Khan, and then all the pieces would be published together in a single volume. Not all of his students reacted favourably, and so the piece he composed himself for the project became the first part of Stockhausen's choral opera. This part was premiered by the NDR Chor, the choir of the Norddeutscher Rundfunk, in a public concert in Hamburg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
