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Nōin
, also known was , was a Japanese poet and monk of the late Heian period. Along with Izumi Shikibu, Nōin is one of " Thirty-six Medieval Poetry Immortals" of waka poetry selected by (1107–1165). Nōin authored of the ''Gengenshu'' and ''Nōin Utamakura''. Poetry One of his poems is anthologized in the ''Ogura Hyakunin Isshu is a classical Japanese anthology of one hundred Japanese ''waka'' by one hundred poets. ''Hyakunin isshu'' can be translated to "one hundred people, one poem ach; it can also refer to the card game of ''uta-garuta'', which uses a deck compos ...'': Bibliography *Peter McMillan (2008) ''One hundred poets, one poem each : a translation of the Ogura Hyakunin Isshu''. New York : Columbia University Press. Notes {{DEFAULTSORT:Noin 988 births 12th-century Japanese poets 1050s deaths Hyakunin Isshu poets The Pillow Book Heian period Buddhist clergy Buddhist poets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pillow Book
is a book of observations and musings recorded by Sei Shōnagon during her time as court lady to Empress Consort Teishi during the 990s and early 1000s in Heian-period Japan. The book was completed in the year 1002. The work is a collection of essays, anecdotes, poems, and descriptive passages that have little connection to one another except for the fact that they are ideas and whims of Shōnagon's spurred by moments in her daily life. In it she included lists of all kinds, personal thoughts, interesting events in court, poetry, and some opinions on her contemporaries. While it is mostly a personal work, Shōnagon's writing and poetic skill makes it interesting as a work of literature, and it is valuable as a historical document. Shōnagon meant her writing in ''The Pillow Book'' for her eyes only, but part of it was accidentally revealed to the Court during her life: "she inadvertently left it er writingon a cushion she put out for a visiting guest, who eagerly carried it off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyakuninisshu 069
is a classical Japanese anthology of one hundred Japanese ''waka'' by one hundred poets. ''Hyakunin isshu'' can be translated to "one hundred people, one poem ach; it can also refer to the card game of ''uta-garuta'', which uses a deck composed of cards based on the ''Hyakunin Isshu''. The most famous and standard version was compiled by Fujiwara no Teika (1162–1241) while he lived in the Ogura district of Kyoto. It is therefore also known as . Compilation One of Teika's diaries, the ''Meigetsuki'' (明月記), says that his son Tameie asked him to arrange one hundred poems for Tameie's father-in-law, Utsunomiya Yoritsuna, who was furnishing a residence near Mount Ogura; hence the full name of ''Ogura Hyakunin Isshu''. In order to decorate screens of the residence, Fujiwara no Teika produced the calligraphy poem sheets. Hishikawa Moronobu (1618–1694) provided woodblock portraits for each of the poets included in the anthology. Katsukawa Shunshō (1726–1793) designed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogura Hyakunin Isshu
is a classical Japanese anthology of one hundred Japanese ''waka'' by one hundred poets. ''Hyakunin isshu'' can be translated to "one hundred people, one poem ach; it can also refer to the card game of ''uta-garuta'', which uses a deck composed of cards based on the ''Hyakunin Isshu''. The most famous and standard version was compiled by Fujiwara no Teika (1162–1241) while he lived in the Ogura district of Kyoto. It is therefore also known as . Compilation One of Teika's diaries, the ''Meigetsuki'' (明月記), says that his son Tameie asked him to arrange one hundred poems for Tameie's father-in-law, Utsunomiya Yoritsuna, who was furnishing a residence near Mount Ogura; hence the full name of ''Ogura Hyakunin Isshu''. In order to decorate screens of the residence, Fujiwara no Teika produced the calligraphy poem sheets. Hishikawa Moronobu (1618–1694) provided woodblock portraits for each of the poets included in the anthology. Katsukawa Shunshō (1726–1793) designed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
988 Births
