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Novelletten Op. 21 (Schumann)
The ''Novelletten'', Op. 21, is a set of eight pieces for solo piano, written by Robert Schumann in 1838. This composition is dedicated to Adolf von Henselt. Background The ''Novelletten'' were composed during February 1838, a period of great struggle for the composer. Schumann originally intended the eight pieces to be performed together as a group, though they are often performed separately. This set of pieces is an excellent example of Schumann's keyboard style. Analysis No. 1 in F major *''Markiert und kräftig'' (Marked and strong) This piece contains seven sections, alternating between a staccato march and flowing legato passages. The piece is a modified Rondo form. No. 2 in D major *''Äußerst rasch und mit Bravour'' (Extremely fast and with bravura) This virtuosic piece is graceful and effective. An Intermezzo section in the middle contrasts and varies the piece. No. 3 in D major *''Leicht und mit Humor'' (Light and with humor) This piece displays the compos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann 1839
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polonaise
The polonaise (, ; pl, polonez ) is a dance of Polish origin, one of the five Polish national dances in time. Its name is French for "Polish" adjective feminine/"Polish woman"/"girl". The original Polish name of the dance is Chodzony, meaning "the walking dance". It is one of the most ancient Polish dances representing Polish cultural dance tradition. Polonaise dance influenced European ballrooms, folk music and European classical music. The polonaise has a rhythm quite close to that of the Swedish semiquaver or sixteenth-note polska, and the two dances have a common origin. Polska dance was introduced to Sweden during the period of the Vasa dynasty when king Vasa introduced it from Poland to Sweden that's why its name simply mean Poland; "polska" is a Polish word for Poland. The polonaise is a very popular dance uninterruptedly danced in Poland till today. It is the dance danced as an opening dance in all major official balls, events, at the final year of the high scho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1838 Compositions
Events January–March * January 10 – A fire destroys Lloyd's Coffee House and the Royal Exchange in London. * January 11 – At Morristown, New Jersey, Samuel Morse, Alfred Vail and Leonard Gale give the first public demonstration of Morse's new invention, the telegraph. * January 11 - A 7.5 earthquake strikes the Romanian district of Vrancea causing damage in Moldavia and Wallachia, killing 73 people. * January 21 – The first known report about the lowest temperature on Earth is made, indicating in Yakutsk. * February 6 – Boer explorer Piet Retief and 60 of his men are massacred by King Dingane kaSenzangakhona of the Zulu people, after Retief accepts an invitation to celebrate the signing of a treaty, and his men willingly disarm as a show of good faith. * February 17 – Weenen massacre: Zulu impis massacre about 532 Voortrekkers, Khoikhoi and Basuto around the site of Weenen in South Africa. * February 24 – U.S. Representatives William J. Graves of Kentu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Music By Robert Schumann
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dino Ciani
Dino Ciani (June 16, 1941 – March 28, 1974) was an Italian pianist. Ciani was born in Fiume (now Rijeka in Croatia) and studied piano with Martha Del Vecchio in Genoa. He obtained his diploma at the Conservatory in Rome at the age of 14 and later, from 1958 to 1962, attended the advanced courses of Alfred Cortot, whom he greatly revered, in Paris, Lausanne and Siena. Cortot described Ciani in most enthusiastic terms: "miraculously gifted ... one of the most remarkable examples of the rarest talents one could hope to find". Ciani's career began when he won second prize at the Liszt-Bartók Competition in Budapest in 1961. The venues in which he performed included Salle Pleyel, Carnegie Hall and Chicago Philharmonic, Kennedy Center. He made his debut at Teatro alla Scala under the baton of Claudio Abbado with Beethoven's Fourth Piano Concerto in 1968. With Abbado he also performed Prokofiev's Fifth Piano Concerto in 1968 at RAI Auditorium in Rome (then also at La Scala) an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danny Driver
Danny Driver (born 1977) is a British classical pianist. Biography Danny Driver was born and grew up in London. His mother is Israeli, and his first language was Hebrew. His father is was a keen amateur violinist who studied at Oxford University. Through his mother, he is descended from the Baal Shem Tov (also an ancestor of his wife, the American conductor Rebecca Miller). He studied Natural Sciences at the University of Cambridge before moving to the Royal College of Music. In 2001 he won both the Royal Over-Seas League Competition Keyboard Award and the BBC Radio 2 Young Musician of the Year Competition. Danny has performed with the BBC Scottish Symphony Orchestra, Royal Philharmonic Orchestra, Orchestra of the Age of Enlightenment, Minnesota Orchestra, and Bournemouth Symphony Orchestra, among many others. He has made two appearances at the BBC Proms, most recently with the Royal Philharmonic Orchestra and their Artistic Director Charles Dutoit. His performance of Saint- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperion Records
Hyperion Records is an independent British classical record label. History Hyperion is an independent British classical label that was established in 1980 with the goal of showcasing recordings of music in all genres and from all time periods, from the twelfth century to the twenty-first. The company was named after Hyperion, one of the Titans of Greek mythology. It was founded by George Edward Perry, widely known as "Ted". Early LP releases included rarely recorded 20th century British music by composers such as Robin Milford, Alan Bush and Michael Berkeley. The success of the venture was sealed with a critically acclaimed and popular disc of music by Hildegard of Bingen, ''A Feather on the Breath of God'' (1985), directed by the medievalist Christopher Page and his group Gothic Voices. The current director of Hyperion Records is Simon Perry, son of Ted Perry. Recognition Hyperion became renowned for recording lesser-known works, particularly reviving Romantic piano con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
étude
An étude (; ) or study is an instrumental musical composition, usually short, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano. Of the vast number of études from that era some are still used as teaching material (particularly pieces by Carl Czerny and Muzio Clementi), and a few, by major composers such as Frédéric Chopin, Franz Liszt and Claude Debussy, achieved a place in today's concert repertory. Études written in the 20th century include those related to traditional ones (György Ligeti) and those that require wholly unorthodox technique (John Cage). 19th century Studies, lessons, and other didactic instrumental pieces composed before the 19th century are extremely varied, without any established genres. Domenico Scarlatti's ''30 Essercizi per gravicembalo'' ("30 Exercises for harpsichord", 1738) do not differ in scope fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syncopation
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, especially dance music. According to music producer Rick Snoman, "All dance music makes use of syncopation, and it's often a vital element that helps tie the whole track together". Syncopation can also occur when a strong harmony is simultaneous with a weak beat, for instance, when a 7th-chord is played on the second beat of measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclusion of any section. A hemiola (the equivalent Latin term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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