Year 988 ( CMLXXXVIII) was a leap year starting on Sunday (link will display the full calendar) of the Julian calendar. Events By place Byzantine Empire * Fall – Emperor Basil II, supported by a contingent of 6,000 Varangians (the future Varangian Guard), organizes the defences of Constantinople to meet a threat from the insurgents, Bardas Phokas the Younger and Bardas Skleros. Basil crosses the Bosphorus, and leads a surprise attack on the rebel camp of Kalokyros Delphinas, at Chrysopolis. Delphinas is captured and executed, either by crucifixion or by impalement (approximate date). Europe * April 1 – 16-year old Robert II of France ("Robert the Pious") is married to the much older Rozala (the widow of Arnulf II). The marriage is arranged by Robert's father, King Hugh Capet, to secure the loyalty of the County of Flanders. * Borrell II, count of Barcelona, does not renew his allegiance to Hugh Capet. He becomes a ''de facto'' independent ruler, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian Period
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kanmu, moved the capital of Japan to Heian-kyō (modern Kyoto). means "peace" in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court and noted for its art, especially poetry and literature. Two types of Japanese script emerged, including katakana, a phonetic script which was abbreviated into hiragana, a cursive alphabet with a unique writing method distinctive to Japan. This gave rise to Japan's famous vernacular literature, with many of its texts written by court women who were not as educated in Chinese compared to their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful aristocratic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Izumi Shikibu
was a mid-Heian period Japanese poet. She is a member of the . She was the contemporary of Murasaki Shikibu, and Akazome Emon at the court of empress Joto Mon'in. She "is considered by many to have been the greatest woman poet of the Heian period". Her legacy includes 242 poems and two '' kashu''. "Torn between worldly ties and physical desire, Izumi Shikibu left a wealth of passionate love poetry, fueling rumors that purported that she was a femme fatale with numerous lovers besides her two husbands and two princely lovers." Early life Izumi Shikibu was the daughter of Oe no Masamune, governor of Echizen. Her mother was the daughter of Taira no Yasuhira, governor of Etchu. In 995, at the age of 20, Izumi was married to Tachibana no Michisada, governor of Izumi, the origin for her name. Their daughter was born in 997, Koshikibu no Naishi, who also became a poet. However, Izumi soon divorced, and her former husband died soon afterwards. Introduction by Amy Lowell. As is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thirty-six Poetry Immortals
The are a group of Japanese poets of the Asuka, Nara, and Heian periods selected by Fujiwara no Kintō as exemplars of Japanese poetic ability. The oldest surviving collection of the 36 poets' works is ''Nishi Honganji Sanju-rokunin Kashu'' ("Nishi Honganji 36 poets collection") of 1113. Similar groups of Japanese poets include the Kamakura period ''Nyōbō Sanjūrokkasen'' (女房三十六歌仙), composed by court ladies exclusively, and the , or Thirty-Six Heian-era Immortals of Poetry, selected by (1107–1165). This list superseded an older group called the Six Immortals of Poetry. Sets of portraits (essentially imaginary) of the group were popular in Japanese painting and later woodblock prints, and often hung in temples. Kintō's Thirty-Six Immortals of Poetry # Kakinomoto no Hitomaro # Ki no Tsurayuki # Ōshikōchi Mitsune # Lady Ise # Ōtomo no Yakamochi # Yamabe no Akahito # Ariwara no Narihira # Henjō # Sosei # Ki no Tomonori # Sarumaru no Taifu # ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre. Up to and during the compilation of the ''Man'yōshū'' in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the '' Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goshūi Wakashū
:''"The language of poetry should be like brocade and the feeling deeper than the ocean."'' -from Michitoshi's Preface The , sometimes abbreviated as ''Goshūishū'', is an imperial anthology of Japanese waka compiled in 1086 at the behest of Emperor Shirakawa (who had ordered it begun in 1075). It was compiled by the conservative Fujiwara no Michitoshi (1047-1099), who wrote its preface. It consists of twenty volumes containing 1,220 poems. It is noted for a comparatively large contingent of poems written by women. Its name "Later Collection" comes from the fact that it succeeds the ''Shūi Wakashū'' ("Collection of Gleanings"). References * pg. 483 of ''Japanese Court Poetry'', Earl Miner, Robert H. Brower. 1961, Stanford University Press, LCCN 61-10925 ** pg 266; as quoted by Fujiwara no Shunzei was a Japanese poet, courtier, and Buddhist monk of the late Heian period. He was also known as Fujiwara no Toshinari"...there is the further problem, the rendition of the n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Japanese Poets
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1050s Deaths
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
